「saxophone」の共起表現一覧(1語右で並び替え)6ページ目
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Jackie Lamar, | Saxophone Professor at University of Central Arkansas |
David Dees, | Saxophone Professor at Texas Tech University |
James Romain, | Saxophone Professor at Drake University |
Kyle has been a | saxophone professor at the Royal College of Music sinc |
Zeus B. Held - keyboards, | saxophone, programming |
8, a song inspired to help Ernie to play the | saxophone properly (without holding his rubber duck). |
eventeenth album by the jazz group the World | Saxophone Quartet and their fifth on the Justin Time l |
came a member of the renowned Pierre Bourque | Saxophone Quartet in 1971 with whom he spent the next |
ENJ-9420-2 New Art | Saxophone Quartet SONGS AND DANCES |
fifteenth album by the jazz group the World | Saxophone Quartet and their third on the Canadian Just |
The Rova | Saxophone Quartet is a San Francisco-based saxophone q |
He took over leadership of the London | Saxophone Quartet after the death of its founder Micha |
le musician; he was stationed with the World | Saxophone Quartet (´86-´88), Reggie Workman (´89-´93), |
Saxophone Quartet No. 1 (1996) | |
World | Saxophone Quartet - Experience (2004) |
He was a member of the Apollo | Saxophone Quartet and producer of the London Saxophoni |
The World | Saxophone Quartet is an jazz ensemble founded in 1977, |
ith bands Auktyon, The Billy Tipton Memorial | Saxophone Quartet and many others. |
t eminent chamber ensembles, the New Century | Saxophone Quartet on their highly praised recording of |
c Orchestra, the Nieuw Ensemble, the Aurelia | Saxophone Quartet and Orkest de Volharding. |
the debut album by the jazz group the World | Saxophone Quartet released on the Moers Music label in |
Rova | Saxophone Quartet - Freedom in Fragments (Composed by |
thirteenth album by the jazz group the World | Saxophone Quartet and their first on the Canadian Just |
Quartet (formerly The Billy Tipton Memorial | Saxophone Quartet) and Die Resonanz Stanonczi, a radic |
r a variety of ensembles (including the ROVA | Saxophone Quartet), scored numerous Shakespearean play |
l-time professor and a member of the Berklee | Saxophone Quartet, received the institution's Outstand |
roup principally recorded and performed as a | saxophone quartet, usually with a lineup of two altos, |
His works comprises parts for jazz quartet, | saxophone quartet, big band, saxophone & organ, string |
He has played with the Apollo | Saxophone Quartet, Spiritualized, Michael Nyman and as |
ambert Dance Company, London Musici, Mistral | Saxophone Quartet, Piccadilly Dance Orchestra, and man |
chestra, Lyric Opera San Diego, the Spectrum | Saxophone Quartet, and numerous professional musical t |
hite Roy Ayers, Sting (Brand New Day), World | Saxophone Quartet, Janet Jackson's "That's the Way Lov |
in, viola or clarinet, cello, flute, guitar, | saxophone quartet, woodwind quintet), many shorter orc |
the tenth album by the jazz group the World | Saxophone Quartet. |
o that he was a founding member of the Myrha | Saxophone Quartet. |
place as the alto saxophonist in the Rascher | Saxophone Quartet. |
by Carey Blyton and performed by the London | Saxophone Quartet. |
The Billy Tipton Memorial | Saxophone Quartet/The Tiptons |
Rova | Saxophone Quartet: As Was (1981) |
World | Saxophone Quartet: Point Of No Return (1977) |
numerous transcriptions and arrangements for | saxophone quartet; some of which have been recorded by |
"[29th Street | Saxophone Quartet] is a band of contrasts. |
The first instrumentation consisted of a | saxophone quintet (bass, baritone, tenor, and 2 alto s |
Saxophone: Randy Ellis and Miguel Gandelman | |
it was cool and jazzy, emphasising piano and | saxophone rather than guitar and harmonica. |
d and Fire Horns made up of Gary Bias on the | saxophone, Raymond Lee Brown on the trumpet and flugel |
by Ankita Joshi, vocal by Madhup Mudgal and | Saxophone recital By Padmasri Dr. Kadri Gopalnath |
This set is a solo soprano | saxophone recital in which Lacy digs into nine of Monk |
Scott Gilman - | saxophone, recorder, background vocals |
performs vocals, guitar, harmonica, soprano | saxophone, recorder, piano, organ, electric bass, drum |
o opted for a heavier reed, using a baritone | saxophone reed on his tenor saxophone. |
Donaldson's tone on alto | saxophone, regardless of setting, sounds like Charlie |
ern dance beats while he played solos on his | saxophone reminiscent of the Middle-East. |
styles, like jazz and the foxtrot, while the | saxophone replaced the clarinet. |
Saxophone: Rick Bell Live Bass: Jim Spears | |
musical arrangement featured the composer's | saxophone, Rick Wakeman's keyboards and Mick Ronson's |
The song is instrumental, opening with a | saxophone riff giving the sense of jazz. |
n instrumental house tune with a synthesized | saxophone riff, on Credence, a sublabel of Parlophone |
The song features Washington's trademark | saxophone riffs and an inspiring vocal delivery from L |
nd Baritone Saxophones); Howard Wiley (Tenor | Saxophone); Robert Stewart (Tenor Saxophone); Pete Cor |
in New Orleans, offered Houston the baritone | saxophone role in his band. |
A matchless melodic tenor | saxophone, Rollins just kept rolling along ". |
borative group including Lars Dietrich (alto | saxophone), Samir Zarif (tenor saxophone), Zack Lober |
Skerik - | saxophone, samples |
Stephen "Doc" Kupka - | Saxophone, Sax (Baritone), Producer |
John Brown - | saxophone, sax (alto) |
David Sanborn - alto | saxophone, saxello |
Elton Dean - alto | saxophone, saxello, (Fender Rhodes) electric piano (2) |
Jan Allan, trumpet, Anders Paulsson, soprano | saxophone, Saxes Galore (All music by Nils Lindberg, e |
bury, CT, perhaps best-known for leading the | saxophone section from 1940-1949 in the Cab Calloway b |
rkins and Art Pepper, Kamuca was part of the | saxophone section on Rogers' big-band jazz version of |
McConnell introduced a | saxophone section in 1970, and expanded the trumpet se |
rnivale can be heard here - the Clarinet and | Saxophone sections utilize Folk music to make sound th |
In 1995 he founded the | saxophone septet Septune of which he remains Artistic |
She first began playing the | saxophone seriously while at Yale University, from whi |
the late '30s, where his bass sax anchored a | saxophone sextet led by Stabile (which did not record) |
rown Brothers were a Canadian vaudeville era | saxophone sextet consisting of six brothers. |
), Beaver Harris (1983), The Julius Hemphill | Saxophone Sextet (1987), “The Six Winds” Dutch Saxopho |
n on Piano, Chris Engel on alto and baritone | Saxophone, Shane Cooper on Double Bass and Lee Thomson |
After picking up | saxophone, she first played locally in Newcastle and t |
In addition to the | saxophone, she also played the transverse flute. |
The | Saxophone Shop (1985) |
hnson played drums from age 13 and picked up | saxophone shortly thereafter; he continued to play dru |
ord for the largest number of people playing | saxophone simultaneously. |
orida State University's artist-professor of | saxophone since 1974, the first individual to hold the |
He plays | saxophone, sings and dances. |
He also owns and records with a contrabass | saxophone, so rare that fewer than twenty in playable |
ed set of straps to hold a tenor and an alto | saxophone so that he could put forward incredible chor |
He was president of the Clarinet and | Saxophone Society of Great Britain. |
n recorded by such artists as the Beau Hunks | Saxophone Soctette, Earl Coleman, Billy Cotton, Joan E |
sion from 2006's "Bittersweet 16" includes a | saxophone solo which the singer recalls having heard i |
Her version - featuring a | saxophone solo during the musical bridge but not the r |
It also features a | saxophone solo by Maceo Parker. |
Saxophone solo on "Bangladesh": Ed Calle | |
saxophonist Bobby Keys performs an extended | saxophone solo over the layered guitar work of Richard |
fter Scott heard Thistlethwaite performing a | saxophone solo on the song "Johnny Smiled Slowly", a t |
James Moody's | saxophone solo on a 1952 recording of this song inspir |
th Basie, and "Harvard Blues", with a famous | saxophone solo by Don Byas. |
ine played by Roy Bittan and also features a | saxophone solo from Clarence Clemons. |
A similar | saxophone solo can be heard in the extended version of |
Featured in the song is a | saxophone solo from long serving Jack Schroer. |
960s rock-and-roll song, as evidenced by its | saxophone solo during the musical bridges. |
Studio musician Steve Douglas performs a | saxophone solo during the song's bridge. |
s of the time; in addition, the song added a | saxophone solo at the introduction and again during mi |
Saxophone solo on "Hold On": Eli Fontaine | |
The classic tenor | saxophone solo was played by Gerald Albright, Los Ange |
ition to the Zappa solo, it features a tenor | saxophone solo by Underwood and violin solo by Don "Su |
The track fades out with a short | saxophone solo by John Helliwell. |
1983, John Helliwell would play a different | saxophone solo each performance with some ranging from |
It was intended that he would record his | saxophone solo on board the Challenger, which would ha |
1946 and still well remembered with a tenor | saxophone solo from Johnny Gray, the piece becomes an |
Stone, Clemons described how he recorded the | saxophone solo with Gaga. |
g features rock guitar riffs from Tarplin, a | saxophone solo from Thomas "Beans" Bowles, keyboards f |
nd Vangelis, as well as playing the haunting | saxophone solo on the Vangelis composition "Love Theme |
n; Voormann - bass; Keltner - drums; Scott - | saxophone solo, arrangements; Jim Horn - arrangements; |
gement is in a different key, and includes a | saxophone solo. |
on Airplane version and also features a long | saxophone solo. |
Saxophone solo: Fernando Harkness | |
y strings whatsoever; the first to feature a | saxophone solo; and the band's first compact disc issu |
Michael Brecker - tenor | saxophone, soloist |
nthusiastic vocals, his own piano, and tenor | saxophone solos by 17 year old Raymond Hill (later to |
The album features four | saxophone solos, recorded by sound engineer Michael Ge |
The song is best known for its lengthy | saxophone solos, performed by Tom Scott, while King si |
At 16 he took up the flute, and tenor | saxophone soon followed. |
boists, and also plays English horn, soprano | saxophone, sopranino saxophone, bass clarinet, clarine |
Andy Sheppard - tenor | saxophone, soprano saxophone |
Anthony Braxton - alto | saxophone, soprano saxophone, flute, clarinet, contrab |
t am Main) is a jazz musician who plays alto | saxophone, soprano saxophone, clarinet and flute. |
ris Potter - Bass clarinet, Alto flute, Alto | saxophone, Soprano saxophone, Tenor saxophone |
Roscoe Mitchell - alto | saxophone, soprano saxophone, bass saxophone, flute, r |
Anthony Braxton - alto | saxophone, soprano saxophone, sopranino saxophone, con |
clarinet, bass clarinet, flute (alto), alto | saxophone, soprano saxophone, tenor saxophone, didgeri |
ell, John Stubblefield, Marty Ehrlich - alto | saxophone, soprano saxophone, flute |
George Adams: tenor | saxophone, soprano saxophone, flute (tracks 1-3 & 5) |
Walt Weiskopf - tenor | saxophone, soprano saxophone, flute, clarinet, |
Gary Foster - alto | saxophone, soprano saxophone, flute, clarinet (except |
Jerome Richardson - alto | saxophone, soprano saxophone, clarinet, flute |
Joseph Jarman: alto | saxophone, soprano saxophone, clarinet, bassoon, bells |
Gary Foster - alto | saxophone, soprano saxophone, flute, clarinet (except |
Anthony Braxton: alto | saxophone, soprano saxophone, clarinet, contrabass cla |
Frank Foster: tenor | saxophone, soprano saxophone, clarinet, arranger |
George Garzone - tenor | saxophone, soprano saxophone (tracks 1 & 2) |
Alexander played tenor | saxophone, soprano saxophone, and piano. |
Joe Farrell, Dave Liebman - tenor | saxophone, soprano saxophone |
Steve Wilson - clarinet, flute, alto | saxophone, soprano saxophone |
Donny McCaslin - Tenor | saxophone, Soprano saxophone, Clarinet, Flute |
Roscoe Mitchell: alto | saxophone, soprano saxophone, clarinet, flute, percuss |
Bill Byrne - baritone | saxophone, soprano saxophone, bass clarinet, alto flut |
Matt Catingub - alto | saxophone, soprano saxophone, flute, clarinet |
Chico Freeman: tenor | saxophone, soprano saxophone, bass clarinet, vocals |
Chuck Greenberg - Lyricon, tenor | saxophone, soprano saxophone, stone flute |
Chico Freeman: tenor | saxophone, soprano saxophone, bass clarinet |
Albert Ayler: tenor | saxophone, soprano saxophone, alto saxophone, vocal, r |
Aaron Stewart: tenor | saxophone, soprano saxophone |
Oliver Lake - alto | saxophone, soprano saxophone |
Bruce Williams - alto | saxophone, soprano saxophone |
John Surman - baritone | saxophone, soprano saxophone |
Anthony Braxton - alto | saxophone, soprano saxophone, clarinet |
Steve Grossman - tenor | saxophone, soprano saxophone |
Sonny Rollins: tenor | saxophone, soprano saxophone |
Peter King - alto | saxophone, soprano saxophone |
Greg Osby - alto | saxophone, soprano saxophone |
Jan Garbarek - tenor | saxophone, soprano saxophone |
Gary Bartz: alto | saxophone, soprano saxophone, clarinet |
Ron Bridgewater: tenor | saxophone, soprano saxophone |
Wayne Shorter - tenor | saxophone, soprano saxophone |
Branford Marsalis - tenor | saxophone, soprano saxophone |
Emanuel Boyd - tenor | saxophone, soprano saxophone |
Charles Lloyd - tenor | saxophone, soprano saxophone, tarogato |
Gary Joynes - tenor | saxophone, soprano saxophone, flute |
Janis Steprans - alto | saxophone, soprano saxophone, flute |
Ronnie Laws - tenor | saxophone, soprano saxophone, flute |
Tom Scott - tenor | saxophone, soprano saxophone, multivider |
Azar Lawrence: tenor | saxophone, soprano saxophone |
Greg Osby: alto | saxophone, soprano saxophone |
Jan Garbarek: tenor | saxophone, soprano saxophone |
Scott Robinson - baritone | saxophone, soprano saxophone |
Evan Parker: tenor | saxophone, soprano saxophone |
Sonny Rollins - tenor | saxophone, soprano saxophone |
Sam Rivers - tenor | saxophone, soprano saxophone, flute |
Emanuel Boyd - tenor | saxophone, soprano saxophone, flute |
Archie Shepp: tenor | saxophone, soprano saxophone |
Archie Shepp - tenor | saxophone, soprano saxophone, piano |
Roberto Ottini - baritone | saxophone, soprano saxophone |
Julius Hemphill - alto | saxophone, soprano saxophone |
John Coltrane - tenor | saxophone, soprano saxophone, leader |
Joe Farrell - tenor | saxophone, soprano saxophone, flute |
Jacob Mygind: tenor | saxophone, soprano saxophone |
ludes pieces that set up an unmoving wall of | saxophone sound. |
notably excluding the contrapuntal baritone | saxophone spits favored by Adams, obviously in deferen |
ric guitar pioneer Marks Mankwane as well as | saxophone star West Nkosi) and often recorded with Bop |
Jim Paterson (trombone), Geoff "JB" Blythe ( | saxophone), Steve "Babyface" Spooner (alto saxophone), |
Saxophone: Steve Marsh | |
Trevor Laurence - | saxophone; Steve Madaio - trumpet |
imes included: Andy Parker - vocal and tenor | saxophone; Steve Snow - trombone; Dick Hansen - trumpe |
of the group were Steve Pears (vocals, tenor | saxophone), Stevie “B” Robottom [Washington] (vocals, |
r (guitar, synthesizer) and Claudine Chirac ( | saxophone) supplemented the group temporarily in live |
s - stuck with a band with no pianist and no | saxophone support - chose to team up with Bonkie Bonga |
2003 SCALES OF AGES, | Saxophone Symphony. |
David Palmer - arranger, | saxophone, synthesiser, keyboards, conductor |
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