姫谷の英語

本社と、摂末社の四大神・衣手・三宮・宗像（市杵島姫命）・櫟谷（いちたに、宗像三女神）・月読神社(京都市)（ツクヨミ）の各社を併せて松尾七社という。例文帳に追加

The main shrine and its auxiliary/subsidiary shrines Shi-no-Okami-jinja Shrine, Koromode-jinja Shrine, San-no-miya-jinja Shrine, Munakata-jinja Shrine (Ichikishimahimeno Mikoto), Ichitani-jinja Shrine (Munakata Sanjojin) and Tsukuyomi-jinja Shrine (Kyoto City) are collectively known as the "Matsunoo Nana-sha" (lit. Seven Shrines of Matsunoo).発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

北政所周辺に西軍関係者が多い：三成の娘（辰姫）が養女になっている、側近の東殿は大谷吉継の母である、一説には小西行長の母マグダレナも側近である例文帳に追加

Many people around Kita no mandokoro were related to the West squad: Mitsunari's daughter (Tatsuhime) was adopted by Nene; Higashi-dono, her close aide, was the mother of Yoshitsugu OTANI; Magdalena, the mother of Yukinaga KONISHI was said to be her close aide, according to one theory.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

現在は名古屋市の徳川美術館に絵15面・詞28面（蓬生、関屋)、絵合（詞のみ）、柏木、横笛、竹河、橋姫、早蕨、宿木、東屋の各帖）、東京都世田谷区の五島美術館に絵4面・詞9面（鈴虫、夕霧、御法の各帖）が所蔵され、それぞれ国宝に指定されている。例文帳に追加

Currently, the Tokugawa Art Museum in Nagoya City possesses 15 pictures and 28 Kotobagaki (Yomogiu, Sekiya, Eawase (Kotobagaki only), Kashiwagi, Yokobue, Takekawa, Hashihime, Sawarabi, Yadorigi, Azumaya) and the Gotoh Museum in Setagaya Ward Tokyo possesses four pictures and nine Kotobagaki (Suzumushi, Yugiri, Minori), which are both designated as national treasures.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

歌右衛門生涯の当たり役は非常に多く、『京鹿子娘道成寺』の白拍子花子、『籠釣瓶花街酔醒（籠釣瓶）』の八つ橋、『祗園祭礼信仰記（金閣寺）』の雪姫、『鎌倉三代記・絹川村』の時姫、『本朝廿四孝・十種香』の八重垣姫、『東海道四谷怪談』のお岩、『妹背山婦女庭訓（妹背山）』の定高、お三輪、『沓手鳥孤城落月（孤城落月）』の淀君、『仮名手本忠臣蔵・九段目』の戸無瀬、『積恋雪関扉（関の扉）』の小町と墨染、『恋飛脚大和往来・新口村』の梅川、『攝州合邦辻・合邦庵室』の玉手御前、『伽羅先代萩』の政岡、『鏡山旧錦絵（鏡山）』の尾上、『隅田川続俤（隅田川）』の班女など、娘形から姫、片はずし、傾城に至るまで、あらゆる女形の領域をこなした。例文帳に追加

Utaemon performed many successful characters in his lifetime, and those were Shirabyoshi (women who play Shirabyoshi (Japanese traditional dance)) Hanako of "Kyo Kanokomusume Dojoji" (The maiden at Dojo Temple), Yatsuhashi of "Kago Tsurube Satono Eizame" (Basket bucket in red-light district), Yukihime of "Gion Sairei Shinkoki" (The Gion Festival Chronicle of Faith)(Kinkaku-ji Temple), Tokihime of "Kamakura Sandaiki, Kinugawa-mura" (Three Generations of the Kamakura Shogunate in Kinugawa Village), Yaegaki-hime of "Honcho Niju-shi ko, Jusshuko" (24 Paragons of Filial Piety of our Country, Incense Burning), "Oiwa of "Tokaido Yotsuya Kaidan" (Tokaido Yotsuya Ghost Stories), Sadaka and Omiwa of "Imoseyama Onna Teikin" (An Exemplary Tale of Womanly Virtue in Mt. Imose), Yodogimi of "Hototogisu Kojo no Rakugetsu" (The Sinking Moon over the Lonely Castle Where the Cuckoo Cries), Tonase of "Kanadehon Chushingura, Kudanme" (The Treasury of Loyal Retainers, 9th act), Komachi and Sumizome of "Tsumoru Koiyuki no Seki no To" (The Barrier Gate), Umegawa of "Koibikyaku Yamato Orai, Ninokuchi-mura" (The Amorous Courier on the Yamato Highway, Ninokuchi Village), Tamate-Gozen of "Gappo Anjitsu (hermitage of Gappo), Sesshu Gappo ga Tsuji (A Kabuki Drama of Unfettered Evil)," Masaoka of "Meiboku Sendai Hagi" (The trouble in the Date Clan), Onoue of "Kagamiyama Kokyo no Nishikie" (old brocade pictures of Mt. Kagami), Hanjo of "Sumida-gawa Gonichi no Omokage" (Latter-day Reflections of the Sumida-gawa River), and he acted many types of female roles, such as a daughter, princess, Katahazushi (female role of nyobo (a court lady) of a samurai family or goten jochu (palace maid)), and keisei (courtesans with high dignity and literacy).発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

奇想天外な着想とリアリズムに徹した背景描写を得意とし、殺人現場で婚礼を行ったり（『東海道四谷怪談』）、花魁が長屋に来たり（『浮世柄比翼稲妻』）、公家が生活苦のため陰間になったり（『四天王楓江戸粧』）、姫君が辻君になったりする（『櫻姬東文章』）など、全く異なる世界をないまぜにする展開が特徴的。例文帳に追加

He was good at expressing the background of the play by sticking to his fantastic idea and realism, which features the development of his plot by mixing quite different worlds such as: having a wedding ceremony at the scene of a crime ("Tokaido Yotsuya Kaidan"); making a courtesan visit a row house ("Ukiyozuka Hiyoku no Inazuma"); making the court noble become professional homosexual from hardship of life ("Shitenno Momiji no Edoguma"); and making a princess become a prostitute ("Sakurahime Azumabunsho").発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

しかし、そのころはまだ文語文の作品も多く書かれ、和歌の塾に通い、古典の教養を持っていた樋口一葉は古文の呼吸をつかった雅文体で「にごりえ」「たけくらべ」などの作品を書き、翻訳で言文一致を試みた森鴎外も、「舞姫」や「即興詩人」では文語にもどし、評論の分野では北村透谷や幸徳秋水は、漢文書き下しの文体を使って論文を書いていた。例文帳に追加

However, at that time a lot of works were written in literary style Japanese: HIGUCHI Ichiyo, who learned at "Waka School" and was versed in Japanese classics, wrote "Nigorie", "Takekurabe" and so on in the gabuntai style, using the breathing of the classics, MORI Ogai, who challenged a genbinicchi style in his translations, adopted literal style Japanese, and in the field of critical essays Tokoku KITAMURA and Shusui KOTOKU wrote essays in "kanbun-kakikudashi-bun (semi-Chinese style Japanese)".発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

亀岡盆地は太古は大きな湖であり、風が吹くと美しい朱色の波が立ったところから、このあたりを丹のうみ・丹波と呼ぶようになったとされており、出雲神話で有名な大国主命が亀岡と嵐山の間にある渓谷を切り開いて水を流し土地を干拓して、切り開いた渓谷を「三穂津姫」の名前にちなみ保津川・保津峡と名付けたという伝説も残っており、出雲大神宮（千歳町）の祭神となっている。例文帳に追加

In ancient times, the present-day Kameoka Basin was a large lake, and the region around the basin is said to have been named Ni-no-umi (cinnabar wave), or Tanba, after cinnabar waves rippling across the basin in a windy day; legend also has it that Okuninushi-no-mikoto, a famous deity in the Izumo Shinwa (Myths of Izumo), carved out a valley, poured water in it, reclaimed the area, and then named the river 'Hozu-gawa River' and the valley 'Hozu-kyo Gorge' after wife Deity, 'Mihotsu-hime,' and is the enshrined deity of the Izumo-Daijingu Shrine in Chitose-cho.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

太古は大きな湖であり、風が吹くと美しい朱色の波が立ったところから、このあたりを丹のうみ・丹波と呼ぶようになったとされており、出雲神話で有名な大国主命が亀岡と嵐山の間にある渓谷を切り開いて水を流し土地を干拓して、切り開いた渓谷を妻神「三穂津姫」の名前にちなみ「保津川・保津峡」と名付けたという伝説も残っており、事実、湖だったことを示す地層も明らかになっている。例文帳に追加

It is said that, because long ago Kameoka Basin was a big lake with beautiful, vermillion waves caused by wind, this area was called 丹のうみ(Ni-no-umi; umi means a lake in English) or 丹波(Tanba; 波 means waves in English); others say that Okuninushi-no-mikoto who is a famous god appearing in the Izumo Shinwa (Myths of Izumo) carved a valley between Kameoka and Arashiyama, and made the water flow, forming land by reclamation, and named the carved valley 'Hozu-gawa River and Hozu-kyo Gorge' after 'Mihotsu-hime,' goddess in the position of wife of Okuninushi-no-mikoto; in fact, a fault has been found that shows that Kameoka Basin used to be a lake.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス