Other well-known pieces include 'Kurokami' (Black Hair), 'Tsuru no Koe' (Voice of a Crane), 'Kosu no To' (The Reed Screen), 'Ashikari,' 'Yukari no Tsuki' (Familiar Moon), 'Sode no Tsuyu' (Dew upon the Sleeve), 'Kiku no Tsuyu' (Dew on Chrysanthemum), 'Otoshi Bumi' (Letter Dropped on the Road), 'Nagoya Obi' (Nagoya Kimono Sash), 'Tsuyu no Cho' (Dew Butterfly) and 'Sode Koro' (Sleeve Censer).発音を聞く 例文帳に追加

このほか「黒髪」「鶴の声」「小簾の戸」「芦刈」「ゆかりの月」「袖の露」「菊の露」「落し文」「名護屋帯」「露の蝶」「袖香炉」などがよく知られている。 - Wikipedia日英京都関連文書対訳コーパス

This quasi-personal fringe of facts and objects commonly comprises the man's shadow; the reflection of his image in water or any similar surface; his name; his peculiar tattoo marks; his totem, if he has one; his glance; his breath, especially when it is visible; the print of his hand and foot; the sound of his voice; any image or representation of his person; any excretions or exhalations from his person; parings of his nails; cuttings of his hair; his ornaments and amulets; clothing that is in daily use, especially what has been shaped to his person, and more particularly if there is wrought into it any totemic or other design peculiar to him; his weapons, especially his favorite weapons and those which he habitually carries.発音を聞く 例文帳に追加

この事実や物からなる疑似人格的周縁部は、一般に、人の影、水やそれに類したものの表面に映った彼の姿、彼の名前、彼の特別な刺青の印、彼が持っているとすればそのトーテム、彼の目配せ、彼の息、特に目に見える息、彼の手や足の跡、彼の声の音、彼の体の像や似姿、彼の体から出る排泄物や発散物、彼の一組の爪、彼の切り取った髪の房、彼の装身具や魔除け、日常着ている服、特に彼の体に合わせて作られた服、とりわけ彼に特有のトーテムその他のデザインに仕立てられたもの、彼の武器、特に彼が好んで持ち歩く武器などからできている。 - Thorstein Veblen『所有権の起源』

Birds are on the wing, Over the Asuka River, Whose upper rapids Were spanned with a stone bridge, Whose lower rapids Were spanned with a wooden bridge; Towards the stone bridge, Fine and green water-weeds grow, And then withering, Soon prosper exuberantly; Toward the wooden bridge River-weeds grow up waving, And then withering, Soon prosper exuberantly; Like those water-weeds As soon as the Prince arose, The Princess rose, too, Waving like the water-weeds; When the Prince lay, The Princess after him lay, Toward him waving; Why could she forget the Prince By whose side she stood, In the Palace where he passed His mornings and evenings? Why did she leave it vacant? When she was alive, when she was well and happy, In the springtide She decked her hair with flowers, And in the autumn Adorned it with yellow leaves; She intermingled Her sleeves with the Prince's sleeves, And she watched the moon Full and clear as a mirror With admiration, With love and deep affection, Standing by his side; On another occasion She went out with him To the Palace of Kinoe, Where delicacies Were graciously offered to them; This part of Kinoe As her everlasting place, The Princess departed; And we can't see nor speak with her; Be that as it may (or Yet, nevertheless,) Swollen with the deep sorrow, Like the fairy bird, Longing for the departed, Line the morning bird, The Prince did come and go, Like the summer grass Pining and withering away, Like the evening star Going and sinking in grief; Like a swaying ship, The Prince's heart kept wavering; As this I know not How to comfort his sorrow; So I know no way And simply wish to retain The tone of her voice, Only to remember her name For ever and ever, As long as heaven and earth, Her beloved name Committing to memory, And love on her name By the Asuka River For generations As the precious memento Of the dear, deceased Princess (Manyoshu, Volume 2 -196).発音を聞く 例文帳に追加

飛ぶ鳥の　明日香の河の　上つ瀬に　石橋渡し　下つ瀬に　打橋渡す　石橋に　生ひ靡ける　玉藻もぞ　絶ゆれば生ふる　打橋に　生ひをれる　川藻もぞ　枯るれば生ゆる　何しかも　わが王の　立たせば　玉藻のもころ　臥せば　川藻のごとく　靡かひし　宜しき君の　朝宮を　忘れたまふや　夕宮を　背きたまふや　うつそみと　念ひし時　春べは　花折りかざし　秋立てば　黄葉かざし　しきたへの　袖たづさはり　鏡なす　見れども飽かず　三五月の　いやめづらしみ　念ほしし　君と時時　幸して　遊びたまひし　御食向ふ　きのえの宮を　常宮と　定めたまひて　あぢさはふ　目言も絶えぬ　しかれかも　あやにかなしみ　ぬえ鳥の　片恋嬬　朝鳥の　往来はす君が　夏草の　念ひ萎えて　夕星の　か往きかく去き　大船の　たゆたふ見れば　なぐさむる　情もあらず　そこゆゑに　せむすべ知れや　音のみも　名もみも絶えず　天地の　いや遠長く　偲び行かむ　み名に懸かせる　明日香河　万世までに　はしきやし　わが王の　形見かここを巻2-196 - Wikipedia日英京都関連文書対訳コーパス