末廣の英語

屋号は末廣屋、俳名は千昇・霞仙。例文帳に追加

His yago (stage name) was Suehiroya and his haimyo (offstage name) was Sensho, Kasen.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

佐々木廣綱（ささきひろつな、生年不詳-承久3年（1221年））は平安時代末期から鎌倉時代初期の武士である。例文帳に追加

Hirotsuna SASAKI (year of birth unknown - 1221) was a samurai between the end of Heian period and early Kamakura period.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

後、大阪に戻り笑福亭梅香を名乗るが、師匠・松鶴が死去したため、新町九軒末廣亭で松竹亭梅花と改める。例文帳に追加

Later he returned to Osaka and called himself Baika SHOFUKUTEI, but because his master Shokaku died he changed his name to Baika SHOCHIKUTEI in Shinmachi Kuken Suehirotei.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

文句の多い口うるさい人物を大阪では「末廣屋」と呼ぶくらい、宗十郎の問題は有名であった。例文帳に追加

In Osaka, the Sojuro problem was so notorious that person who nags and complains a lot was called 'Suehiro ya.'発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

なお、狭義の寄席は上記落語寄席のなかでも、東京の鈴本演芸場、新宿末廣亭、浅草演芸ホール、池袋演芸場の四席のみとされ、国立演芸場などは含めないケースが多い。例文帳に追加

It is said that, of all the yose described above, yose in a strict sense are limited to only four theaters--the Suzumoto Engeijo theater, the Shinjuku Suehirotei theater, the Asakusa Engei Hall and the Ikebukuro Engeijo theater--excluding the National Engei Hall and other theaters in most cases.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

寄席が落語と切り離せないのは、落語家にとって寄席が修行の場であり芸を磨く唯一無二の舞台とされること、観客も贔屓の演者の成長と演者ごとの演出の違いを楽しむという点にあり、「完成品」を見せるホール落語と違い寄席落語には「未完成」なりの面白さ、真剣さがあるとされる（新宿末廣亭初代席亭の北村銀太郎の発言より）例文帳に追加

According to a remark by Gintaro KITAMURA, the first owner of the Shinjuku Suehirotei theater, a yose and rakugo cannot be separated because, for rakugo storytellers, yose are only the place where they can polish their storytelling techniques, and audiences also enjoy the growth of the performers and the differences in the performance of each rakugo storyteller; it is said that while 'complete' performances are presented in the rakugo performed in halls, rakugo in yose are, due to their being 'incomplete,' interesting and performed seriously.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス