俳優部では右太プロでは浅香麗三郎、河合映画製作社では燕東三郎と名乗った綾野小路絃三郎、宝塚キネマから来た水原洋一や鳥人・高木新平、新興キネマの五十鈴桂子らが主力となった。

Key members of the players department were Tozaburo TSUBAME and Genzaburo AYANOKOJI, who called himself Reizaburo ASAKA, from Kawai Eiga Seisakusha, Yoichi MIZUHARA from Takarazuka Kinema and an aviator named Shinpei TAKAGI, as well as Keiko ISUZU from Shinko Kinema. - Wikipedia日英京都関連文書対訳コーパス

解散後の山口は舞台に戻り、監督の印南、女優の小島は東亜キネマ京都撮影所へ、大塚は中根龍太郎喜劇プロダクションの『おんぼろ草紙』の撮影ののちにマキノに移籍、小文治と芳之助は千恵プロへ、高田は松竹京都撮影所へ、都は右太プロへ、千代田はツキガタプロダクション（月形龍之介）を経て東京の河合映画製作社へとそれぞれ移籍した。

After the dissolution, YAMAGUCHI went back to the stage, director INNAMI and actress KOJIMA went to Toa Kinema Kyoto Studio, OTSUKA went to Makino after shooting "Onboro Zoshi" for Nakane Ryutaro Comedy Productions, Kobunji and Yoshinosuke went to Chie Pro, TAKADA went to Shochiku Kyoto Studio, MIYAKO went to Uta Pro, and CHIYODA went to Tsukigata Productions (Ryunosuke TSUKIGATA) and then to Kawai Eiga Seisakusha in Tokyo. - Wikipedia日英京都関連文書対訳コーパス

片岡と同時期に嵐寛寿郎、中根龍太郎、山口俊雄(新派俳優)、山本礼三郎らはそれぞれ自らのプロダクションを設立、小文治の「歌舞伎映画プロ」とともに「日本映画プロダクション連盟」を結成し、河合・田中の「双ヶ丘撮影所」をレンタル使用して、山崎らの「館主連盟」に作品の供給を開始する。

Concurrently with KATAOKA, Kanjuro ARASHI, Ryutaro NAKANE, Toshio YAMAGUCHI (an actor belonging to Shinpa-Geki) and Reizaburo YAMAMOTO establishing their own productions, the 'Japan Movie Production Federation' was formed with Kobunji's 'Kabuki Eiga Pro' and started to supply YAMAZAKI's 'Kanshu Renmei with films that were shot using the rentable Narabigaoka Studio operated by KAWAI and TANAKA. - Wikipedia日英京都関連文書対訳コーパス