青砥稿花紅彩画の英語

歌舞伎においては市村座が藤綱関連の作品を積極的に行ったことが知られ、三世桜田治助と組んだ『青砥稿』・『名誉仁政録』、河竹黙阿弥と組んだ『青砥稿花紅彩画』が知られている。例文帳に追加

In Kabuki field, Ichimura-za Theater is known to have actively performed masterpieces relevant to Fujitsuna; "Aotozoshi" and "Meiyo Jinsei Roku" in collaboration with the third Jisuke SAKURADA, "Aotozoshi hana no nishikie" (Picture of flower of Aorozoshi) in collaboration with Mokuami KAWATAKE are known today.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

歌舞伎では『青砥稿花紅彩画』浜松屋の日本駄右衛門や『三人吉三廓初買』お竹蔵のお坊吉三等のように、武家方などの落ちついた年配りの男が微行の際に用いることが多い。例文帳に追加

Sojuro-zukin is often worn by a cool, aged samurai or the like such as Daemon NIPPON from Hamamatsu-ya in "Aoto Zoshi Hana no Nishikie" (the title of the play about exhilarating action of five thieves), or Obo Kichisa from Otakegura in "Sannin Kichisa Kuruwa no Hatsugai" (the title of the play about the personal relationships of three thieves), when they are under an incognito in Kabuki.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

ただし『三人吉三』のお嬢吉三や『青砥稿花紅彩画』（白浪五人男）の弁天小僧のような女装の美少年を演じるのも女形である。例文帳に追加

However, the roles of beautiful boys, who are dressed as a woman such as kichisa of "Sannin kichisa," Benten Kozo (Benten the Thief) of ""Aotozoshi hanano nishikie" (Shiranami Gonin Otoko (The Five Shiranami Men), are also acted by onnagata.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

『青砥稿花紅彩画』（あおとぞうしはなのにしきえ）は、文久二年（1862年）に市村座で初演された、二代目河竹新七（後の河竹黙阿弥）作の歌舞伎の「白浪物」。例文帳に追加

"Aotozoshi hanano nishikie" refers to 'Shiranami-mono' (stage works with thieves and lowlifes) of Kabuki (traditional drama performed by male actors) which was performed at Ichimura-za Theater in 1862 for the first time, and written by Shinshichi KAWATAKE the second (later Mokuami KAWATAKE).発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

純歌舞伎では『青砥稿花紅彩画』（白浪五人男）の弁天小僧、『与話情浮名横櫛』（切られ与三）のお富、『新皿屋舗月雨暈』（魚屋宗五郎）の女房おはま、そして無類の貴公子ぶりを見せた『新薄雪物語』（薄雪）の左衛門などの世話物を得意とした。例文帳に追加

In the area of pure kabuki, he was very good at plays dealing with the lives of ordinary people, playing Bentenkozo of "Aoto Zoshi Hana no Nishikie" (The Story of Aoto and the Gorgeous Woodblock Print) or "Shiranami Gonin Otoko" (The Five Shiranami Men), Otomi of "Yohanasake Ukinano Yokogushi"or "Kirare Yosa" (Scarface Yosa), Ohama the wife of "Shinsarayashiki Tsuki no Amagasa" or "Sakanaya Sogoro," and, above all, Saemon of "Shin Usuyuki Monogatari" (The Tale of Usuyuki) or "Usuyuki," which he played with unmatched nobleness.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

美女に扮した美青年というお馴染みの人物設定は、その後の『青砥稿花紅彩画』（白浪五人男）や明治期の『富士額男女繁山』（女書生、こちらは逆に男装の麗人）など、その後の黙阿弥作品に幾度か採用されることになる。例文帳に追加

The familiar setting of the character as a beautiful young man in the disguise of a beautiful woman is later to be adopted in the several works of Mokuami, such as "Aotozoshi hanano nishikie" (also known as "Shiranami Gonin Otoko" [The Five Shiranami Men]), "Fujibitai tsukuba no shigeyama" (also known as "Onna Shosei" [female student]; in contrast, this is about a beautiful woman in male dress) in the Meiji period, and so on.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

この『山門』は、『楼門詠千本』の「南禅寺山門の場」や、『青砥稿花紅彩画』大詰の「極楽寺山門の場」・「滑川土橋の場」など、『楼門五三桐』以後に書かれた石川五右衛門や五右衛門をモデルとした大盗賊を主役とする数々の演目にほぼそのままのかたちで取り入れられており、誰もが一度は見たがった人気の一幕であったことが窺える。例文帳に追加

"Sanmon" is considered to have been very popular since soon after the opening, because it was adopted without big changes for many other kabuki where the leading character was Goemon ISHIKAWA or a big bandit written after Goemon; popular titles among such kabuki are "Nanzen-ji Sanmon-no-ba" (Scene at Sanmon Gate of Nanzen-ji Temple) of "Sanmon Hitome-senbon", the last scene of "Aoto-zoshi Hana-no-nishiki-e", "Gokuraku-ji Sanmon-no-ba" (Scene at Sanmon Gate of Gokuraku-ji Temple) and "Namekawa Dobashi-no-ba" (Scene at the bridge covered with soil across Namekawa River) of the same kabuki.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス