こうした考えかたは、日本独自の芸という観念の確立、心境や境地を特に重視する芸術観の尊重、芸系のたしかな伝承、芸が芸にとどまらず思索性を持つことによる内容の深化など、さまざまな効果をもたらしたが、一方で芸の世界における事大主義、神秘主義、普遍性の否定、通に代表される特殊な閉鎖性を生むことにもなった。
On the one hand, this way of thinking had various positive effects such as the establishment of ideas regarding Gei that are peculiar to Japan, respect for artistic views that place special importance on one's feelings and mental state, the correct passing on of arts knowledge from one generation to the next, and the deepening of arts not only through acquisition of its skills but also by speculation; on the other hand, it had a number of negative effects, such as worship of the powerful in the world of arts, mysticism, denial of universality, and development of a uniquely closed nature as represented by tsu (experts at certain arts). - Wikipedia日英京都関連文書対訳コーパス
