虞世南の英語

八柱第一本は虞世南の臨摸であろうと董其昌が推定した。例文帳に追加

Dong Qichan presumed that the Hacchu-daiichi-bon had been written following the model by Shinan YU.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

楷書体…欧陽詢九成宮醴泉銘、虞世南孔子廟堂碑など例文帳に追加

Kaisho-tai (printed style writing): Oyojun Kyuseikyu Reisenmei (the very best of the perfect version of kaisho), Yu Shinan Kong zi miao tang bei, and others発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

羊祐以下倪寛までの8人は『年中行事』の図にもとづき、蘧伯玉、虞世南の2人は孔門弟子の図と十八学士のなかから選考し復古させた。例文帳に追加

Similarly, 8 sages from Yoyu through Geikan had been revived based on the "Nenju Gyoji Emaki" (Picture Scrolls of Annual Functions), and Boyu QU and Shinan YU as well based on the paintings of Confucian student and the 18 graduates of literature museum, Bungakukan.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

中国唐を代表する『欧陽詢九成宮醴泉銘』・『虞世南孔子廟堂碑』・『チョ遂良雁塔聖教序』などの作品は、行頭・行末を揃え、左右の文字の位置を揃え、行をまっすぐに書いており、上述の「散らし書き」といかに対照的な書字法であるかが分かる。例文帳に追加

In works representative of Tang dynasty period China, such as Ouyang Xun's "Jiu Cheng Gong Li Quan Ming," Yu Shinan's "Kong Zi Miao Tang Bei," and Chu Suiliang's "Yan Ta Sheng Jiao Xu," the start and end points of the lines and their position left and right are always aligned and the lines are written straight, in contrast to the uneven 'chirashi-gaki' style described above.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

書風は当時流行の明清風の唐様に対して唐晋(王朝)風とされ、楷書は欧陽詢、虞世南、褚遂良、顔真卿に、行書は王羲之、褚遂良、草書は孫過庭に影響されたとされている。例文帳に追加

Compared with karayo (Chinese style) of Ming and Qing Dynasties, popular in those days, his calligraphic style was considered as Tang and Jin (Dynasties) style, and his kaisho (block script) was considered to have been influenced by Ouyang Xun, Shinan YU, Cho Suiryo and Gan Shinkei, and his gyosho (cursive style of writing Chinese characters) by Wang Xizhi and Cho Suiryo, and his sosho (very cursive style of writing Chinese characters, more abbreavuated and flowing than gyosho) by Son Katei.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス