上記の稚児は、古典、近代、等、数多くの文学作品に登場、これらの中でも、繊細、優美、典雅、清楚、可憐、脆弱、等、妙齢の女性と同様の耽美的描写が行われる場合が多い一方、幼さゆえの場違いな発言で僧侶の失笑を買う、等、笑いの対象になる場合もある。

The chigo mentioned above appeared in many of the classic and modern literature, and they were described as well as young ladies by the words such as sensitive, elegant, graceful, neat and clean, pretty, and fragile, while their comic remarks made by their innocence were met with priests' contemptuous laughter. - Wikipedia日英京都関連文書対訳コーパス

仏教書・和歌・軍書・古典の注釈書などを著す一方、「堪忍記」「可笑記評判」「東海道名所記」「本朝女鑑」など多岐にわたる著作を行い、1666年（寛文6年）に刊行された「御伽婢子（おとぎぼうこ）」は怪奇物の祖として後世に大きな影響を与えた。

He not only wrote annotations on Buddhism, Waka, Military strategy and Classics, but also various works such as 'Kannin ki' (The Record of Patience), 'Kashoki Hyoban' (The Record of Amusing Rumors), 'Tokaido meisho no ki' (Famous places along Tokaido Road), and 'Honcho jokan' (Mirror of Japanese Women), and 'Otogiboko' (A Charm Doll) published in 1666 influenced later generations as the forerunner of horror stories. - Wikipedia日英京都関連文書対訳コーパス

隆慶一郎の小説『一夢庵風流記』、およびそれを原作とする原哲夫の漫画『花の慶次』では、利家と慶次郎（慶次）の確執が面白可笑しく、時にはホロリとさせられる描写で表現されている。

In the novel "Ichimuan furyuki (The Story of Keijiro MAEDA)" by Keiichiro RYU, and the comic book "Hana no Keiji" by Tetsuo HARA with the aforesaid novel being the original, the strife between Toshiie and Keijiro (Keiji) is expressed in the comical, and sometimes touching description. - Wikipedia日英京都関連文書対訳コーパス