督寿の英語

1924年4月4日封切の浅草大東京の番組は、二川・井上そして後藤監督、寿々喜多呂九平脚本による短篇大会となった。例文帳に追加

The film program released on April 4, 1924 at Asakusa Daitokyo was a spree of short films directed by Futagawa, Inoue and Goto and scripted by Rokuhei SUSUKITA.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

記念すべき設立第1作は、牧野の総指揮、寿々喜多のオリジナル脚本による二川文太郎監督の『雄呂血』であった。例文帳に追加

The memorable first production after the establishment of Bando Tsumasaburo Productions was "Orochi" (Serpent), directed by Buntaro FUTAGAWA, originally scripted by Susukita and under Makino as the executive director.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

犬塚監督による『砂絵呪縛森尾重四郎前篇』は、片岡千恵蔵プロダクションの衣笠十四三監督作『初祝鼠小僧』、嵐寛寿郎プロダクションの山本松男監督作『右門捕物帖晴々五十三次乱麻篇』と同時上映で同年12月31日に公開された。例文帳に追加

On December 31, 1935, "Sunae Shibari Morio Jushiro Zenhen" (The Spell of the Sand Painting, Jushiro MORIO, Part One) directed by INUZUKA was screened with two other films: "Hatsu Iwai Nezumi Kozo" (The Rat Man, First Celebration) directed by Toshizo KINUGASA of Kataoka Chiezo Productions, and "Umon Torimonocho: Harebare Gojusan-tsugi Ranma-hen" (The Detective Records of Umon: Journey of the Fifty-three Tokaido Road Stages - Anarchy) directed by Matsuo YAMAMOTO of Arashi Kanjuro Productions.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

俳優だった衣笠貞之助を監督としてフル稼働し、大部屋俳優阪東妻三郎をスターにし、20代前半の若者たちを脚本家・寿々喜多呂九平、映画監督・二川文太郎、井上金太郎としてデビューさせた。例文帳に追加

The company went into full-fledged operation with film director Teinosuke KINUGASA who had been an actor, making a utility actor Tsumasaburo BANDO rise to stardom, and launching the youngsters in their early 20s into the film industry, Rokuhei SUSUKITA as a scriptwriter and Buntaro FUTAGAWA and Kintaro INOUE as film directors.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

治承三年の政変後に藤原光能に替わって右兵衛督を兼ね、寿永元年（1181年）に従二位に進み左兵衛督に転じる。例文帳に追加

After the Coup of the Third Year of Jisho, he served an additional post of Uhyoe no kami (Captain of the Right Division of Middle Palace Guards) replacing FUJIWARA no Mitsuyoshi, and he was promoted to Junii (Junior Second Rank) in 1181 and switched to Sahyoe no kami (Captain of the Left Division of Middle Palace Guards).発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

マキノは活躍できるようにと1928年（昭和3年）、山中を脚本家兼助監督として、嵐寛寿郎の第一次嵐寛寿郎プロダクション（寛プロ）に移籍させるが、五社協定によりその年に独立プロは失敗。例文帳に追加

In 1928, Makino transferred Yamanaka to First Arashi Kanjuro Productions (Kan-puro) as a screenwriter and assistant director so that he could play an active role, but the independent production company failed within the same year due to a Five company agreement.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

1922年（大正11年）春、横浜の大活にいた知人山内英三（のちの映画監督）のツテで牧野監督の『実録忠臣蔵』の試写を観た22歳の寿々喜多呂九平は、いきなり京都入りして「牧野教育映画製作所」の文芸部に入社した。例文帳に追加

At the age of 22, Rokuhei SUSUKITA, after seeing "Jitsuroku Chushingura" (True Record of the Forty-seven Ronin), a movie directed by Makino, at a preview which he could attend through his personal connection with Eizo YAMAUCHI (later became a film director) working for Daikatsu in Yokohama at that time, suddenly came to Kyoto and joined the script department of Makino Educational Films in the spring of 1922.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

翌年の「マキノ映画製作所」設立の翌月には、牧野・金森共同監督による市川幡谷主演作品『紫頭巾浮世絵師』で、牧野は寿々喜多を脚本家としてデビューさせた。例文帳に追加

In the month following the establishment of Makino Film Productions in 1923, Makino made Susukita debut as a scriptwriter in "Murasaki Zukin Ukiyoe-shi" (The Purple Hood: Woodblock Artist) starring Hataya ICHIKAWA and co-directed by Makino and Kanamori..発音を聞く  - Wikipedia日英京都関連文書対訳コーパス