芸談の英語

前述の通り、『談儀』が扱うのはこの時期、即ち60歳から68歳頃までの世阿弥の芸談である。例文帳に追加

As mentioned above, "Sarugaku dangi" deals with Zeami's discourse about Noh performance in this period, that is, when he was 60 through 68.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

金子吉左衛門著の芸談集『耳塵集』によれば、藤十郎の芸はリアルさを追及したものである。例文帳に追加

According to the "Jijinshu," an essay on kabuki by Kichizaemon KANEKO, Tojuro pursued realism.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

世子六十以後申楽談儀（ぜしろくじゅういごさるがくだんぎ）、通称『申楽談儀』は室町時代に成立した、世阿弥の芸談を筆録した能楽の伝書、芸道論。例文帳に追加

Zeshi rokuju igo Sarugaku dangi (also known as "Sarugaku dangi") was established in the Muromachi Period, which is a written record on Zeami's discourse about the art and has been handed down from ancestors as a collection of art treatises on Nohgaku.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

永享2年（1430年）11月、世阿弥の次男で、観世座の太鼓役者であった観世元能が、父がこれまで語った芸談を筆録・整理して、世阿弥に贈ったものである。例文帳に追加

In November, 1430, Motoyoshi KANZE who was the second son of Zeami and taiko yakusha (drum player) at Kanzeza troupe wrote down what had been told by his father and presented it to his father Zeami.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

またそれ以外にも、多くの先人の説を伝書にまとめて後代に残したほか（『巻子本宗節筆音曲伝書』など）、細川家に伝来した『元亀慶長能聞書』に宗節の芸談が記されるなど、室町後期を代表する名人としてその名を残した。例文帳に追加

He gained a name for himself as one of the most distinguished artists of the late Muromachi period by compiling many of the theories of his forerunners in works such as "Kansubon Sosetsu Hitsu Onkyoku Densho" (Scrolled book of Noh melodies by Sosetsu) for posterity, appearing in Sosetsu's talk about the secrets of the arts in "Genki Keicho Noh Bunsho" (the Book of Noh during the Genki and Gencho periods), which was traditionally an heirloom of the Hosokawa family, and so on.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス