歌作五の英語

『万葉集』巻一第五番、六番に「軍王」と称する人物が舒明天皇の行幸に供奉した際に作った和歌が収録されている。例文帳に追加

In "Manyoshu" Volume 1, chapters 5 and 6, there is a Japanese poem composed by a person called Guno who presented it while he was accompanying the Imperial Progress of Emperor Jomei.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

18世紀後半には狂言作者並木五瓶、役者では初代嵐雛助のほか、初代尾上菊五郎(初代)や初代澤村宗十郎(初代)らが江戸に下り江戸歌舞伎に大きな影響を与えている。例文帳に追加

In the latter half of the 18th century, Gohei NAMIKI as a Kabuki playwright and Hinasuke ARASHI I, Kikugoro ONOE I (shodai) and Sojuro SAWAMURA I (shodai) as actors went up to Edo and had a major influence on Edo Kabuki.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

歌舞伎の人気狂言『雁金五人男』『新薄雪物語』『楼門五三桐』などの有名な場面を「俳句その他の技法」した場面も見られ、それをまったく新しい作品に作り変えた作者黙阿弥の機知に富む傑作。例文帳に追加

Having also had scenes made by providing 'haiku or other techniques' to famous scenes in popular kabuki kyogen plays such as "Karigane Gonin Otoko" (Five gans of Karigane, the head), "Shin Usuyuki Monogatari" (The Tale of Usuyuki), "Sanmon Gosan No Kiri" (The Temple Gate and the Paulownia Crest) and so on, this play was a witty masterpiece by a writer, Mokuami, who changed those into whole new plays.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

歌舞伎作品の中でも、当時（大まかな時代として江戸時代）の出来事を扱う世話物であるこの作品は、『東海道四谷怪談』の後日譚、並木五瓶の『五大力恋緘（ごだいりきこいのふうじめ）』の書き換え、『仮名手本忠臣蔵』の外伝としての性格を持つ物語が展開される。例文帳に追加

Among the kabuki programs, this 'sewamono' deals with the then current affairs (of roughly the Edo period) and contains various characteristic stories including a sequel to "Tokaido Yotsuya Kaidan" (a sewamono dealing with a ghost story in Yotsuya), a rewrite of "Godairiki Koi no Fujime" (a sewamono based on a real-life serial murderer) originally written by Gohei NAMIKI and a side story of "Kanadehon Chushingura" (a famous story of loyal retainers).発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

天保の頃、京都の光崎検校は、そんな後発楽器である箏にあらたな作曲表現の余地を見いだし、従来的な地歌三味線曲の他に、箏だけの曲である『秋風の曲』『五段砧』を作曲した。例文帳に追加

In Tempo era, Mitsuzaki Kengyo in Kyoto found a way of compositional expression in the late-starting instrument, koto, and composed "Akikaze no kyoku" (a song for the autumn wind) and "Godanginuda" for koto alone, as well as the conventional jiuta shamisen music.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

浪人となった善次郎は父の知り合いのつてで、市村座の歌舞伎・狂言作者であった初代篠田金治（後の並木五瓶〈なみきごへい〉）に狂言作者見習いとして師事することとなった。例文帳に追加

Zenjiro became a Ronin (masterless samurai) and, by the help of his father's connection, ended up studying as an apprentice for Kabuki playwright under kinji SHINODA the First (Later, Gohei NAMIKI), a Kabuki (traditional performing art) playwright of the Ichimura-za Theater.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

光崎検校は古い箏曲を見直し、組歌と段物を組み合わせた「秋風の曲」や、複雑精緻な高低二重奏曲である「五段砧」を作曲した。例文帳に追加

After looking over the old sokyoku, Kengyo MITSUZAKI composed 'Akikaze no kyoku' (Song of the Autumn Wind) which combined kumiuta, danmono, and 'Godanginuda,' a kind of koto duet music that makes use of high and low-pitched sounds to produce a sophisticated and delicate melody.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

道行旅路の花聟（みちゆきたびじのはなむこ）は、歌舞伎『仮名手本忠臣蔵』の四段目（判官切腹）と五段目（山崎街道）のあいだに挿入される所作事。例文帳に追加

Michiyuki Tabiji no Hanamuko is a dance drama ("shosagoto" in Kabuki terms) performed between the fourth act, "Hangan Seppuku" (a judge's suicide by disembowelment), and the fifth act, "Yamazaki Kaido" (Yamazaki-kaido Road), in the Kabuki play "Kanadehon Chushingura" (The Treasury of Loyal Retainers).発音を聞く  - Wikipedia日英京都関連文書対訳コーパス