Most emakimono have pictures of more or less 30cm high in full vertical length, but some have even larger pictures with a vertical length of 50cm or more like the Jokyu version of "Kitano Tenjin Engi Emaki" (an illustrated history of Kitano shrine).発音を聞く 例文帳に追加

画面のサイズは天地が30cm前後のものがもっとも多いが、『北野天神縁起』（承久本）のように、天地が50cmを超える大作もある。 - Wikipedia日英京都関連文書対訳コーパス

This story introduced elements from Taiheiki (a collection of war stories in the old days in Japan), Kitano-tenjin-engi-emaki (a series of picture books of stories about Michizane SUGAWARA and Kitano-tenjin shrine), etc., and it is said that Raiden also influenced a kabuki work, Sugawa-denju-tenarai-kagami created in the later days.発音を聞く 例文帳に追加

太平記、北野天神縁起絵巻などに取材しており、後世の歌舞伎、菅原伝授手習鑑にも影響を与えたとされる。 - Wikipedia日英京都関連文書対訳コーパス

For instance, the paintings from the Heian period through the Kamakura period, such as 'Senmen Koshakyo' (ancient sutra manuscripts on a fan), 'Choju Jinbutsu Giga' (caricatures of frolicking birds, animals and humans), 'Shigisan Engi Emaki' (picture scroll depicting the stories about Mt. Shigi), 'Obusuma Saburo Ekotoba' (picture scroll of the Kamakura period), the Koan version of 'Kitano Tenjin Engi' (history of Kitano Tenjin Shrine), and 'Tohoku-in Shokunin Utaawase-emaki (Touhoku-in poetry Contest among persons of various occupations), depict 'oke' (wooden bucket); judging from the periods when these paintings were produced, these oke are not 'yuioke' (wooden bucket with a bottom) which were developed after the Kamakura period, but are 'mageoke,' which suggests that the 'oke' in a form of magemono was used on a daily basis after the Heian period.発音を聞く 例文帳に追加

その例として、例えば平安時代から鎌倉時代の絵画である「扇面古写経」・「鳥獣人物戯画」・「信貴山縁起絵巻」・「男衾三郎絵詞」・「北野天神縁起（弘安本）」・「東北院職人歌合絵巻」などには「桶」が描かれており、絵画の制作年代から類推して、この「桶」は鎌倉時代以降に作られた結桶ではなく曲桶であり、曲物の「桶」が遅くても平安時代以降には日用的に使用されていたとされている。 - Wikipedia日英京都関連文書対訳コーパス