最後の抵抗として九尾の狐は貞信の夢の中に現れ若い女性に化けて許しを願ったが、貞信はこれを九尾の狐が弱まっていると読み、最後の攻勢に出た。例文帳に追加

In a last-ditch attempt, the nine-tailed fox appeared in Sadanobu's dream as a young woman and asked forgiveness, but Sadanobu thought it was a sign that the nine-tailed fox had grown weak and thus initiated the final attack.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

その後、那須野（現在の栃木県那須郡周辺）で婦女子をさらうなどの行為が宮中へ伝わり、鳥羽上皇はかねてから九尾の狐退治を要請していた那須野領主須藤権守貞信の要請に応え、九尾の狐討伐軍を編成。例文帳に追加

Later, there was a report to the Imperial Court that the fox had been kidnapping women and girls in the Nasuno district (currently the Nasu district in Tochigi Prefecture), and this led the Retired Emperor Toba to organize a force to subdue the nine-tailed fox, responding to the request of SUDO gon no kami Sadanobu, who was the lord of the Nasuno district, to kill the nine-tailed fox.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

そして中国の悪女、妲己と褒ジを結びつけることで、妖怪玉藻前は三国伝来白面金毛九尾の狐として昇華され、世界的な大妖怪というイメージが定着した。例文帳に追加

By being associated with the Chinese evil women, Dakki and Hoji, the monster Tamamo no Mae became a white-faced, gold-haired, and nine-tailed fox whose story originated in India and was transmitted to China and finally to Japan; therefore, the impression was established that she was an evil monster known around the world.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

玉藻前（たまものまえ。玉藻の前・玉藻御前と紹介されることもある）は平安時代末期、鳥羽天皇に仕えた白面金毛九尾の狐が化けた架空の絶世の美女。例文帳に追加

Tamamo no Mae (may be written with a few different sets of Chinese characters) was an imaginary woman of great beauty which was the transformed figure of the Hakumenkinmokyubi no kitsune (white-faced, golden-haired, and nine-tailed fox) that served Emperor Toba at the end of the Heian period.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

また、愛蔵は店の裏にはアトリエをつくり、荻原碌山、中村彝、中原悌二郎、戸張狐雁らの出入が盛んとなり、大正4年には、インドの亡命志士ラス・ビハリ・ボースを右翼の重鎮・頭山満に頼まれてかくまい、大正7年には、長女俊子がボースと結婚した。例文帳に追加

Further, Aizo built an atelier at the back of his shop, and Rokuzan OGIWARA, Tsune NAKAMURA, Teijiro NAKAHARA and Kogan TOBARI, and other artists came to visit there actively, and he was asked by an authority of the right wing, Mitsuru TOYAMA and sheltered a patriot escaping from India, Rash Behari Bose in 1915, and his first daughter, Toshiko was married to Bose in 1918.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

「狐が女の姿に化けて古墳の上で踊ったことから石舞台と名付けられた」という伝説については、古墳のすぐそばで生まれ育った網干善教は、そのような話を自分は聞いたことがなく近年に創作された話であろう、としている。例文帳に追加

Regarding a legend that 'It came to be called Ishibutai (a stone stage) for the fact that a fox in the shape of woman danced on the Kofun,' Yoshinori ABOSHI who was born and brought up near the Kofun said he had never heard such a story and understood it was written in recent years.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

『土蜘蛛草子』には、九十九神の原型ともいえる描写があり、鶏や狐の姿をした女性や妖怪としての獏が描かれ、五徳と牛が合体したものや、杵に蛇の体と人の腕が2本くっついたものや、角盥（つのだらい）の縁に歯が生えそのまま顔になっている人形（ひとがた）が描かれている。例文帳に追加

Paintings of the model of Tsukumogami (九十九神) are seen in "Tsuchigumo no Soshi," such as women whose figures are the chicken and fox, apparitions of baku (mythological Chinese chimera), things that combine the gotoku (kettle stand) and cattle, the kine (pounder) to which a snake and human teeth are attached, and the hitogata (doll) whose face is tsuno-darai (horned basin) with teeth.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス