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八つ代の英語
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平安時代に日本で盛んであった仏教の八つの宗派例文帳に追加
the eight Buddhist sects that flourished during Japan's Heian period発音を聞く - EDR日英対訳辞書
八つぁん・熊さん等の名で代表される町人や職人が登場するものでは羽織を脱ぐ。例文帳に追加
Thirdly, the haori is taken off in performances where an ordinary merchant or artisan, typically named Hattsuan or Kumasan, appears.発音を聞く - Wikipedia日英京都関連文書対訳コーパス
江戸時代の初期、留袖には振八つ口がなく、「振八つ口が開いている服」を振袖と呼んでいたという説があり、この説によれば、袖丈が長い和服を振袖と呼ぶようになった時期は、江戸時代に留袖に振八つ口を作るようになった後であるとされる。例文帳に追加
In the early days of the Edo period, tomesode (formal black kimono) did not have furiyatsuguchi, leading to the theory that once kimono with open furiyatsuguchi-style sleeves appeared, it came to be called furisode; according to this theory, the practice of calling kimono with long dangling sleeves "furisode" must have started only after tomesode sleeves began to be made in the furiyatsuguchi style during the Edo period.発音を聞く - Wikipedia日英京都関連文書対訳コーパス
八葉車(はちようのくるま):網代を萌黄色(黄緑)に塗り、九曜星(八葉/大きな円の周りに小さな円を八つ書いたもの)の模様を書いたもの。例文帳に追加
Hachiyo no kuruma: An oxcart made with yellowish-green ajiro and painted with kuyosei patterns (also referred as hachiyo: a big circle surrounded by eight small circles).発音を聞く - Wikipedia日英京都関連文書対訳コーパス
しかし、後世鎌倉時代の遺品である鶴岡八幡宮の神宝装束は身八つ口を縫い付けていることから、「平安時代の装束も巨大な筒袖だったのではないか」と言う説がある。例文帳に追加
However, as the miyatsuguchi (opening under the sleeve) of the sacred costumes at Tsuruoka-hachimangu Shrine, which is one of Japan's heritage sites from the Kamakura period, have been sewn together, some historians believe that kimono worn in the Heian period (which was prior to the Kamakura period) also had large tsutsusode.発音を聞く - Wikipedia日英京都関連文書対訳コーパス
稚児大師図(香雪美術館蔵・鎌倉後期)などに見られるように、子供の小袖は中世の時代は体温を逃がす振りの八つ口をあけていた。例文帳に追加
As can be seen in the Chigo daishi zu (a late Kamakura work owned by the Kayuki Art Museum) and other such illustrations, children's kosode during Japan's medieval period was made with furi-no-yatsuguchi in the sleeves to allow body heat to dissipate.発音を聞く - Wikipedia日英京都関連文書対訳コーパス
さらに8月号では大野晋が「上代日本語の母音体系」で両論を紹介し、持論を展開した他、11月号では松本が「万葉仮名のオ列甲乙について」で、12月には服部が「上代日本語の母音音素は六つであって八つではない」で互いに再反論した。例文帳に追加
Further, in the August issue Susumu ONO introduced both theories and presented his own view in 'Old Japanese Vowel System,' which was, in turn, countered by Matsumoto, in 'Concerning A-type and B-type Manyo-gana Characters with the Vowel of オ (o)' in the November issue, and by Hattori, saying 'Old Japanese Vowel Phonemes were Six, not Eight' in the December issue.発音を聞く - Wikipedia日英京都関連文書対訳コーパス
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「八つ代」の部分一致の例文検索結果
該当件数 : 9件
当り役は非常に多く、時代物では『本朝廿四孝・十種香』の八重垣姫、『鎌倉三代記・絹川村』の時姫、『祇園祭礼信仰記・金閣寺』の雪姫(三つ合わせて三姫)、『伽羅先代萩』の政岡・世話物では『助六』の揚巻、『籠釣瓶』の八つ橋、『新版歌祭文・野崎村』のお光、新作では前述の淀君などがある。例文帳に追加
He had so many successful roles; as for jidai-mono (historical drama), Yaegaki-hime in the scene of 'Jusshuko' of "Honcho Nijushi-Ko," Toki-hime in 'Kinugawa-mura' of "Kamakura Sandaiki," Yuki-hime in 'Kinkakuji' of "Gion Sairei Shinko-ki" (those three roles were called Mitsuhime [three princesses]), and Masaoka in "Meiboku Sendai Hagi"; as for sewa-mono (drama based on real-life people), Agemaki in "Sukeroku," Yatsuhashi in "Kagotsurube" ("Kagotsurube Sato no Yoizame," Omitsu in 'Nozaki-mura' of "Shinpan Utazaimon"; as for modern play, Yodogimi mentioned above and so on.発音を聞く - Wikipedia日英京都関連文書対訳コーパス
歌右衛門生涯の当たり役は非常に多く、『京鹿子娘道成寺』の白拍子花子、『籠釣瓶花街酔醒(籠釣瓶)』の八つ橋、『祗園祭礼信仰記(金閣寺)』の雪姫、『鎌倉三代記・絹川村』の時姫、『本朝廿四孝・十種香』の八重垣姫、『東海道四谷怪談』のお岩、『妹背山婦女庭訓(妹背山)』の定高、お三輪、『沓手鳥孤城落月(孤城落月)』の淀君、『仮名手本忠臣蔵・九段目』の戸無瀬、『積恋雪関扉(関の扉)』の小町と墨染、『恋飛脚大和往来・新口村』の梅川、『攝州合邦辻・合邦庵室』の玉手御前、『伽羅先代萩』の政岡、『鏡山旧錦絵(鏡山)』の尾上、『隅田川続俤(隅田川)』の班女など、娘形から姫、片はずし、傾城に至るまで、あらゆる女形の領域をこなした。例文帳に追加
Utaemon performed many successful characters in his lifetime, and those were Shirabyoshi (women who play Shirabyoshi (Japanese traditional dance)) Hanako of "Kyo Kanokomusume Dojoji" (The maiden at Dojo Temple), Yatsuhashi of "Kago Tsurube Satono Eizame" (Basket bucket in red-light district), Yukihime of "Gion Sairei Shinkoki" (The Gion Festival Chronicle of Faith)(Kinkaku-ji Temple), Tokihime of "Kamakura Sandaiki, Kinugawa-mura" (Three Generations of the Kamakura Shogunate in Kinugawa Village), Yaegaki-hime of "Honcho Niju-shi ko, Jusshuko" (24 Paragons of Filial Piety of our Country, Incense Burning), "Oiwa of "Tokaido Yotsuya Kaidan" (Tokaido Yotsuya Ghost Stories), Sadaka and Omiwa of "Imoseyama Onna Teikin" (An Exemplary Tale of Womanly Virtue in Mt. Imose), Yodogimi of "Hototogisu Kojo no Rakugetsu" (The Sinking Moon over the Lonely Castle Where the Cuckoo Cries), Tonase of "Kanadehon Chushingura, Kudanme" (The Treasury of Loyal Retainers, 9th act), Komachi and Sumizome of "Tsumoru Koiyuki no Seki no To" (The Barrier Gate), Umegawa of "Koibikyaku Yamato Orai, Ninokuchi-mura" (The Amorous Courier on the Yamato Highway, Ninokuchi Village), Tamate-Gozen of "Gappo Anjitsu (hermitage of Gappo), Sesshu Gappo ga Tsuji (A Kabuki Drama of Unfettered Evil)," Masaoka of "Meiboku Sendai Hagi" (The trouble in the Date Clan), Onoue of "Kagamiyama Kokyo no Nishikie" (old brocade pictures of Mt. Kagami), Hanjo of "Sumida-gawa Gonichi no Omokage" (Latter-day Reflections of the Sumida-gawa River), and he acted many types of female roles, such as a daughter, princess, Katahazushi (female role of nyobo (a court lady) of a samurai family or goten jochu (palace maid)), and keisei (courtesans with high dignity and literacy).発音を聞く - Wikipedia日英京都関連文書対訳コーパス
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