祭里の英語

本来は、神霊を集落内の祭壇に迎える形であったものが、祭壇が祭祀の施設として神社に発展すると、迎える行為が逆の過程の里帰りとして残り、神幸祭が行われるようになったと考えられている。例文帳に追加

Originally, the divine spirit was welcomed at the altar in a village, but as the altar developed into a shrine, as a facility for accomodating religious services, the act of welcoming remained as a home visit or reverse process, and led to the Shinko-sai Festival.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

また別号として、獺祭書屋主人・竹の里人・香雲・地風升・越智処之助（おちところのすけ）なども用いた。例文帳に追加

He also used different pen names like "Dassaishooku Shujin," "Takeno Satobito," "Koun," "Chifusho," "Ochi Tokoronosuke" and others.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

お祭り（祭囃子、神楽里神楽、獅子舞など）、民謡、歌舞伎・日本舞踊（邦楽囃子）などの舞台音楽、座敷音楽（端唄、小唄など）で用いられる横笛。例文帳に追加

A shinobue is a yokobue that is used in festivals (matsuri-bayashi, satokagura, shishimai, and so on) stage music such as folk music, Kabuki and classical Japanese dance (hogaku-bayashi [orchestra of Japanese classical music]) and zashiki music (literally, music in tatami-room; hauta [a Japanese traditional song or ballad sung to the accompaniment of the samisen, Japanese banjo] and kouta [a ballad sung to samisen accompaniment], and so on).発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

この夜は、月が見える場所などに祭壇を作りススキ（すすき）を飾って月見団子・里芋・枝豆・クリなどを盛り、御酒を供えて月を眺めた（お月見料理）、豊作を祈る満月法会など。例文帳に追加

That night, an altar is set up in a place from which the moon is visible; it is decorated with Japanese pampas grass, and Tsukimi Dango dumplings, sato-imo (taro), edamame (green soybeans) or chestnuts are put out, and sake is offered, in which way people enjoy viewing the moon (moon-viewing dishes), such as in a Buddhist service for the full moon in order to pray for a good harvest.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

大韓民国でも、この時期、月見の習慣があり、チュソク（秋夕）といい、勤めも休みになり、郷里で親族と共に祝うお正月、お盆に次ぐお祭りになっている。例文帳に追加

The Republic of Korea also has the custom of moon viewing around this time, which is called Chuseok; it's the third-biggest festival next to the New Year and Lantern Festival as holidays from work to celebrate with families in one's hometown.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

社伝では、神功皇后3年（203年）、三韓征伐から凱旋した神功皇后が、山城国・深草の里の藤森に纛旗（とうき、いくさ旗）を立て、兵具を納め、塚を作り、祭祀を行ったのが当社の発祥であるとしている。例文帳に追加

According to shrine legend, Fujinomori-jinja Shrine originated in the year 203 after the triumphant return of Empress Jingu from the military invasion of the Three Kingdoms of Korea when she placed in a mound the battle flags and military equipment at Fujinomori, Fukakusanosato, Yamashiro Province and held a religious service.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

その後は日活太秦や太秦京都を中心に映画を撮影し、10年山中と共同監督した「関の弥太ッぺ」、中里介山原作の「大菩薩峠」、11年前進座出演の「股旅千一夜」、16年「海を渡る祭礼」などといった時代劇の大作や話題作を製作。例文帳に追加

Following this, Inagaki continued to shoot films, mainly around Nikkatsu Uzumasa and Uzumasa Kyoto, and in 1935 he co-directed 'Seki no Yatappe' with Yamanaka; Inagaki also independently crafted some of his most celebrated epic and period films during this period, including his 1935 film 'Daibosatsu toge' (literally 'The Bodhisattva's Pass' but sometimes credited as 'The Sword of Doom' in English) based on the original novel by Kaizan NAKAZATO, his 1936 film 'Matatabi sen-ichi ya' (A Thousand and One Nights in a Gambler's Wandering Life) starring the actors of the Zenshin troupe, and the film 'Umi wo wataru sairei' (The Ocean-Crossing Festival) in 1941.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス