袖吉の英語

側室：お袖の方（本性院）-吉江政福の娘例文帳に追加

Concubine: Lady Osode (Honshoin), the daughter of Masafuku YOSHIE発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

前庭（待庵東側）には秀吉ゆかりの「袖摺りの松」（実は2代目）の切り株が残る。例文帳に追加

The stump of the 'Sodezuri-no-Matsu' (sleeve-brushing pine) (2nd generation) connected to Hideyoshi TOYOTOMI remains in the front garden (on the eastern side of the Tai-an Teahouse).発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

題名に凝る新七らしく、『小袖曾我薊色縫』の「小袖」は追放される清心に小袖を渡す場面を、「薊」は「鬼薊清吉」の薊の字を、「色」は十六夜の働く「色街」の色の字を、それぞれ利かせている。例文帳に追加

As Shinshichi has much concern with the title of his works, 'kosode (a kimono with short sleeves worn as under clothing by the upper classes)' from "Kosode Soga Azami no Ironui" refers to the scene where Seishin receives a kosode when being expelled; 'azami' expresses the name 'Seikichi ONIAZAMI'; and 'iro' implies iromachi (red-light district) where Izayoi works.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

嘉永5年（1852年）に長野にて版行された、吉村木鵞の母の追悼集に、井月の発句「乾く間もなく秋暮れぬ露の袖」が見える。例文帳に追加

His haiku 'Kawakumamonaku akikurenu tsuyunosode' (In fall, darkness comes quickly after sunset, so, the laundry does not dry completely)' appeared in a memorial collection tribute to Mokuga YOSHIMURA's mother published in 1852 in Nagano.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

小團次主演では、「都鳥廓白浪」（通称忍ぶの惣太）（1854）・「鼠小紋東君新形」（通称　鼠小僧）（1857）・「網模様燈籠菊桐」（通称　小猿七之助）（1857）・「小袖曽我薊色縫」（通称　十六夜清心）（1859）・「三人吉三廓初買」（通称　三人吉三）（1860）・「船打込橋間白浪」（通称　鋳掛け松）（1866）。例文帳に追加

Below are the Shiranami plays in which Kodanji played the leading role: 'Miyakodori nagareno shiranami' (commonly called 'Shinobuno Sota') (1854), 'Nezumikomon haruno shingata' (commonly called 'Nezumi kozo') (1857), 'Amimoyo torono kikukiri' (commonly called 'Kozaru Shichinosuke') (1857), 'Kosode soga azamino ironui' (commonly called 'Izayoi Seishin') (1859), 'Sannin Kichisa kuruwano hatsugai' (commonly called 'Sannin Kichisa) (1860), 'Fune e uchikomu hashimano shiranami' (commonly called 'Ikakematsu') (1866).発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

このことが小團次の気に入り、以降新七と小團次の名コンビによる『蔦紅葉宇都谷峠』（文弥殺し）、『三人吉三廓初買』（三人吉三）、『勧善懲悪覗機関』（村井長庵）、『鼠小紋東君新形』（鼠小僧）、『小袖曾我薊色縫』（十六夜清心）、『八幡祭小望月賑』（縮屋新助）などの名作が作られてゆくことになる。例文帳に追加

These modification gained the favor of Kodanji and later they became a good combination to produce some other famous plays: "Tsutamomiji Utsunoya-toge" (also known as "Bunya goroshi" [Killing of Bunya]), "Sannin Kichisa kuruwa no hatsugai" (also known as "Sannin Kichisa" [Three Men Named Kichisa]), "Kanzen choaku nozoki karakuri" (also known as "Choan MURAI"), "Nezumi komon haruno shingata" (also known as "Nezumi kozo"), "Kosode soga azami no ironui" (also known as "Izayoi Seishin"), "Hachiman matsuri yomiya no nigiwai" (also known as "Chizimiya Shinsuke") and so on.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

立作者になってからはしばらく大当たりに恵まれなかったが、嘉永7年(1853)に市川小團次(4代目)に書いた『都鳥廓白波』（忍の惣太）が出世作となり、以後、幕末期には小團次と提携し『三人吉三廓初買』（三人吉三）や『小袖曾我薊色縫』（十六夜清心）など数々の名作を発表する。例文帳に追加

Shinshichi KAWATAKE II (the future Mokuami) as the newly appointed Tatesakusha had not made a smash hit for a while, but the year 1853 marked a major turning point in his career in that a play "Miyakodori Nagare no Shiranami" (commonly called Shinobu no Soda/Sota) which he wrote for Kodanji ICHIKAWA IV (the 4th) became his breakthrough work, thereafter successively exhibiting masterpieces produced in collaboration with Kodanji in the last days of the Tokugawa shogunate, including "Sannin Kichisa Kuruwa no Hatsugai" (commonly called Sannin Kichisa, meaning the Three Thieves Named Kichisa), and "Kosode Soga Azami no Ironui" (commonly called Izayoi Seishin, meaning the Love of Izayoi the prostitute and Seishin the monk) and others.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス