柳江人の英語

しかし、四世川柳の命名した「俳風狂句」時代は、文化文政期の江戸町人文化を背景に盛んとなった。例文帳に追加

But in the period of the 'haifu-kyoku' (literally, kyoku (a kind of humorous haikai without haikai conventions) with a taste of haiku), which was named by Senryu IV, senryu became popular in the context of Edo townspeople's culture in the Bunka and Bunsei eras.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

武子は才色兼備としてもてはやされ、柳原白蓮（大正天皇生母・柳原愛子の姪）、江木欣々とともに大正三美人と称された。例文帳に追加

Takeko was praised for her intelligence and beauty, and was known as one of the 'Taisho san bijin' (three beautiful women of the Taisho period) along with Byakuren YANAGIHARA (niece of Emperor Taisho's mother, Aiko YANAGIHARA) and Kinkin EGI.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

並木宗輔（なみきそうすけ、並木千柳(初代)、並木宗助、田中千柳、松屋宗助、元禄8年（1695年）-寛延4年9月7日(旧暦)（1751年10月25日））は、江戸時代期の歌舞伎、人形浄瑠璃作家。例文帳に追加

Sosuke (宗輔) NAMIKI (1695 - October 25, 1751; also known as Senryu NAMIKI [the first], Sosuke [宗助] NAMIKI, Senryu TANAKA and Sosuke MATSUYA) was a playwright of Kabuki (traditional drama performed by male actors) and Ningyo Joruri (traditional Japanese puppet theater) in Edo period.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

元禄9年（1696年）、徂徠31歳のとき、5代将軍・徳川綱吉側近で江戸幕府側用人の柳沢吉保に抜擢され、15人扶持を支給されて彼に仕えた。例文帳に追加

In 1686, at the age of 31, Sorai was recruited by Yoshiyasu YANAGISAWA, who was a close associate of the fifth shogun Tsunayoshi TOKUGAWA and Edo bakufu Sobayonin (lord chamberlain), and he served Yoshiyasu on the salary of 15 man fuchi (the equivalent of an annual ten-man rice stipend).発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

『羽衣』『胡蝶』『楊貴妃』『草子洗小町』『関寺小町』『東北』『定家』『誓願寺』『檜垣』『采女』『大原御幸』『祇王』『仏原』『熊野』『千手』『二人静』『吉野静』『江口』『遊行柳』『六浦』『藤』『芭蕉』例文帳に追加

"Hagoromo" (Celestial Robe), "Kocho" (Butterflies), "Yokihi" (Consort Yáng Guifei), "Soshi Arai Komachi" (Komachi Washing the Manuscript), "Sekidera Komachi" (Komachi at Seki-dera Temple), "Toboku" (Toboku-in Temple), "Teika" (FUJIWARA no Teika), "Sengan-ji" (Sengan-ji Temple), "Higaki" (Cypress Fence), "Uneme" (A Court Lady), "Ohara Goko" (The Emperor's Trip to Ohara), "Gio," "Hotoke no hara" (The Courtesan on Buddha Plain), "Yuya" (The Courtesan Yuya), "Senju," "Futari Shizuka" (The Two Shizukas), "Yoshino Shizuka" (Shizuka at Yoshino), "Eguchi" (Port of Eguchi), "Yugyo Yanagi" (The Priest and the Willow), "Mutsura" (In the Village of Mutsura), "Fuji" (The Spirit of the Wisteria), "Basho" (The Basho Tree)発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

同13年（1816年）に吉田神社の祝(神職)職に補任されてからは神職として同神社の維持経営に努め、公家の三条実万や柳原光愛、国学者では江戸の平田篤胤や狩谷棭斎、屋代弘賢、京の伴信友や六人部是香らと交友を持った。例文帳に追加

After being appointed to Yoshida-jinja Shrine shuku (male spiritual medium) (Shinto priest) in 1816, he worked to maintain and manage the shrine as a Shinto priest, and formed friendships with court nobles, including Sanetsumu SANJO, and Mitsunaru YANAGIWARA, and scholars of Japanese classical literature, including Atsutane HIRATA, Ekisai KARIYA, and Hirokata YASHIRO in Edo, and Nobutomo BAN, and Yoshika MUTOBE in Kyoto.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

日本民藝館の創設者であり民芸運動の中心人物でもある柳宗悦は、日本各地の陶磁器、染織、漆器、木竹工など、無名の工人の作になる日用雑器、朝鮮王朝時代の美術工芸品、江戸時代の遊行僧・木喰（もくじき）の仏像など、それまでの美術史が正当に評価してこなかった、西洋的な意味でのファインアートでもなく高価な古美術品でもない、無名の職人による民衆的美術工芸の美を発掘し、世に紹介することに努めた。例文帳に追加

Muneyoshi YANAGI, who was the founder and key figure of the Mingei (National Art) Movement worked hard to discover beauty of folkish art craftworks by unknown craftsman of ceramic ware, dyeing and weaving, lacquer ware, and woodwork such as daily use ware in various places in Japan and art crafts in Korean Dynasties period and Buddha statues of traveling monk or mokujiki in the Edo period which had not been fairly evaluated and not fine arts or expensive antiquities in the western sense and introduced them to public.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス