之丈の英語

儀礼折り紙は武家の礼法に含まれるもので、1764年に伊勢貞丈が著した『包之記』に「右の折形どもは、京都将軍の御代に用いられし折形也」という記述があるから、足利義満の時代、小笠原氏・伊勢氏・今川氏を中心に整えられたと考えられる。例文帳に追加

The girei origami is a part of a warrior family's manners and it would appear that it was developed mainly by the Ogasawara clan, the Ise clan and the Imagawa clan in the days of Yoshimitsu ASHIKAGA because "Tsutsumi no ki (record on wrapping)" written by Sadatake ISE in 1764 said that 'the folded paper models on the right were used during the time of the Kyoto shogun.'発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

京漆器の特徴は薄手の木地に漆と澱粉糊で麻布を貼って補強し、その上に京都市山科区から産出する「山科地之粉」「山科砥之粉」等を漆で練り合わせてペースト状にした「地錆漆」「錆漆」という下地材を何層にもわたって塗り重ね、さらに器の角の部分をより鋭角を際立たせ、丈夫にするために補強する「くくり錆」という工程をはさみ、黒や赤のうるしを塗り重ねていくという「本堅地」という漆工芸において最も基本的な製作工程にある。例文帳に追加

The characteristics of Kyo-shikki is "Honkataji," the most basic process of manufacturing lacquer craftworks in which thin wood grain is reinforced with hemp attached to it by using lacquer and starch glue, layers of foundation called "Jisabiurushi" and "Sabiurushi," which is a kind of paste made from "Yamashina Jinoko" and "Yamashina Tonoko"both produced in Yamashina Ward, Kyoto City and mixed together with lacquer, are applied onto the reinforced wood grain, and, after a process called "Kukurisabi" in which the corners of the artifact are reinforced for the purpose of strengthening and making the sharp edge sharper, black and red lacquer is applied onto it layer by layer.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

「本当の美しさ、劇の美しさは九段目やね。…ここに出てくる人間が、まず戸無瀬が緋綸子、小浪が白無垢、お石が前半ねずみで後半が黒、由良之助は茶色の着付に黒の上で青竹の袴、…本蔵は渋い茶系の虚無僧姿、力弥は東京のは黄八丈で、上方だと紫の双ツ巴の紋付…みんなの衣装の取り合わせが、色彩的に行ってもこれほど理に叶ったものはないですわな」例文帳に追加

"The real beauty of the play is in Act Nine. Tonose wears a hirinzu (scarlet figured-satin), Konami wears a shiromuku (white kimono), Oishi wears a grey costume in the first half and a black costume in the latter half, Yuranosuke wears a brown kimono and a pair of black hakama with green bamboo patters, Honzo wears a brown komuso costume, Rikiya wears a kihachijo (high-quality yellow silk) in Tokyo and montsuki (formal dress with family crest) of two comma designs in Kamigata. Various colors are used and they make perfect sense."発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

蓮華寺の造営にあたって、詩人・書家で詩仙堂を造営した石川丈山、朱子学者の木下順庵、狩野派画家の狩野探幽、黄檗宗の開祖である隠元隆き禅師や第二世の木庵性トウ禅師らが協力したことが、1681年（延宝9年）に蓮華寺を訪れた黒川道祐の訪問記（『東北歴覧之記』所収）に記され、1786年（天明6年）の「拾遺都名所図会」には境内図が描かれている。例文帳に追加

The journal of Doyu KUROKAWA's visit Renge-ji Temple in 1681 (included in "Tohoku Rekiran no Ki" (Records of looking around Tohoku region)) says that the Renge-ji's construction was carried out with the cooperation between the poet and calligrapher Jozan ISHIKAWA who built the Shisen-do hall, the scholar of Neo-Confucianism Junan KINOSHITA, the Kano School artist Tanyu KANO, Obaku Sect founder Ingen Ryuki Zenshi, and the 2nd chief priest Mokuan Seito Zenshi; and the 1786 publication "Shui Miyako Meisho Zue" (Images of Famous Places in Kyoto) includes an image of the temple precinct.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

生涯苦心致され候中にも、古史伝は最初文化の末頃より草稿取り掛かり、文政の始め頃に、成文一二巻程は、ざっと稿本成り候ところ、段々見識博くあいなり、殊に故鈴屋大人の御遺教をも相伺れ候て、いよいよ以って、世界悉く我が皇大神達の御鎔造（ツクリカタメ）なされたる事を感得致され候に付、古史伝は先ず差し置き、赤縣州を始め、印度及び西洋の古伝をも悉く皆探索網羅して、其の上にて、充分に古史の註解をと存し込まれ候て、文政の半ば頃より、専ら外国の学に困苦致され、凡そ廿余年も歳月を過ごされ候て、赤縣太古傳を初め、即ち今此れある丈の著述は出来候へ共、中々もって先人の心底に叶ひ候事には此れ無く候へ共、大抵は見当も付き候に依っては、私を始め門人の中の所存にも、段々時節後れ、先人も老年に成られ候に付き、先ず先ず外国の所は大抵にして差し置かれ、古史伝の清撰をしきりて、相願い催促致し候て、天保10年頃より、漸々と其の方にも趣かれ候所、言語規則の書之無きに付き、余儀なく五十音義の撰にかかり、凡そ一ヵ年ほど打ち過ぎられ候所、旧幕府の命に依って秋田へ放逐、尤も同所は本国の事、親族共も少なからず、第一旧君侯より厚く恩遇も之有りて会計の辛苦は薄らぎ候へ共、著述致す可き遑なく、此処両三年心配致され候内に病を発し入幽致され候次第にて残念至極にて御座候。例文帳に追加

Our teacher dedicated his life to the study requiring great pains; as to "Koshi-den", at the end of the Bunka era (1804-1818), he began to write the draft, and by the early Bunsei era (1818-1830), about 12 volumes had been completed; however, by that time, he had also gradually gained an insight into the study and understood the teachings of the master of Suzunoya (Norinaga MOTOORI), then he realized that this world was the product of our great gods of Japan, so he decided to suspend "Koshi-den" temporarily, and first explore and read through all the past annotations of the histories of our country as well as those of India and Europe to use new knowledge to his advantage in writing "Koshi-den"; therefore, since the middle of the Bunsei era, he intensly studied foreign literature and culture mainly, and during a period of over 20 years, he completed almost all his works, which he left for us, including "Sekiken Taiko-den" (Japanese Early History); although he was never satisfied with his works, his students, of course, including myself, with a feeling of gratitude, thought that our master had succeeded in completing most his researches and studies, and were concerned about the delay in completing "Koshi-den" and because of our master's age, we repeatedly begged him to restart the writing, then thankfully at about the 10th year of the Tenpo era (1839), he restarted; however, he was requested to write on linguistic methods so he began to write "Goju Ongi" (Pronunciation and Meaning of 50 Kana) and suspended "Koshi-den" again; after a year, he was banished to Akita Province by order of the former bakufu (Japanese feudal government headed by a shogun), fortunately since Akita was his hometown and there were many relatives of his, besides the former load treated him very kindly, they relieved him off poor living, although under those conditions, he had no time to finish the remaining works; he was always concerned about those unfinished works, and after only a few years, he became sick and regrettably died.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス