「cantata」の共起表現一覧(1語右で並び替え)
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Bach wrote the | cantata, a solo cantata for a tenor, in 1726 in Leipz |
f the Screw, The Little Sweep, Owen Wingrave, | Cantata Academica and Spring Symphony, as well as his |
nd gave the first UK performance of Britten's | Cantata Academica in 1961 as well as the UK premiere |
k before in the performance in Leipzig of the | cantata Ach! ich sehe, itzt, da ich zur Hochzeit gehe |
The History of Happiness, | cantata after V. Vinnikov (1949) |
Bach performed the | cantata again on 10 October 1723 in his first year in |
Bach performed the | cantata again in a revised version in his first year |
dentity of the singer for whom Bach wrote the | cantata and for exactly what purpose it was written; |
1790); a | cantata, and vocal works (including canons, catches, |
The Nativity | Cantata and other Christmas Music by Peter Skellern p |
chestra is known for include the Yellow River | Cantata and Yellow River Piano Concerto. |
e is the subject of the poem, and later song, | cantata, and painting, The Death of Minnehaha. |
plished amateur singer of madrigal, oratorio, | cantata, and liturgical chant. |
mphonies, choral pieces such as his Christmas | Cantata and many songs, generally in the lieder style |
ollaborated on several projects including the | cantata Annotations of Auschwitz (1964). |
Thus, the hymn or the | cantata are commonly performed in churches on that Su |
Howard and Blaikley's ‘space | cantata', Ark 2 (1969), performed by Flaming Youth, d |
Bach composed the | cantata as late as 1732 in order to complete his cycl |
mperial March' for the occasion, as well as a | cantata based on the story of St. George and the Drag |
His | cantata based on the preamble to the constitution of |
He was greatly inspired to write a | cantata based on the poem. |
His best known surviving work is probably the | cantata Bohmens Erretung. |
n adaptation of a previously composed secular | cantata, BWV 34a, it reached its current form in Leip |
Bach | Cantata BWV 147, Motets BWV 226, BWV 228, BWV 230, co |
in chorale for the Sunday used also in Bach's | cantata BWV 185 written in Weimar. |
This article is about the | cantata BWV 60. |
Cantata BWV 66a Erfreut euch, ihr Herzen on the bach | |
Cantata BWV 42: Sinfonia (Da capo: bars 1-53) and ten | |
Erschallet, Trompeten!, BWV 214, is a | cantata by Johann Sebastian Bach, composed to honor t |
erman: Lord God, we praise You), BWV 16, is a | cantata by Johann Sebastian Bach, first performed in |
he Marshes of Glynn" is the inspiration for a | cantata by the same name that was created by the mode |
Webern had begun sketching a Third | Cantata by the time he was killed in 1945. |
Belshazzar's Feast is a | cantata by the English composer William Walton. |
en (My soul magnifies the Lord), BWV 10, is a | cantata by Johann Sebastian Bach. |
fliehen hin (Where shall I flee), BWV 5, is a | cantata by Johann Sebastian Bach. |
Ehren (BWV 231) is spurious; it is part of a | cantata by Telemann. |
The Missa | Cantata came into use during the 18th century and was |
Company and Christmas Story, and a children's | cantata Captain Noah and his Floating Zoo. |
usic by the German composer Carl Orff for his | cantata Carmina Burana where it is used as the openin |
, the musical triptych that also includes the | cantata Catulli Carmina and Trionfo di Afrodite. |
Op. 31; as well as a Grand Concert, Op. 50, a | cantata, chamber works and songs. |
Seven Last Words from the Cross ( | cantata: choir and strings - 1993) |
fter an energetic instrumental interlude, the | cantata closes with a congregational hymn praising Go |
and Treasure (Jesu meine Freude) motet, Bach | Cantata Club conducted by Charles Kennedy Scott, 1927 |
55, with Joan Brocklebank, of the Dorset Bach | Cantata Club. |
The brevity of this | cantata, compared to the cantatas in two parts writte |
I call, Lord, to thee), BWV 131, is a sacred | cantata composed by Johann Sebastian Bach. |
chienen der Sohn Gottes, BWV 40, Bach's first | cantata composed for Christmas in Leipzig and perform |
Carmina Burana is a scenic | cantata composed by Carl Orff in 1935 and 1936. |
eloved Jesus, my desire), BWV 32, is a church | cantata composed by Johann Sebastian Bach. |
d, look down from heaven), BWV 2, is a church | cantata composed by Johann Sebastian Bach. |
alls relatively early in Bach's chronology of | cantata compositions - it was possibly composed for 2 |
rchestra for the premiere of the Yellow River | Cantata consisted of only two or three violins and tw |
The | Cantata Cycle 1716-1717 (also known as the Concertant |
f the soprano parts in Helmuth Rilling's Bach | cantata cycle of the mid-1970s to mid-1980s, appearin |
the scores, particularly the early Frankfurt | cantata cycles. |
the Europa Cantat IX Festival, singing in the | Cantata de las Naciones Unidas by C. Halffter; the Va |
Cantata de puentes amarillos - 9' 12 | |
The | cantata Dona nobis pacem by Ralph Vaughan Williams (1 |
However in 1734, Bach performed a secular | cantata dramma per musica in honour of Augustus in th |
1933), and in 1939 premiered a | cantata drawn from the film music for Alexander Nevsk |
re among his most powerful including the solo | cantata Drop, Drop Slow Tears (1960), the song cycle |
Faust" | cantata during his career. |
rick III of Saxe-Gotha-Altenburg, composing a | cantata each week. |
The | cantata ends comically with three pompous notes in de |
Benjamin Britten wrote a Christmas | cantata entitled "St. |
Det evige Halleluja (The Eternal Hallelujah) | cantata for soprano, contralto, mixed choir, recitati |
One his recent composing projects, the | Cantata for Peace, Halelu-Songs of David, is a collab |
His most well-known work in Nazi Germany was | Cantata for November 9, a eulogy to the Nazi 'martyrs |
He wrote this | cantata for the Second Sunday after Epiphany and firs |
30) is a festival | cantata for four soloists, SATB choir, and organ comp |
Rinaldo, a | cantata for tenor solo, four-part male chorus and orc |
Kurt Hessenberg, who wrote in 1935 a chorale | cantata for mixed chorus, two solo voices, organ and |
conducted by Erhard Mauersberger, such as the | cantata for Pentecost Erschallet, ihr Lieder, erkling |
n music and this new version (described as a ' | cantata for soloists, chorus and orchestra') opened a |
nies (1846-94), five operas (1845-1854) and a | cantata for the twenty-fifth anniversary of the coron |
Among his works are: Heinrich der Finkler, a | cantata for solo, male chorus, and orchestra; additio |
Cantata for baritone, choir and orchestra, 1977 | |
Johann Nepomuk Hummel - Birthday | Cantata for Goethe |
The | Cantata for the 20th Anniversary of the October Revol |
Cantata for soprano and orchestra after Klabund (1975 | |
It is Bach's only extant | cantata for tenor. |
Das Bacchusfest, | cantata for chorus and orchestra, 1880 |
The Vesna ("Spring") | Cantata for Baritone, Chorus, and Orchestra, Op. 20 i |
Wie der Hirsch schreyet nach frischem Wasser, | cantata for soprano, 2 violins and basso continuo |
Jauchzet dem Herrn alle Welt, | cantata for soprano, 2 oboes, 2 violins and basso con |
Phaedra Op. 93 is a | cantata for mezzo-soprano and orchestra by Benjamin B |
The Pied Piper of Hamlin, | Cantata for soloists, chorus and orchestra |
Alexander Nevsky, Op. 78, | cantata for mezzo-soprano, chorus, and orchestra |
Bach later borrowed from the | cantata for his Markus-Passion and for another funera |
Bach composed the | cantata for the Third Day of Easter in Leipzig and fi |
ei mit dir (Peace be with you) (BWV 158) is a | cantata for bass soloist believed to have been compos |
th Thesis was used by Sergey Prokofiev in his | Cantata for the 20th Anniversary of the October Revol |
astian Bach's Herz und Mund und Tat und Leben | cantata for the soundtrack. |
three movements of this Gloria to compose his | cantata Gloria in excelsis Deo, BWV 191, possibly for |
His | cantata, God with Us, was one of the few compositions |
His life was celebrated in a sacred | cantata Greatheart: The Story of John Pounds, by the |
und 1732/1733, therefore it is unknown if the | cantata had the same structure from the beginning. |
the | cantata Heloise and Abelard |
for his Symphony for Strings, Opus 3, and his | cantata Hippolytus. |
Cantata Ich danke dir, Gott | |
Cantata III "Country-land, country-idea" for women's | |
Bach wrote the | cantata in his first year in Leipzig for the Third Da |
Bach composed the | cantata in Leipzig in his first annual cycle for the |
based on two youthful works of Mascagni: his | cantata In Filanda (1881) which was combined with the |
Bach composed the chorale | cantata in 1724, but only continuo parts of the first |
t (A mighty fortress is our God) is a chorale | cantata in D major by Johann Sebastian Bach (BWV 80). |
Bach wrote the | cantata in 1723 during his first year in Leipzig for |
The third verse of the chorale ends the | cantata in a simple choral setting embedded in orches |
Bach wrote the | cantata in his first year in Leipzig for the New Year |
the world premiere of Charles Wugk Sabatier's | Cantata in Montreal which was performed in honour of |
d expanded it in 1723 in Leipzig to BWV 70, a | cantata in two parts for the 26th Sunday after Trinit |
s oeuvre, as well as the only movement in the | cantata in the major mode, shifting from B minor to D |
Bach wrote the | cantata in his first year in Leipzig, which he had st |
8:11 and 2 Corinthians 12:9, he concludes the | cantata in hope, expressed in the closing chorale Her |
Harold E. Samuel: The | Cantata in Nuremberg during the Seventeenth Century ( |
Bach wrote the | cantata in his first year in Leipzig for Septuagesima |
Bach wrote the | cantata in Leipzig for Estomihi and probably first pe |
Bach wrote the | cantata in 1723 in his first year in Leipzig for the |
anist Yin Chengzong arranged the Yellow River | Cantata into a concerto for piano and orchestra, by t |
The | cantata is scored for soprano, alto and bass soloists |
BWV 646, most scholars assume that the source | cantata is one of the 100 or so believed to have been |
The | cantata is scored for tenor and bass soloists, a four |
s desire), BWV 208, also known as the Hunting | Cantata, is a secular cantata composed in 1713 by Joh |
y Sundays of the season of Advent, and so the | cantata is also commonly performed during that season |
Each Christmas the Chancel Choir | Cantata is much anticipated and there are other speci |
The | cantata is scored for soprano, tenor and bass soloist |
The | cantata is scored for four soloists and a four-part c |
The | cantata is scored for soprano, alto, tenor and bass s |
The | cantata is written for soprano, alto and tenor solois |
Prince of Peace!), close to the theme of the | cantata, is accompanied by a quote of the chorale mel |
The | cantata is scored for soprano, alto, tenor and bass s |
The | cantata is scored for alto and tenor soloists, a four |
The | cantata is divided into three parts. |
The duration of the | cantata is about 17 minutes. |
The idea behind the | cantata is taken from the Finnish national epic, the |
Now the | cantata is frequently performed by youth and amateur |
The | cantata is concluded by Gute Nacht, o Wesen, verse 5 |
The | cantata is scored for alto, tenor and bass soloists a |
The | cantata is festively scored for soprano, alto, tenor, |
The | cantata is scored for soprano, alto and tenor soloist |
Letterkunde, (1854), Volksliederen, (1861, a | cantata Jacob van Artevelde, (1863), Geschiedwerk ove |
In 1877 his | cantata Klokke Roeland won him the Belgian Prix de Ro |
rezia" (based on "Gia nel seno" from Handel's | cantata La Lucrezia) and "Pace non trovo" (a vocal ad |
place in the Prix de Rome competition for his | cantata La Mort d'Adonis. |
won the Belgian Prix de Rome in 1945 for his | cantata La vague et le sillon. |
eciated by Johann Sebastian Bach, and Conti's | Cantata Languet anima mea, survives in a manuscript v |
de Rome with its money grant in 1857 for his | cantata Le Meurtre d'Abel, and this enabled him to tr |
he won the second Grand Prix de Rome with his | cantata Le Rocher d'Appenzell. |
nsemble's recording of Peter Maxwell Davies's | cantata Leopardi Fragments. |
Cantata Meine Seufzer, meine Klagen | |
ous singing societies, and in addition to the | cantata mentioned he composed some sonatas for the pi |
Cantata Mit Fried und Freud ich fahr dahin Klaus Mert | |
inor role in the 1967 recording of Herrmann's | cantata Moby-Dick, and following this he made his ope |
s well as four books of piano arrangements of | cantata movements of Bach. |
e closing movement of Johann Sebastian Bach's | cantata, Nach dir, Herr, verlanget mich, BWV 150. |
1888) forbidden the use of incense at a Missa | Cantata; nevertheless, exceptions have been made for |
In the final movement of the | cantata, Nicolas speaks to his impending death with j |
three compositions, two are secular cantatas: | Cantata No. 1, op. 29 (1938-39), and Cantata No. 2, o |
hee, Lord Jesus Christ), BWV 177, is a church | cantata of Johann Sebastian Bach, written in Leipzig |
if there be any sorrow), BWV 46, is a church | cantata of Johann Sebastian Bach, written for the 10t |
God, so is Thy praise), BWV 171, is a church | cantata of Johann Sebastian Bach, written for New Yea |
The | cantata of Bach's third annual cycle in Leipzig was w |
fellow's poem was adapted into a very popular | cantata of the same name by Arthur Sullivan with libr |
Video of a Missa | Cantata offered on the Last Sunday after Pentecost at |
Tenor, Horn and Strings in 1943, and, in his | Cantata on Old English Texts of 1952, Igor Stravinsky |
His output includes Ulysses (1947), a | cantata on words by James Joyce; scores to animated f |
Cantata on Mediaeval Latin Texts for countertenor, fl | |
In 1724 Bach wrote a chorale | cantata on the complete chorale, O Ewigkeit, du Donne |
hermore, the second (Leipzig) version of this | cantata only uses the middle and low strings, without |
Hereward (Hereward the Wake), Dramatic | Cantata, Op.12; words by William Grist |
The | cantata opens with a bass aria, accompanied by three |
The | cantata opens with a jaunty trumpet theme in D-flat m |
hamber, symphonic), vocal-instrumental works ( | cantata, opera), film music, incidental music, compos |
ка (Svadebka)) by Igor Stravinsky, is a dance | cantata, or ballet with vocalists. |
interlude, or postlude to an opera, oratorio, | cantata, or suite. |
For the Bach | Cantata Pilgrimage of the Monteverdi Choir, Robert Le |
oduktion 463 585-2 (recorded live on the Bach | Cantata Pilgrimage, Christchurch, February 2000) |
icated to the recordings made during the Bach | Cantata Pilgrimage. |
The | cantata premiered in Paris on 27 July 1884 to great s |
Cantata Profana (with Samuel Barber's Prayers of Kier | |
ecorded oboe d'amore obligati in the BBC Bach | Cantata Series. |
del and Alfred Mann as director of New York's | Cantata Singers in 1959, gaining notice for its prese |
le Symphony, Oregon Symphony, Boston Cecilia, | Cantata Singers, Spectrum Singers, Chorus pro Musica, |
Cantata solemnis (1971) | |
rt from several pieces of incidental music, a | cantata, solo piano works, and songs, he published th |
his theatrical work, Johnson wrote the Easter | cantata Son of Man, which premiered at New York's Cit |
able subject for a choral piece to follow his | cantata Spring. |
Benjamin Britten - 1948 | cantata St Nicholas |
During those years he also wrote the | cantata, Sweet Freedom's Song, in 1965; the Fifth Sym |
Cantata Symposium (1966) | |
); there is evidence of a performance of this | cantata taking place in April or May 1725. |
The unknown poet of the | cantata text stressed the opposites of the gospel, Go |
Franck had already written several secular | cantata texts prior to his association with Johann Se |
rvise the music at the local church and write | cantata texts. |
1 Herz und Mund und Tat und Leben, BWV 147, a | cantata that Bach had written in 1723 for the feast o |
he play Iphigenia in Tauris by Euripides, the | cantata The Music of the Spheres, and the oratorio Je |
to such diverse musical ideas as the chorale | cantata, the concerto grosso, and the sonata. |
the Federation of American Composers for his | cantata The Singers, and in 1947 he received an award |
usic, an Elegy for violin and orchestra and a | cantata, The Eve of the Festa. |
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