青浪の英語

浪華青年文学会に参加の後、明治33年（1900年）、浜寺公園の旅館で行なわれた歌会で歌人・与謝野鉄幹と親しくなり、鉄幹が創立した新詩社の機関誌『明星』に短歌を発表。例文帳に追加

After participated in the Kansai Young Men's Literary Society, in 1900, she became acquainted with a waka poet Tekkan YOSANO at a poetry reading held at a Japanese-style hotel in Hamaderakoen and contributed her poem to "Myojo," an in-house magazine of Shinshisha (New Poetry Society) founded by Tekkan.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

ただし『三人吉三』のお嬢吉三や『青砥稿花紅彩画』（白浪五人男）の弁天小僧のような女装の美少年を演じるのも女形である。例文帳に追加

However, the roles of beautiful boys, who are dressed as a woman such as kichisa of "Sannin kichisa," Benten Kozo (Benten the Thief) of ""Aotozoshi hanano nishikie" (Shiranami Gonin Otoko (The Five Shiranami Men), are also acted by onnagata.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

『青砥稿花紅彩画』（あおとぞうしはなのにしきえ）は、文久二年（1862年）に市村座で初演された、二代目河竹新七（後の河竹黙阿弥）作の歌舞伎の「白浪物」。例文帳に追加

"Aotozoshi hanano nishikie" refers to 'Shiranami-mono' (stage works with thieves and lowlifes) of Kabuki (traditional drama performed by male actors) which was performed at Ichimura-za Theater in 1862 for the first time, and written by Shinshichi KAWATAKE the second (later Mokuami KAWATAKE).発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

2004年（平成16年）大阪松竹座での浪花花形歌舞伎での『女殺油地獄』の河内屋与兵衛では現代にも通じる屈折した青年の心情を細やかに演じ、翳りのある色気がこのひとの魅力の一つであることをみせた。例文帳に追加

In 2004, he played a role of Yohei KAWACHIYA in the drama "Onna koroshi abura no jigoku" (The Woman-killer and the Hell of Oil) at Osaka Shochiku-za Theater, expressed a warped mind of young man delicately and showed shadowy attractiveness as one of his charms.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

純歌舞伎では『青砥稿花紅彩画』（白浪五人男）の弁天小僧、『与話情浮名横櫛』（切られ与三）のお富、『新皿屋舗月雨暈』（魚屋宗五郎）の女房おはま、そして無類の貴公子ぶりを見せた『新薄雪物語』（薄雪）の左衛門などの世話物を得意とした。例文帳に追加

In the area of pure kabuki, he was very good at plays dealing with the lives of ordinary people, playing Bentenkozo of "Aoto Zoshi Hana no Nishikie" (The Story of Aoto and the Gorgeous Woodblock Print) or "Shiranami Gonin Otoko" (The Five Shiranami Men), Otomi of "Yohanasake Ukinano Yokogushi"or "Kirare Yosa" (Scarface Yosa), Ohama the wife of "Shinsarayashiki Tsuki no Amagasa" or "Sakanaya Sogoro," and, above all, Saemon of "Shin Usuyuki Monogatari" (The Tale of Usuyuki) or "Usuyuki," which he played with unmatched nobleness.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

如乗はかつては本願寺の本寺である青蓮院の僧であったが、門主の義円と張り合っていたため、義円が還俗して室町幕府第6代征夷大将軍足利義教となると、追われる身となって各地を流浪した末に越中国瑞泉寺(南砺市)を経て加賀に落ち着いたのであった。例文帳に追加

Although Nyojo was a monk of Shorei-in Temple, which was the main temple of Hongan-ji Temple, he had a conflict with the chief priest, Gien, after Gien returned to secular life and became Yoshimichi ASHIKAGA, the sixth seii taishogun (literally, "great general who subdues the barbarians") of the Muromachi bakufu (Japanese feudal government headed by a shogun), Nyojo was chased by the opposition and wandered from place to place, but finally he went to Zuisen-ji Temple (Nanto City) of Etchu Province and then settled into Kaga Province.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

「本当の美しさ、劇の美しさは九段目やね。…ここに出てくる人間が、まず戸無瀬が緋綸子、小浪が白無垢、お石が前半ねずみで後半が黒、由良之助は茶色の着付に黒の上で青竹の袴、…本蔵は渋い茶系の虚無僧姿、力弥は東京のは黄八丈で、上方だと紫の双ツ巴の紋付…みんなの衣装の取り合わせが、色彩的に行ってもこれほど理に叶ったものはないですわな」例文帳に追加

"The real beauty of the play is in Act Nine. Tonose wears a hirinzu (scarlet figured-satin), Konami wears a shiromuku (white kimono), Oishi wears a grey costume in the first half and a black costume in the latter half, Yuranosuke wears a brown kimono and a pair of black hakama with green bamboo patters, Honzo wears a brown komuso costume, Rikiya wears a kihachijo (high-quality yellow silk) in Tokyo and montsuki (formal dress with family crest) of two comma designs in Kamigata. Various colors are used and they make perfect sense."発音を聞く  - Wikipedia日英京都関連文書対訳コーパス