「chord」の共起表現一覧(1語右で並び替え)
該当件数 : 424件
ens with an F-major horn solo above an F-minor | chord, a theme which is developed by a solo cello. |
rn is expected to resolve to a certain note or | chord, a different but similarly suitable note can b |
s one where the beginning features the opening | chord accompanied by the drum beat to the song. |
major, minor, and possibly a dominant seventh | chord; all of which, however, are diatonic to the ke |
ime had acquired the St Helens Railway built a | chord allowing it's trains to access it's Liverpool |
are brought in, playing a heavily distorted E5 | chord along with heavy drumming. |
The | chord also enables Sheffield trains to serve Stockpo |
experts and scholars" but "failed to strike a | chord among average Chinese", and some readers rejec |
This appeal struck a responsive | chord among Chinese. |
rps and Pete Townshend and John Entwistle play | chord and bass harmonicas respectively to mime to al |
grinding tremolo of a mix of the b diminished | chord, and the c augmented chord. |
ba alternating between the root (tonic) of the | chord and the 5th (dominant) - this sound is said to |
ther groups such as The Acacia Strain, The Red | Chord, and Through the Eyes of the Dead. |
uisition bursts back in (complete with jarring | chord), and the introduction is tried again. |
ith a few desolate notes, forming an augmented | chord and then a diminished chord. |
Both were wide | chord and triangular in shape. |
cludes work on distributed hash tables such as | Chord and wireless mesh networks such as Roofnet. |
where he has recorded artists such as The Red | Chord and fellow Metal Blade label-mates Whitechapel |
sharp being merely a IV secondary leading tone | chord, and a II secondary dominant chord) returning |
d its distinct, instantly recognisable opening | chord; and "Can't Buy Me Love", both were transatlan |
essed the hope that "these songs will strike a | chord and make a similar impact on all of you out th |
The beginning opens with an A major | chord and continues in a typical polonaise rhythm. |
e unswept, carried no stagger and had parallel | chord apart from the tips; notable was the large int |
The first tonic | chord appears at the end of the recapitulation, and |
Train operating companies using the | chord are First TransPennine Express, East Midlands |
ng guitar notes in the opening riff over the C | chord are a perfect example of a C major pentatonic |
The first rhodes under the BMaj7 | chord are played with Rice-Oxley's electric piano in |
erchords… they experimented with other kind of | chord arrangements and melody that led to the sound |
He has a great way of working brilliant | chord arrangements. |
The next section starts with a sudden E-C-G | chord, as the girl hits the water. |
truments responding by building up a minor 9th | chord as in the exposition. |
The song ends with a final | chord as it segues into the next track, "Blue Sunday |
the blues scale, followed by a powerful power | chord assault during the verse from not only the gui |
Vale before joining the North Downs Line via a | chord at Ash South Junction for the remainder of the |
humann's, employs a single powerful orchestral | chord at its introduction before the piano's entranc |
ew that he hoped that he would strike the last | chord at the same time as the orchestra in the garde |
The Olive Mount rail | chord at Edge Hill junction was re-opened early 2009 |
ect Murder, Between the Buried and Me, The Red | Chord, August Burns Red, and Cephalic Carnage. |
nbuckles, channeled castings to join the lower | chord bars, and patented "Phoenix" columns for all i |
d to have an irregular shape, with the longest | chord being measured as 245 km, closely matching the |
This song uses the Hendrix | chord, better known for its use in The Jimi Hendrix |
ice expanded his musical horizons beyond three | chord bluegrass, studying chord theory, learning to |
, one on slap bass called Thumb Bassics, and a | chord book called Chord Bassics. |
ust as it fades to nothing, a thunderous final | chord brings the song to a conclusion. |
eature is the diagonals connected to the lower | chord by pins, which eliminated the need for vertica |
"On a | Chord By Kessel." for Classical Guitar Quartet. |
used in non-modal jazz songs when playing the | chord C. In a modal song, these other notes may be f |
gthening of the duration of notes) of repeated | chord cadences of the women's voices and organ. |
as just behind the trailing edge of the narrow | chord centre section, his view enhanced by the resul |
luding the use of a brass section and an extra | chord change (from D Major to D minor, where the fir |
olve playing scale fragments in the key of the | chord change, arpeggiating the current chord change, |
Introduced by a | chord change, this section features a simple band ja |
yrics remain: in each case, the tempo, rhythm, | chord changes and melody are new. |
use of oscillating half-step-up/half-step-down | chord changes gives the song a unique, mysterious fe |
f this portion of the progression: Because the | chord changes in question form part of a circle prog |
own at Frank's piano, played the "Earth Angel" | chord changes and immediately came up with the first |
out, is to intentionally stray from the key or | chord changes of the song form. |
"Prove Yourself" is notable for its U2-esque | chord changes and unvarnished emotional vocals. |
nd then improvising a groove while calling out | chord changes to the backing-band. |
n and Gordon Lightfoot,, and the structure and | chord changes closely mirror the Chapin song "30,000 |
ok interest in the piano and learned the basic | chord changes in different keys. |
The harmonically complex | chord changes that were a distinctive mark of earlie |
here are no mistakes", with only one rule: "no | chord changes". |
d mode and scale changes played against sparse | chord changes. |
visations are based on modes/scales instead of | chord changes. |
e built off of the themes rather than just the | chord changes. |
osed almost entirely of 4 note groups over its | chord changes. |
orm of a piano-based ballad, with conventional | chord changes. |
Jeff had the | chord changes; him and Ed maybe worked it out before |
ructs are sometimes called charts, such as the | chord chart in music notation or a record chart for |
SRV also states: "I almost learned how to read | chord charts doing some of those Bowie things. |
Chosen songs are notated with tablature and | chord charts by Tom Nelly, Hoggetowne Middle School' |
ader edition, which included a bonus disc with | chord charts, lyrics, and 7 New Song Cafe videos, al |
ined the Burgers and Bowling tour with The Red | Chord, Chelsea Grin, and Those Who Lie Beneath. |
My Life with The | Chord Chemist: A Memoir of Ted Greene, Apotheosis of |
subject of jazz guitar performance and theory: | Chord Chemistry, Modern Chord Progressions: Jazz and |
Guy Kozowyk of The Red | Chord cited the band as his inspiration to start his |
pilation of their early singles entitled Three | Chord City was released. |
The route between Market Drayton and Madeley | Chord closed for good in 1966. |
t moments of reflection, now complex panoramic | chord clusters enveloped the arrangements in an almo |
Tonic seventh | chord: CM7 |
A | chord connecting the Victoria Dock branch line to Wi |
Further, a | chord connecting the line-of-sight tangents near the |
ottenham & Hampstead Junction Railway northern | chord connection was made at Kentish Town, allowing |
nsuccessfully and because of that I was really | chord conscious. |
Chord Constellations Creative Concepts 1990 | |
that exist are based on them (for example, the | Chord, Coral, and Tahoe-LAFS projects). |
In modern notation, the length of the | chord corresponding to an arc of θ degrees is |
the lead-off track from his debut album Three | Chord Country and American Rock & Roll. |
as the first single from his 2005 album, Three | Chord Country and American Rock & Roll, as well as A |
third single from Anderson's 2005 album Three | Chord Country and American Rock & Roll. |
and in the second movement, there is a cluster | chord created by depressing the piano's keys with a |
An organization called The Lost | Chord describes itself as "a collaborative effort to |
The most recent is | Chord Development's St Paul's Place mixed-use scheme |
the harmonic pattern is shifted, so the tonic | chord does not necessarily fall at the end. |
Angels" and "Teenage Lipstick Boys" were power | chord driven and defiant, yet also hook centered and |
Elektra | chord: E B Db F Ab. |
a in 1997 and Australia in 2003, with only one | chord each, roughly agreeing with IRAS measurements. |
The Christian Democratic campaign struck a | chord especially amongst women voters in the Free Te |
The technical definition of a | chord factor is the ratio of the chord length to the |
The opening | chord flourish is boldly presented as octaves within |
sections, each containing a recitation on one | chord, followed by a cadence. |
arrangement with an unusual turnaround (tonic | chord followed by a half-step above the tonic chord) |
however, almost invariably struck a responsive | chord for many in an area frequently regarded as def |
his book on astronomy, giving the value of the | chord for angles ranging from 1/2 degree to 180 degr |
band without any rehearsal, and performing a D | chord for 45 minutes (similar to Terry Riley's In C) |
is most characteristic harmonies is the Bridge | chord, for instance C minor and D major sounding at |
Syd played a | chord for each note that Jenner hummed, which is qui |
d to and say, "Could you come in and play this | chord for me? |
sant Junction because of the construction of a | chord from Tonteg Viaduct to Tonteg Junction to conn |
The song was triggered by a | chord from "Tuolumne", an instrumental from Eddie Ve |
introduction, the piece begins with one short | chord from the orchestra. |
iled by Hipparchus, tabulated the value of the | chord function for every 7.5 degrees. |
in common time and the verse follows the major | chord G/B-Csus2-D5, the chorus C-G-D-(Em). |
low-through motion of the three-note left-hand | chord groups. |
The output is characterized by distorted power | chord guitars, symphonic keyboards, and steril compu |
ca), Pete Pedersen (chromatic), and Al Fiore, ( | chord harmonica). |
The final D major | chord has a glorious, heavenly sound, which opens wa |
In this context the D major flat fifth | chord has a more dissonant character and lasts for a |
The diagonals and lower | chord have rectangular eyebars 4 to 6 inches (10 to |
nd That Would Be King he states that "the only | chord I know is the one that connects the guitar to |
art of the final, slower section with a B-flat | chord in octaves. |
pitches which then function as a tonic note or | chord in tonality. |
(with both hands) leading to the final closing | chord, in C major. |
That call obviously struck a | chord in Deydier because it was in the missions that |
egato while continuing to play the rest of the | chord in that hand (and in the left hand) as staccat |
a group of grace notes acending to an A Major | chord in the highest registers of the piano, and a q |
Awara Hoon immediately struck "a | chord in audiences from various classes and backgrou |
family entertainment it delivers have struck a | chord in a country direly in need of light relief. |
The codetta (33-45) explores this opening | chord in a minor variation (with a C flat, implying |
venth (with diminished third), augmented sixth | chord in root position, secondary leading-tone chord |
The movement ends with a quiet | chord in the violins' high register. |
The Olive Mount | chord in Liverpool, England, is a 300-metre stretch |
analysts quote him as being able to "strike a | chord in Mana" in the by-election given his politica |
The climax on a six-four | chord is similar in both pieces. |
Hunts Cross | chord is a section of railway track in Liverpool tha |
ous riff in the song that is played over the F | chord is a perfect example of an F major pentatonic |
The general definition of a | chord is a (straight) line segment joining two point |
For example, in C major, the root | chord is C major triad (consisting of notes C, E, an |
The all-interval twelve-tone | chord is a tone row arranged so that it contains one |
continues until the 30th bar, when an A major | chord is played but then, when the pedal lifts, only |
(0:13), when a soft riff based on the G♯ minor | chord is played. |
type of Parker truss, where the polygonal top | chord is composed of exactly five sections. |
elody, though usually the highest note of each | chord, is often found in inner parts with higher par |
four bars return to G minor, though the final | chord is major (a Picardy third), as is usual in a C |
The natural 13 of the | chord is E natural. |
The Elektra | chord is featured in the sonata . |
The | chord is an F7 chord, giving further weight to the B |
is continually jumping around until the final | chord is struck. |
The Sentimental | Chord is the fourth Korean studio album by SG Wannab |
In the song's original key of G this | chord is an E♭7. |
A | chord is the portion of a secant that lies within th |
hrough the whole piece, except when a V or ♭VI | chord is reached (the 9th and 10th bars of a chorus) |
When passenger services no longer ran via that | chord, it became redundant. |
released on their album In Search of the Lost | Chord, it was written jointly by band members Justin |
uality power-pop from a group that means every | chord it bashes out. |
It opens with a synth droning a C major | chord, leading to a slow guitar solo played with a c |
d to Liverpool Lime Street via the Hunts Cross | chord, leaving only a dozen urban commuter trains pe |
For symmetric aerofoils, the | chord line and the zero lift line are the same. |
symmetric aerofoils are moving parallel to the | chord line of the aerofoil, zero lift is generated. |
aerofoil the zero lift line is better than the | chord line when describing the angle of attack. |
ilway station is called Parasnath on the Grand | Chord line between Delhi and Howrah (Kolkata). |
mes Junction which, via a British Rail - built | chord line, known as "The Holmes Chord", now links t |
cambered aerofoils are moving parallel to the | chord line, lift is generated. |
Three | Chord Lovesongs (1996) |
ve runs, and above all his lush, close-voiced, | chord melody style." |
This is followed by a series of | chord modulations marked Furioso which heralds the o |
tes, alternating hands, swiftly-changing block | chord motifs, tremolos, and trills. |
I agree that the notes of a | chord need not be struck simultaneously, and that it |
four major seventh chords (and one thirteenth | chord), none of which are diatonic to the key of F m |
r in "Nadya," striking an appallingly accurate | chord not seen in films every day. |
me increasing the size of the ailerons and the | chord of the upper wing and removing the outer panel |
Only the first | chord of the Rova-composed section does not appear t |
The last long | chord of "Now More Than Ever" often elicited a stand |
void tones are considered relative to the root | chord of the scale or mode. |
elation is also implied by the first and third | chord of the turnaround, CM7 and A♭M7. |
rather than the square on the radius (with the | chord of 90° as diagonal). |
monic language is apparent from the very first | chord of the piece (Ab added-sixth chord), the stabi |
": it turns out to be the root of the dominant | chord of the remote key of F♯ minor, and the main th |
ot coming down, crushing him (set to the final | chord of The Beatles' "A Day in the Life"). |
naa Koee Dil Kaa (Meaning: Someone plucked the | chord of my heart...) and Main Ye Sochkar Uske Dar S |
He also sang bass in Chicago | Chord of Trade, a three-time International Quartet M |
se diameter is 10 and circumference is 32; the | chord of 90° is taken to be 7. |
mode that are dissonant with the prime (tonic) | chord of that mode. |
The | Chord of War |
s a bass line equal to the first note of every | chord of the guitar. |
concern for this by saying, "Well - that's the | chord of war." |
A | chord of length equal to the radius made a natural b |
s something about the hook that just strikes a | chord of fear down my spine." |
This is because Liszt did not start the first | chord of the piece as an upbeat, which is what many |
and sung by keyboardist Rick Davies all in the | chord of G. Davies stated in an interview "I did it |
A | chord of a circle is a line segment whose endpoints |
Music notations, Dm, which is a minor | chord on D, transfers to Gm. Selena's Mariachi-yells |
Where most fiddlers make a "D" | chord on the neck with the index and ring finger, Fl |
producing a D♯ and allowing an augmented sixth | chord on the second degree: B7(♭5)/F. |
To this day I still don't know a single | chord on the guitar.” |
art are used thusly by me: after the [initial] | chord, one should play again only the notes [of the |
こんにちは ゲスト さん
ログイン |
Weblio会員(無料)になると 検索履歴を保存できる! 語彙力診断の実施回数増加! |
こんにちは ゲスト さん
ログイン |
Weblio会員(無料)になると 検索履歴を保存できる! 語彙力診断の実施回数増加! |