桜弥の英語

尊号（諡）を天璽国押開豊桜彦天皇（あめしるしくにおしはらきとよさくらひこのすめらみこと）、勝宝感神聖武皇帝（しょうほうかんじんしょうむこうてい）、沙弥勝満（しゃみしょうまん）とも言う。例文帳に追加

His honorary title, shi, (a posthumous name) was Ameshirushikuni Oshiharakitoyosakurahiko no Sumeramikoto, Shohokanjinshomukotei or Shamishoman.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

女性は、17世紀末期当時の流行であった帯和装の帯の結び方「吉弥結び（きちやむすび）」と、紅色の地に菊と桜の刺繍を施した着物を身に着けている。例文帳に追加

The woman is dressed in red kimono with embroideries of chrysanthemums and cherry blossoms, and her obi tied in 'Kichiya Style' which was in vogue in the late 17th century.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

慶応3年（1867年）5月10日には伊集院金次郎とともに馬関から長州藩士山縣狂介・鳥尾小弥太を京都の薩摩屋敷まで護衛した（山縣有朋『葉桜日記』）。例文帳に追加

On May10, 1867, he escorted Kyosuke YAMAGATA and Koyata TORIO with Kinjiro IJUIN, both from samurai from Choshu, from Shimonoseki to the residence of Satsuma clan in Kyoto (Aritomo YAMAGATA "Hazakura Nikki" [literally, the diary of cherry tree in leaf]).発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

歌舞伎においては市村座が藤綱関連の作品を積極的に行ったことが知られ、三世桜田治助と組んだ『青砥稿』・『名誉仁政録』、河竹黙阿弥と組んだ『青砥稿花紅彩画』が知られている。例文帳に追加

In Kabuki field, Ichimura-za Theater is known to have actively performed masterpieces relevant to Fujitsuna; "Aotozoshi" and "Meiyo Jinsei Roku" in collaboration with the third Jisuke SAKURADA, "Aotozoshi hana no nishikie" (Picture of flower of Aorozoshi) in collaboration with Mokuami KAWATAKE are known today.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

このような運動の中で創作された歌舞伎演目は、最初、河竹黙阿弥らの旧来の作者や福地桜痴ら文化人によって、歴史的事実をありのままに演じる活歴物や、西洋風の新しい風俗を描いた散切物などが作られたが成功しなかった。例文帳に追加

In such a campaign, some Kabuki programs were created anew, and their first ones were "Katsureki-mono" (a historical drama), which faithfully performed the historical facts, & "Zangiri-mono" (the plays the cropped hair people appeared), which portrayed new western-style customs, both made by experienced writers, including Mokuami KAWATAKE, or by intellectuals, including Ochi FUKUCHI, but they failed.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

幕末京都時代にもっとも親しかったのは、伏見で戦死した伊集院金二郎、上野で戦死した肝付十郎、そして永山弥一郎だったが、異色の友人として大政奉還建白書に手を入れた中井弘（桜洲）がいる。例文帳に追加

During his stay in Kyoto around the end of the Tokugawa shogunate, his closest friends were Kinjiro IJUIN, who died in the war at Fushimi, Juro KIMOTSUKI, who died in the war in Ueno, and Yaichiro NAGAYAMA, as well as Hiroshi (Oshu) NAKAI, a unique personality, who obtain the petition to transfer power back to the Emperor.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

またこの時期に作者河竹黙阿弥を得て『北条九代名家功』（高時）、『極付幡随長兵衛』（湯殿の長兵衛）、『天紛衣上野初花』（河内山）、『船弁慶』、『大森彦七』などを完成し、また福地桜痴と組んで『鏡獅子』『助六』などを創り上げるなど、数多くの名作を残した。例文帳に追加

Also at his time he created many masterpieces: with the help of Mokuami KAWATAKE a Kabuki playwright, he completed "Hojo Kudai Meika no Isaoshi" (Takatoki), "Kiwametsuki Banzui" (Chobei in a bathroom), "Kumonimagou Ueno no Hatsuhana" (ouchiyama), "Funabenkei," "Hikoshichi OMORI" and so on, and, together with Ochi FUKUCH, he created "Kagamijishi" (The Lion Dance), "Sukeroku" and so on.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

纒向遺跡または纏向遺跡（まきむくいせき）は、奈良県桜井市、御諸山（みもろやま）とも三室山（みむろやま）とも呼ばれる三輪山の北西麓一帯に広がる弥生時代末期〜古墳時代前期の遺跡群を指す。例文帳に追加

Makimuku Remains ("纒向遺跡" or "纏向遺跡") is a series of remains located at the north-west foot of Mt. Miwa ("三輪山."also called Mt. Mimoro, "御諸山" or Mt. Mimuro "三室山") in Sakurai-City, Nara Prefecture, which existed during the period of the last stage of the Yayoi period to the early Tumulus period of ancient Japan.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス