壺根の英語

池上・曽根遺跡などの大阪府下の弥生時代の遺跡からは、蛸壺型の土器が複数出土している。例文帳に追加

Man potteries in the shape of an octopus trap pot have been excavated from the Yayoi period ruins such as the Ikegamisone Historic Site in Osaka Prefecture.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

細かく分ける場合、頭に被る部分の上部を額（ひたい）、縁を玉縁（たまべり/前面から側面を磯・後ろを海と呼ぶ）、巾子に、纓を入れる纓壺（えつぼ）、纓の根元にある纓壺に差し込む纓袖（えそで）、纓と呼び分ける。例文帳に追加

More specifically, a Court cap consists of the following parts: hitai which refers to the upper part of the main part put on the head, tamaberi which refers to the brim of the main part (the front and the side of the brim are called iso, and the rear part is called umi), koji, etsubo which refers to the pocket in which an ei is inserted, esode which is also inserted in an etsubo, and ei.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

陶器としては「なんの変哲もない褐釉小壺」（西田宏子『唐物茶入』まえがき／根津美術館／2005）に過ぎず、これらの微妙な個性に美しさを見出す点は茶道文化の際立った特異性となっている。例文帳に追加

As ceramics, it is nothing more than "an unremarkable small brown glazed pot"(as referred to in the preface of "Karamono Chaire" (Chinese-Style Tea Canisters) written by Hiroko NISHIDA/Nezu Museum/2005), and finding beauty in chaire's subtle individuality is remarkably peculiar to tea ceremony culture.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

（昭和46年廃止）二股町、一ノ坪町、東・西荒草町、糠田町、穂根束町、松田町、御琴持町、桜町、下桜町、中流石町、東・西松本町、忌子田町、石壺町例文帳に追加

(Abolished in 1971) Futamata-cho, Ichinotsubo-cho, Higashi Arakusa-cho, Nishi Arakusa-cho, Nukata-cho, Honezuka-cho, Matsuda-cho, Mikotoji-cho, Sakura-cho, Shimo Sakura-cho, Nakasazare-cho, Higashi Matsumoto-cho, Nishi Matsumoto-cho, Igoden-cho, Ishitsubo-cho発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

しかし当時は『三人吉三廓初買』のお坊吉三や、『八幡祭小望月賑』（縮屋新助）の穂積新三郎などの大役を与えられても、演技が堅く科白も工夫がないので「大根」だの「お茶壺権ちゃん」だのと酷評された。例文帳に追加

However, at that time even in acting important parts such as Obo kichisa in "Sannin Kichisa Kuruwano no Hatsugai" or Shinzaburo HOZUMI in "Hachiman Matsuri Yomiya no Nigiwai [Chizimiya Shinsuke]," his stiff performances and plain speaking of his lines brought him bitter criticisms of a "daikon" (ham) or the "tea urn Gon-chan."発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

9年には三村伸太郎、山中貞雄、滝沢英輔、八尋不二ら京都の鳴滝に住んでいた若手映画人らと映画会社の垣根を超えた脚本執筆集団を結成し、「梶原金八」の合同筆名で山中監督「百万両の壺」「河内山宗俊」、滝沢監督「太閤記」「宮本武蔵」のシナリオを執筆し、それぞれヒットを飛ばした。例文帳に追加

In 1934, he formed a screenplay writing group that managed to establish a presence in the film world with other young filmmakers living in Kyoto's Narutaki area, including Shintaro MIMURA, Sadao YAMANAKA, Eisuke TAKIZAWA, and Fuji YAHIRO; under the combined pen-name 'Kinpachi KAJIWARA,' this group wrote the scenarios for 'Hyakuman ryo no ko' (The Million-Dollar Vase) and 'Soshun Kouchiyama,' both directed by Yamannaka, and for 'Taikoki' (Chronicle of Hideyoshi) and 'Miyamoto Musashi' (Musashi Miyamoto), both directed by Takizawa, and every one of these films written by the group became smash hits.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

ついで江戸時代に入ると漢学者、国学者の双方による律令研究が盛行し、注釈書を残した者に壺井義知（つぼいよしちか）(1657‐1735）、荷田春満（かだのあずままろ）、稲葉通邦（いなばみちくに）(1744‐1801）、河村秀穎（ひでかい）、河村秀根（ひでね）、薗田守良（そのだもりよし）(1785‐1840）、近藤芳樹などがあるが、依然として研究の中心は解釈学におかれていた。例文帳に追加

Next, in the Edo period, research on ritsuryo by both scholars of Chinese classics and scholars of Japanese classical studies flourished, and Yoshichika TSUBOI (1657 - 1735), KADA no Azumamaro, Michikuni INABA (1744 - 1801), Hidekai KAWAMURA, Hidene KAWAMURA, Moriyoshi SONODA (1785 - 1840), and Yoshiki KONDO are among those who left commentaries, but the center of the research was still on hermeneutics.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス