芦花の英語

東海道本線（JR神戸線）：塚本・尼崎・立花・甲子園口・西ノ宮・芦屋例文帳に追加

Tokaido Main Line (JR Kyobe Line): Tsukamoto Station, Amagasaki Station, Tachibana Station, Koshienguchi Station, Nishinomiya Station and Ashiya Station発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

戦後では完全に漫才が主流になり演じ手はいなかったが芦乃家雁玉・林田十郎、松葉家奴・松葉家喜久奴、松鶴家光晴・浮世亭夢若、一輪亭花蝶・松原勝美、浮世亭歌楽・ミナミサザエ等は軽口に近い芸風であった。例文帳に追加

In the postwar time, although manzai became completely dominant and karukuchi became extinct, manzai dialogues performed by duos of Gangyoku ASHINOYA and Juro HAYASHIDA, Yakko MATSUBAYA and Kikuyakko MATSUBAYA, Kosei SHOKAKUYA and Yumewaka UKIYOTEI, Kacho ICHIRINTEI and Katsumi MATSUBARA and Karaku UKIYOTEI and Sazae MINAMI were close to the style of karukuchi.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

祇園甲部歌舞練場、京都府立芸術会館などで、「京舞篠塚流の会」を開催したり、重要文化財・芦花浅水荘、京都市指定有形文化財・野口邸、同じく杉本邸などで「座敷で見る京舞」を開催するなど、流派の発展に尽力するかたわら、重文・京都島原角屋で『島原三番艘』を披露するなど文化面での活動にも余念がない。例文帳に追加

While school members hold events such as "The gathering of Kyomai Shinozuka school" at Gion Kobu Kaburenjo Theater and Kyoto Prefectural Art Center, etc., and "The gathering to appreciate Kyo dance in a tatami room" at Rokasensui-sho Manor (Important Cultural Property) and at Noguchi-tei Estate and Sugimoto-tei Estate (Tangible Cultural Asset Designated by Kyoto City) to develop their own school, they also devoted themselves in playing an active role in the cultural field by presenting classical "Shimabara san banso" (Shimabara third boat) at Kyoto Shimabara Sumiya (Important Cultural Property).発音を聞く  - Wikipedia日英京都関連文書対訳コーパス