千利休が好んだ形の茶道具例文帳に追加

a style of tea ceremony goods, in Rikyu's favorite style発音を聞く  - EDR日英対訳辞書

房の形は、菊房や利休房（手毬房）が主に用いられる。例文帳に追加

As for the shape of tassels, kiku tassel and Rikyu tassel (temari ball tassel) are mainly used.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

利休道歌（りきゅうどうか）は「利休百首(りきゅうひゃくしゅ)」ともいって、千利休の教えをわかりやすく、覚えやすいように、和歌の形にしたもの。例文帳に追加

Rikyu Doka (literally, Rikyu's teaching poems), also called 'Rikyu hyakushu' (literally, Rikyu's one-hundred poems), are the teachings of SEN no Rikyu in the form of waka poetry to make them easily understood.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

房の形は、いろいろな形が用いられる。（菊房や利休房（蹴鞠房）を用いる事が多い。）例文帳に追加

Various shapes are used for tassels (kiku tassel and Rikyu tassel (kemari tassel) are often used).発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

房の形は、いろいろな形が用いられる（菊房や利休房〈蹴鞠房〉を用いる場合が多い)。例文帳に追加

Various shapes are used for tassels (kiku tassel and Rikyu tassel (kemari tassel) are often used).発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

千利休らの嗜好を反映した、歪んで厚みのある形状が特徴である。例文帳に追加

Its characteristics are the distorted and thick body reflecting the taste SEN no Rikyu loved.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

堀内家の庵号は長生庵（ちょうせいあん）といい、利休形二畳台目の茶室を指す。例文帳に追加

The ango (name of hermitage) of the Horinouchi family was Choseian, which stands for the Rikyu-type "nijo daime" tearoom which is two and three-quarters tatami mats in size.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

千利休のもとで、丸釜、阿弥陀堂釜、尻張釜などの新しい形の釜を創始した。例文帳に追加

Under SEN no Rikyu, he created new types of tea pots including round pots, Amidadogama (Amidado pots), and Shiriharigama.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

多くは武野紹鴎の門人か千利休の直弟子を創始者とするものであり、利休の影響はうけつつも「宗旦流」とは異なる独自の茶風を形成している。例文帳に追加

Most of the founders were disciples of Shoo TAKENO or a direct pupil of SEN no Rikyu, and formed a unique way of tea different from 'Sotan School' even being influenced by Rikyu.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

また形は利休型とされる大棗・中棗・小棗が基本形となっているが、多くのバリエーションを持つ。例文帳に追加

The basic shape is the "Rikyū shape" (Rikyū-gata), which are a large "natsume" canister, a medium "natsume" canister, and a small "natsume" canister, but there are many other variations, too.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

千利休が選んだとされる火舎、五徳、一閑人、三つ人形、蟹、さざえ、三つ葉の7つは「七種蓋置」と呼ばれ、特別な扱いがある。例文帳に追加

Those Futaoki named "Hoya," "Gotoku," "Ikkanjin," "Mitsuningyo," "Kani," "Sazae," and "Mitsuba," which were of the Rikyu's taste, are called 'Seven kinds of lid rests' and require a special treatment.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

高さ2尺4寸、片幅3尺5分、五分角、鳥の子白張、蝋色縁のものを基本とし、これを利休形と呼ぶ。例文帳に追加

Basically, the screen is 72.72 cm in hight, 92.4 cm in width (one side), 17mm in thickness, upholstered with white torinoko paper (stout smooth paper), with lacquered black edge; this type of screen is called the Rikyu style.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

なお宗恩は袱紗を現在の形に定めるなど、自身茶の湯に精通し、利休のよい補佐役、理解者であったといわれる。例文帳に追加

Incidentally, Rikyu's second wife Soon was a good assistant and understood him very well, being familiar with the tea ceremony and changing the shape of Fukusa (napkin) into what it is today.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

その代わりとして創作されたのが楽茶碗や万代屋釜に代表される利休道具であり、造形的には装飾性の否定を特徴としている。例文帳に追加

Instead of meibutsu, Rikyu invented implements for tea ceremony such as Mozuya-gama (kettle) and Raku tea bowl, a characteristic of which was lack of decoration in shape.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

房の形は頭付房、切房、撚房、四ツ目紐房、菊房（梵天房）、利休房（手毬房）などがあり、職人によって更に細かい種類がある。例文帳に追加

As for the shape of tassel, there are several basic patterns such as kashiratsuki tassel (literally, tassel with a head), kiri tassel (cutting tassel), yori tassel (getting together tassel), yotsumehimo tassel (four-eyed string tassel), kiku tassel (or Brahma tassel, chrysanthemum tassel) and Rikyu tassel (or temari ball tassel) but depending on craftsmen, these could be further broken down.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

更に村田珠光・武野紹鴎・千利休によって侘び茶が形成されていくと、闘茶は享楽的な娯楽・賭博として茶道から排除されるようになっていった。例文帳に追加

As wabicha (literally, "poverty tea style"; known as the tea ceremony) was established by Juko MURATA, Joo TAKENO, and SEN no Rikyu, tocha, which was regarded as a luxurious entertainment or gambling at the time, came to be excluded from Japanese tea ceremony.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

形もいろいろなものがあり、千利休時代の與次郎作で爪が、まむし頭、長爪、牛爪、方爪などが造られたという。例文帳に追加

There are various examples of gotoku, such as those with the nail (kaeshi) part (the tips of the legs of gotoku) in the shape of the head of viper or cow, or those with long or square nails, designed and made by Yojiro TSUJI, a caster active during the time of the tea master SEN no Rikyu.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

千利休の弟子であった大名茶人、古田織部の指導で創始され、織部好みの奇抜で斬新な形や文様の茶器などを多く産したことによる。例文帳に追加

It was named after Oribe FURUTA, who was a daimyo (feudal lord) and master of the tea ceremony and had been a disciple of SEN no Rikyu, because Oribe ware was born under his direction and many chaki (tea utensils) of eccentric, novel shapes and patterns according to Oribe's taste (Oribe-Gonomi) were produced.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

なお幅に関しては、利休形は京間の畳に合うように作られており、中京間、江戸間の場合は、その幅にあわせて作られる。例文帳に追加

The width of this screen is usually made to fit the Kyoma tatami mat size (95.5 x 191 x 5.5 cm); it is also made to fit the Chukyoma tatami mat size (91 x 182 x 5.5 cm) or the Edoma (88 x 176 x 5.5-6 cm) tatami mat size.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

紹鴎の時代にあってもまだ煩雑であった茶会の形式をさらに簡略化するとともに、侘び道具を製作・プロデュースして、多くの支持者・後継者に恵まれたことが、利休を侘び茶の完成者と言わしめる由縁である。例文帳に追加

Rikyu simplified the process of the tea ceremony which was still complicated at the time of Joo, and produced wabi-cha utensils and gained lots of supporters and successors. That is why people call Rikyu the tea master who perfected wabi-cha.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

それまで国内の茶会で主流であった精緻な中国製の茶陶よりも歪みのある作品を好む利休によって、ろくろを使わず手びねりで成形を行なう独自の工法が認められた。例文帳に追加

His specific method of hand forming without the use of a potter's wheel was acknowledged by Rikyu who liked works with deformation more than fine Chinese tea bowls which were the mainstream domestic chakai (tea party) until that time.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

室町時代に始まった茶の湯は千利休によって大成され、前時代の書院の茶から、草庵の茶、わび茶という独特の美意識が形成された。例文帳に追加

Chanoyu (tea ceremony), which started in the Muromachi period, was perfected in this period by SEN no Rikyu, who transformed the tea ceremony fitting for Shoin-zukuri architecture into that fitting for a thatched hut, in other words, wabicha (the tea ceremony accompanied by wabi (an unique aesthetic sense that finds surpassing beauty and deep significance in what is humble or commonplace and appears natural or artless)).発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

侘に関する記述は古く万葉集の時代からあると言われているが、「侘」を美意識を表す概念として名詞形で用いる例は江戸時代の茶書『南方録』まで下り、これ以前では「麁相」（そそう）という表現が近いが、千利休などは「麁相」であることを嫌っていたから必ずしも同義とは言い難い。例文帳に追加

It is said that there have been descriptions concerning wabi since the ancient days of the Manyoshu (Ten Thousand Poems), but the term 'wabi' as a conceptual noun representing a sense of beauty first appeared in "Nanporoku," the tea book during the Edo period; before above, the expression 'soso' (coarse) was used in close meaning, however, it is difficult to say that they are necessarily synonymous since SEN no Rikyu disliked 'soso.'発音を聞く  - Wikipedia日英京都関連文書対訳コーパス