監督部の久保為義はJ.Oスタヂオへ、松田定次、広瀬五郎、姓丸浩、宮城文夫は永田雅一所長率いる新興キネマ京都撮影所へ、技術部も新興キネマへ移籍した。

Tameyoshi KUBO of directors' department was transferred to J.O Studio, Sadatsugu MATSUDA, Goro HIROSE, Hiroshi SEIMARU and Fumio MIYAGI were transferred to Shinko Kinema Kyoto Studio led by Masaichi NAGATA, and the members of technical department were also transferred to Shinko Kinema. - Wikipedia日英京都関連文書対訳コーパス

9月には普仏戦争の観戦を強く希望するが、川村純義等他の兵部省員等も希望した為、省務の停滞を危惧した大久保利通等の指示により許可されなかった。

In September, he strongly wanted to watch the Franco-Prussian War, denied by Toshimichi OKUBO and others who were concerned about interruption in ministry work because Sumiyoshi KAWAMURA and other members of Hyobusho (ministry of military) also wanted to. - Wikipedia日英京都関連文書対訳コーパス

1934年（昭和9年）1月14日、久保為義監督の『霧の地下道』を「大阪パークキネマ」で、後藤岱山監督の『大利根の朝霧』と、そしてついに監督となった高村の初監督作『片仮名仁義』の二本立てを「大阪敷島倶楽部」で公開した。

On January 14, 1934, the studio released the film directed by Tameyoshi KUBO called "Kiri no Chikado" at 'Osaka Park Kinema', as well as the film directed by Taizan GOTO called "Otone no Asagiri" and the first film directed by Takayama called "Katakana Jingi" at 'Osaka Shikishima Club.' - Wikipedia日英京都関連文書対訳コーパス