門人には、『五段砧』、『秋風の曲』、『七小町』などの作曲で知られる光崎検校、後の京都下派（しもは）に続く松崎検校、中国系箏曲、地歌の祖である備後国の葛原勾当、吉沢検校の「古今組」に手事を補作した松坂春栄ら、女性の門人には『おぼこ菊』を作曲した津留らがいる。

His disciples included kengyo MITSUZAKI who composed "Godanginuda koto music," "Akikaze no kyoku" (a song for the autumn wind), "Nanakomachi" (Seven Komachi) and so on, kengyo MATSUZAKI who later followed the Kyotoshimo school, koto (the title of the official ranks within the Todo-za) KUZUHARA in Bingo province who was the originator of jiuta and sokyoku of the Chugoku region style, Shunei MATSUZAKA and so on who revised and improved "Kokin gumi" (Kokin group) by kengyo YOSHIZAWA and TSURU who was a female and composed "Obokogiku" (Kiku, a virgin girl) and so on. - Wikipedia日英京都関連文書対訳コーパス