菊の台の英語

1937年（昭和12年）に六代目尾上菊五郎が、五変化舞踊のひとつだった藤娘を独立させ、長唄の間に「藤音頭」（岡鬼太郎作）を挿入し、舞台演出を一新して上演したもの。例文帳に追加

It was established by Kikugoro ONOUE the sixth in 1937 who separated Fuji Musume the gohengebuyo, and inserted 'fujiondo' (marching songs of the wisteria, by Onitaro OKA) between parts of the nagauta, transforming the stage effects.発音を聞く - Wikipedia日英京都関連文書対訳コーパス

勘平は市村羽左衛門(15代目)、中村鴈治郎(初代)、二代目實川延若、中村勘三郎(17代目)がそれぞれ名舞台だったが、抜群なのは尾上菊五郎(6代目)の型である。例文帳に追加

Uzaemon ICHIKAWA (the 15th), Ganjiro NAKAMURA (the first), Enjaku JITSUKAWA the second and Kanzaburo NAKAMURA (the 17th) all performed the role of Kanpei well, but the best performance was that of Kikugoro ONOE (the sixth).発音を聞く - Wikipedia日英京都関連文書対訳コーパス

冬資が当主を務めていた頃、九州では菊池氏や懐良親王などの南朝(日本)勢力が台頭し、北朝(日本)勢力、すなわち幕府側の勢力は押されていた。例文帳に追加

When Fuyusuke was the head of the Shoni clan, the Southern Court (Japan) in Kyushu which included the Kikuchi clan and the imperial prince, Kanenaga Shino, was gaining power while the Northern Court (Japan), which was the bakufu (Japanese feudal government headed by a shogun), was losing power.発音を聞く - Wikipedia日英京都関連文書対訳コーパス

昭和24年(1949)1月、東横劇場で道玄を勤めていた菊五郎は眼底出血で倒れ、再起できぬまま死去、これが図らずも最後の舞台となった。例文帳に追加

In January 1949, Kikugoro who was performing Dogen at Toyoko Gekijo Theater collapsed due to a hemorrhage in the eyeground, and died without making comeback on stage; this was his last performance.発音を聞く - Wikipedia日英京都関連文書対訳コーパス

明治の市川團十郎(9代目)・尾上菊五郎(5代目)、あるいは戦前の尾上菊五郎(6代目)・中村吉右衛門(初代)こそが最高の役者であるという信念に基き、彼らに今の役者は遠く及ばないという下降史観によって役者や舞台を批判する老人のことを、それよりも若い世代が揶揄的に、あるいは老人自身が自嘲的に言う言葉。例文帳に追加

They are the terms by which younger generations teasingly refer to old people (or what old people call themselves with ridicule), who, based on the belief that Danjuro ICHIKAWA (9th) and Kikugoro ONOE (the fifth) in the Meiji Period or Kikugoro ONOE (the sixth) and Kichiemon NAKAMURA (1st) before World War Ⅱ were the best actors, criticizing actors and their performance thinking no present actors can approach them in performance.発音を聞く - Wikipedia日英京都関連文書対訳コーパス

その後も東宝で山本富士子や山田五十鈴らの女優と舞台で共演するなどしたが、東宝の興行方針に対する不満や自己の芸術観と菊田の脚本との相違・ずれなど問題が絶えず、この移籍は必ずしも成功とはいえないものだった。例文帳に追加

With Toho, he went on to appear on stage alongside actresses such as Fujiko YAMAMOTO, and Isuzu YAMADA, but dissatisfaction with Toho policies as well as continued disparities between his own artistic outlook and Kikuta's scripts meant that this move cannot be considered to have been a complete success.発音を聞く - Wikipedia日英京都関連文書対訳コーパス

旭日章の意匠に取り入れられたり、日本の天皇と皇室を表す紋章である「菊花紋章」に準じるものとして、査証やパスポートなどの書類の装飾に使われたり、総理大臣官邸の備品や、総理の演台に取付けられるプレートに使われている。例文帳に追加

It is used for the design of Orders of the Rising Sun, the decoration of documentations such as visas and passports since it is regarded as the same as 'Kikuka-monsho' which represents the Japanese Emperor and the Imperial family, supplies in the official residence of the prime minister, and the plate mounted on the podium for the prime minister.発音を聞く - Wikipedia日英京都関連文書対訳コーパス

もともとは絵から出て来た娘が踊ると言う趣向の五変化舞踊のひとつだったが、六代目尾上菊五郎が藤の精が娘姿で踊るという内容に変えて舞台演出を一新して以来、そのスタイルが一般的になり、現在では人気の歌舞伎舞踊の一つである。例文帳に追加

Originally, it was a gohengebuyo (five-transformation variety of dance) in which a girl coming out of a picture dances, but since the time of Kikugoro ONOUE the sixth the stage effects were altered to that of a wisteria spirit dancing as a girl, and this style became common and is now a popular Kabuki Buyo (Kabuki Dance).発音を聞く - Wikipedia日英京都関連文書対訳コーパス