海絵子の英語

『枕草子』にも「清涼殿の丑寅のすみの、北のへだてなる御障子は、荒海の絵、生きたる物どものおそろしげな・・・」とある。例文帳に追加

In "Makura no Soshi" (The Pillow Book) there is a description; 'In north-east end of Seiryoden, there were shoji (translucent screens), which separates the north side, with pictures of the rough sea, living things looked frightening...'発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

三十帖冊子・宝相華迦陵頻伽蒔絵ソク冊子箱（ソク＝土へんに「塞」）（ほうそうげ　かりょうびんが　まきえ　そく　さっしばこ）－「三十帖冊子」は、空海が唐から持ち帰った写経の小冊子（サイズは縦横とも十数センチ）30冊で、一部に空海自筆を含む。例文帳に追加

Sanjutcho Sasshi and Hosoge Karyobinga Makie Soku Sasshibako - Sanjutcho Sasshi are 30 small Sasshi scriptures that Kukai brought back from Tang China (size of each is 10x10cm), including some that he transcribed by himself.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

14世紀には、「渡党」（北海道渡島半島。近世の松前藩の前身）、「日の本」（北海道(地方公共団体)太平洋側と千島。近世の東蝦夷）、「唐子」（北海道日本海側と樺太。近世の西蝦夷）に分かれ、渡党は和人と言葉が通じ、本州との交易に従事したという文献（『諏訪大明神絵詞』）が残っている。例文帳に追加

In the fourteenth century the Ezo group was divided into Watari-to (Oshima Peninsula in Hokkaido, the predecessor of the Matsumae domain in modern history), Hinomoto (the Pacific Ocean side of Hokkaido (local public entity) and Chishima (Kurile Islands), or Higashi-Ezo in modern history), Karako (the Sea of Japan side of Hokkaido and Sakhalin, or Nishi-Ezo in modern history); and a record stating that Watari-to could communicate with Japanese and conducted trade with people in Honshu is seen in one document (Suwa Daimyojin Ekotoba).発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

しかし、海音寺潮五郎は金刺氏の持ち城に山吹城という城がある点と諏訪大明神絵詞に「諏訪下社大祝である金刺盛澄が義仲を婿にとり、女の子が生まれた」と記述されている点から金刺一族の出身であるとの見解を示している。例文帳に追加

Chogoro KAIONJI,however, suggests that she came from the Kanasashi clan, because the clan owned a castle called Yamabuki-jo Castle and Suwa Daimyojin Ekotoba describes 'Yoshinaka became a son-in-law of Morizumi KANASASHI, Ohori (the chief priest) of Suwa-jinja Shrine Shimo-sha, and had a daughter.'発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

歌右衛門生涯の当たり役は非常に多く、『京鹿子娘道成寺』の白拍子花子、『籠釣瓶花街酔醒（籠釣瓶）』の八つ橋、『祗園祭礼信仰記（金閣寺）』の雪姫、『鎌倉三代記・絹川村』の時姫、『本朝廿四孝・十種香』の八重垣姫、『東海道四谷怪談』のお岩、『妹背山婦女庭訓（妹背山）』の定高、お三輪、『沓手鳥孤城落月（孤城落月）』の淀君、『仮名手本忠臣蔵・九段目』の戸無瀬、『積恋雪関扉（関の扉）』の小町と墨染、『恋飛脚大和往来・新口村』の梅川、『攝州合邦辻・合邦庵室』の玉手御前、『伽羅先代萩』の政岡、『鏡山旧錦絵（鏡山）』の尾上、『隅田川続俤（隅田川）』の班女など、娘形から姫、片はずし、傾城に至るまで、あらゆる女形の領域をこなした。例文帳に追加

Utaemon performed many successful characters in his lifetime, and those were Shirabyoshi (women who play Shirabyoshi (Japanese traditional dance)) Hanako of "Kyo Kanokomusume Dojoji" (The maiden at Dojo Temple), Yatsuhashi of "Kago Tsurube Satono Eizame" (Basket bucket in red-light district), Yukihime of "Gion Sairei Shinkoki" (The Gion Festival Chronicle of Faith)(Kinkaku-ji Temple), Tokihime of "Kamakura Sandaiki, Kinugawa-mura" (Three Generations of the Kamakura Shogunate in Kinugawa Village), Yaegaki-hime of "Honcho Niju-shi ko, Jusshuko" (24 Paragons of Filial Piety of our Country, Incense Burning), "Oiwa of "Tokaido Yotsuya Kaidan" (Tokaido Yotsuya Ghost Stories), Sadaka and Omiwa of "Imoseyama Onna Teikin" (An Exemplary Tale of Womanly Virtue in Mt. Imose), Yodogimi of "Hototogisu Kojo no Rakugetsu" (The Sinking Moon over the Lonely Castle Where the Cuckoo Cries), Tonase of "Kanadehon Chushingura, Kudanme" (The Treasury of Loyal Retainers, 9th act), Komachi and Sumizome of "Tsumoru Koiyuki no Seki no To" (The Barrier Gate), Umegawa of "Koibikyaku Yamato Orai, Ninokuchi-mura" (The Amorous Courier on the Yamato Highway, Ninokuchi Village), Tamate-Gozen of "Gappo Anjitsu (hermitage of Gappo), Sesshu Gappo ga Tsuji (A Kabuki Drama of Unfettered Evil)," Masaoka of "Meiboku Sendai Hagi" (The trouble in the Date Clan), Onoue of "Kagamiyama Kokyo no Nishikie" (old brocade pictures of Mt. Kagami), Hanjo of "Sumida-gawa Gonichi no Omokage" (Latter-day Reflections of the Sumida-gawa River), and he acted many types of female roles, such as a daughter, princess, Katahazushi (female role of nyobo (a court lady) of a samurai family or goten jochu (palace maid)), and keisei (courtesans with high dignity and literacy).発音を聞く  - Wikipedia日英京都関連文書対訳コーパス