才雁の英語

近世の『和漢三才図絵』には、鳥の子に関して「俗に言う、厚葉、中葉、薄葉三品有り」と記して、すべての雁皮紙を鳥の子と呼んでいる。例文帳に追加

In the "Wakansansaizue" (a Japanese encyclopedia made in recent times), torinoko was described as 'being classified into three kinds of atsu-yo, chu-yo (medium torinoko paper), and usu-yo' and all ganpishi were called torinoko.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

戦後では完全に漫才が主流になり演じ手はいなかったが芦乃家雁玉・林田十郎、松葉家奴・松葉家喜久奴、松鶴家光晴・浮世亭夢若、一輪亭花蝶・松原勝美、浮世亭歌楽・ミナミサザエ等は軽口に近い芸風であった。例文帳に追加

In the postwar time, although manzai became completely dominant and karukuchi became extinct, manzai dialogues performed by duos of Gangyoku ASHINOYA and Juro HAYASHIDA, Yakko MATSUBAYA and Kikuyakko MATSUBAYA, Kosei SHOKAKUYA and Yumewaka UKIYOTEI, Kacho ICHIRINTEI and Katsumi MATSUBARA and Karaku UKIYOTEI and Sazae MINAMI were close to the style of karukuchi.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス