樹代史の英語

近年になって黒田基樹は享年88は江戸時代中期以降の系図類から出たものであり江戸時代前期の史料には存在しないことを明らかにした。例文帳に追加

Recently, Motoki KURODA has pointed out that the idea that Soun was 88 years old at the time of his death comes from a family tree created in the mid-Edo Period, and that such data does not exist in documents from the early Edo Period.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

1589年に死去、享年97となるが、（これは北条五代記の記述によるもので、現在の研究では妙法寺記などの同時代の一級史料や手紙などの古文書などと多くの矛盾が見られることから、その信頼性に疑問が持たれており、黒田基樹は幻庵の生年を永正年間と推定している。これが事実とすれば享年は１０年以上若くなる）一説に1501年生まれという説がある。例文帳に追加

He died in 1589 at the age of 97, (it is based on the Hojo Godai Ki [Chronicles of the Hojo family through five generations], however, current studied suggest it has many discrepancy between contemporary first class historical materials such as the Myoho-ji Ki [Chronicles of the Myoho-ji Temple] or ancient documents such as old letters, making its credibility doubtful, and Motoki KURODA dated Genan's birth during the Eisho era [1504-1521]. If it is true, his age of death was 10 years younger) one theory has it he was born in 1501.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

文徳天皇即位から後一条天皇の万寿2年（1025年）に至るまで14代176年間の宮廷の歴史を、藤原北家、ことに藤原道長の栄華を軸にして、大宅世継（190歳）と夏山繁樹（180歳）という長命な二人の老人が雲林院の菩提講で語り合い、それを若侍が批評するという対話形式で書かれている。例文帳に追加

It describes 176 years of the Imperial Court's history, the reigns of 14 emperors from Emperor Montoku's ascension up to 1025 and the reign of Emperor Go-ichijo, with the prosperity of the Northern House of the Fujiwara clan, and especially the glory of Michinaga FUJIWARA as its core, being written in the style of a dialogue between two extremely old men, 190-year-old OYAKE no Yotsugi and 180-year-old NATSUYAMA no Shigeki, with the criticisms of a young samurai, taking place at the enlightenment sermons (bodaiko) held at the Urinin.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

三船敏郎、仲代達矢、佐藤允、小林桂樹らスター俳優に加え、中谷一郎、田中邦衛、伊藤雄之助、天本英世、岸田森、中丸忠雄、平田昭彦、寺田農、砂塚秀夫、草野大悟、高橋悦史、本田博太郎、神山繁、今福将雄、二瓶正也、岸部一徳ら、脇を固める個性派男優を再三起用し、彼らは「喜八一家」、「喜八ファミリー」と呼ばれた。例文帳に追加

In addition to casting leading actors such as Toshiro MIFUNE, Tatsuya NAKADAI, Mitsuru SATO, and Keiju KOBAYASHI, for supporting roles he repeatedly picked up such male actors with colorful characters like Ichiro NAKATANI, Kunie TANAKA, Yunosuke ITO, Hideyo AMAMOTO, Shin KISHIDA, Tadao NAKAMARU, Akihiko HIRATA, Minori TERADA, Hideo SUNADUKA, Daigo KUSANO, Etsushi TAKAHASHI, Hirotaro HONDA, Shigeru KAMIYAMA, Masao IMAFUKU, Masanari NIHEI, and Ittoku KISHIDA, and they are called 'Kihachi Ikka' or 'Kihachi Family.'発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

巻1では、日本に儒教が伝来したと当時考えられていた神功皇后期から、徐福・王仁・聖徳太子・粟田真人・吉備真備・菅原道真・義堂周信ら、古代から室町時代における五山文化興隆期を扱い、巻2では、五山文化から薩摩国の儒教文化を興隆させた桂庵玄樹の登場までを扱い、巻3では薩南学派の発展に尽した島津忠良や南浦文之の活躍や江戸時代初期の儒学を扱い、巻4では薩南学派の総本山とされた正龍寺(指宿市)の歴史や元禄・享保以後の薩摩藩の儒教史を扱っているが未完である。例文帳に追加

Volume 1 deals with the history of Confucianism in Japan from the ancient times to the prosperity stage of Gozan Bunka (culture of the Five Official Temples between the end of the Kamakura Period and the Muromachi Period) such as the age of Empress Jingu which was thought in the author's day to be the time when Confucianism was introduced to Japan, then Jofuku, Wani (Wang In), Prince Shotoku, AWATA no Mahito, KIBI no Makibi, SUGAWARA no Michizane and Shushin Gido, Volume 2 deals with the period from Gozan Bunka to the appearance of Genju KEIAN who brought prosperity to the culture of Confucianism in Satsuma domain, Volume 3 deals with the activity of Tadayoshi SHIMAZU and Bunshi NANPO who tried to develop Satsunangaku school (school of Neo-Confucianism in Satsuma) and Confucianism in early Edo period, and Volume 4 deals with the history of Shoryu-ji Temple (in current Ibusuki City) which was the center of Satsunangaku school and the history of Confucianism in Satsuma domain after the Genroku and the Kyoho Era, but this volume is unfinished.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス