海萩の英語

その後も空海の書を敬慕し続けており、58歳のとき四国に渡り萩原寺（現香川県観音寺市大野原町萩原）に滞在して秘蔵される伝空海「急就章」（萩原寺蔵・重要文化財）を臨模している。例文帳に追加

Afterwards he continued to admire the calligraphy by Kukai and at the age of 58 he moved to Shikoku and stayed in Hagiwara-ji Temple (currently, Hagiwara, Onohara-cho, Kanonji city, Kagawa Prefecture) and copied the treasured 'Kyujosho' by Kukai (stored in Hagiwara-ji Temple, Important Cultural Property).発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

672年の壬申の乱で大海人皇子（天武天皇）の側で戦い、莿萩野を守って敵を撃退した。例文帳に追加

In 672, he fought on Prince Oama's side during the Jinshin War and defeated their enemies in Tarano.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

大悲願寺13世海譽の元で弟子として在山していた弟・秀雄のもとを政宗が訪れ四方山話をし庭にあった白萩を気に入り所望し貰い受け、臥龍梅を大悲願寺に贈った。例文帳に追加

When Masamune visited his young brother Shuyu, who was at the Daihigan-ji Temple as a disciple of the 13th chief priest Kaiyo, they had a talk in various topics; Masamune was pleased with Japonica flowers in a garden and asked for them; in return he sent Garyubai (Lying-dragon plum) to the Daihigan-ji Temple.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

天保15年（1844年）10月9日、当時の長門国阿武郡椿郷東分（山口県萩市）で、長州藩士である山田七兵衛顕行（大組士、禄高102石、藩海軍頭）の長男として生まれる。例文帳に追加

In November 18, 1844, he was born first son to a feudal retainer of the Choshu Domain Akiyukishichibei YAMADA (upper-ranked "kumishi" samurai, rokudaka (stipend), head of the domain navy) in Higashibun Tsubakigou Abu gun Nagato Province (Hagi City, Yamaguchi Prefecture) in those days.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

歌右衛門生涯の当たり役は非常に多く、『京鹿子娘道成寺』の白拍子花子、『籠釣瓶花街酔醒（籠釣瓶）』の八つ橋、『祗園祭礼信仰記（金閣寺）』の雪姫、『鎌倉三代記・絹川村』の時姫、『本朝廿四孝・十種香』の八重垣姫、『東海道四谷怪談』のお岩、『妹背山婦女庭訓（妹背山）』の定高、お三輪、『沓手鳥孤城落月（孤城落月）』の淀君、『仮名手本忠臣蔵・九段目』の戸無瀬、『積恋雪関扉（関の扉）』の小町と墨染、『恋飛脚大和往来・新口村』の梅川、『攝州合邦辻・合邦庵室』の玉手御前、『伽羅先代萩』の政岡、『鏡山旧錦絵（鏡山）』の尾上、『隅田川続俤（隅田川）』の班女など、娘形から姫、片はずし、傾城に至るまで、あらゆる女形の領域をこなした。例文帳に追加

Utaemon performed many successful characters in his lifetime, and those were Shirabyoshi (women who play Shirabyoshi (Japanese traditional dance)) Hanako of "Kyo Kanokomusume Dojoji" (The maiden at Dojo Temple), Yatsuhashi of "Kago Tsurube Satono Eizame" (Basket bucket in red-light district), Yukihime of "Gion Sairei Shinkoki" (The Gion Festival Chronicle of Faith)(Kinkaku-ji Temple), Tokihime of "Kamakura Sandaiki, Kinugawa-mura" (Three Generations of the Kamakura Shogunate in Kinugawa Village), Yaegaki-hime of "Honcho Niju-shi ko, Jusshuko" (24 Paragons of Filial Piety of our Country, Incense Burning), "Oiwa of "Tokaido Yotsuya Kaidan" (Tokaido Yotsuya Ghost Stories), Sadaka and Omiwa of "Imoseyama Onna Teikin" (An Exemplary Tale of Womanly Virtue in Mt. Imose), Yodogimi of "Hototogisu Kojo no Rakugetsu" (The Sinking Moon over the Lonely Castle Where the Cuckoo Cries), Tonase of "Kanadehon Chushingura, Kudanme" (The Treasury of Loyal Retainers, 9th act), Komachi and Sumizome of "Tsumoru Koiyuki no Seki no To" (The Barrier Gate), Umegawa of "Koibikyaku Yamato Orai, Ninokuchi-mura" (The Amorous Courier on the Yamato Highway, Ninokuchi Village), Tamate-Gozen of "Gappo Anjitsu (hermitage of Gappo), Sesshu Gappo ga Tsuji (A Kabuki Drama of Unfettered Evil)," Masaoka of "Meiboku Sendai Hagi" (The trouble in the Date Clan), Onoue of "Kagamiyama Kokyo no Nishikie" (old brocade pictures of Mt. Kagami), Hanjo of "Sumida-gawa Gonichi no Omokage" (Latter-day Reflections of the Sumida-gawa River), and he acted many types of female roles, such as a daughter, princess, Katahazushi (female role of nyobo (a court lady) of a samurai family or goten jochu (palace maid)), and keisei (courtesans with high dignity and literacy).発音を聞く  - Wikipedia日英京都関連文書対訳コーパス