Daiei held top starts in Japanese motion picture history, and also produced films in which actors and actresses who were either freelance or under contract with other film companies, such as Hideko TAKAMINE, Koji TSURUTA and Keiko KISHI, appeared.

日本映画史に残る大スター達を擁し、さらに他社専属やフリーの高峰秀子、鶴田浩二、岸惠子らも出演する。 - Wikipedia日英京都関連文書対訳コーパス

At the same time, he also focused on realism in the upsurge of left-wing ideology during the early Showa era by directing keiko eiga (tendency film) such as 'Tokai kokyogaku' (Metropolitan Symphony) and 'Shikamo karera wa yuku' (And Yet They Go).

この間、昭和初期の左翼思想の高揚に乗じて「都会交響楽」「しかも彼等は行く」などの傾向映画も監督してリアリズム追及に邁進した。 - Wikipedia日英京都関連文書対訳コーパス

These two works were referred to as 'Keiko Eiga' (trend film), influenced by socialist thought at that time, and more than 300 feet of the completed film of "Issatsu Tasho Ken" was censored by the prewar Ministry of Home Affairs.

この二作は、当時の社会主義思想の影響を受けた「傾向映画」とされるもので、『一殺多生剣』は内務省の検閲によって、完成フィルムから300フィート余りが削除されている。 - Wikipedia日英京都関連文書対訳コーパス