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Psalms

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  • converted to Christianity; when he was singing psalms, a dove came down from the sky and flew around
  • His extant works include a commentary on the Psalms, a letter to Eusebius, the Syntagmation, and a
  • ey recited prayers and chanted the penitential psalms all along the route.
  • The scribe who wrote the psalms also wrote a series of prayers on folios 197-2
  • have written an Old English translation of the Psalms, although this is disputed.
  • s time he had created ten glees and madrigals, psalms and anthems, as well as several others clerica
  • ond") in an ancient cathedral foundation sings psalms and Preces and Responses after the Precentor.
  • bration, members of the community fast, recite Psalms, and gather in Jerusalem where Kessim read fro
  • ieces: 4-, 5-, 6-, and 8-voice masses, motets, psalms, and hymns.
  • 1673 Puritan Preface to the Scottish Metrical Psalms and contributed one of the "Cripplegate Sermon
  • Psalms and hymn settings
  • In 1887, Verbeck translated the Old Testament Psalms and Book of Isaiah into Japanese, which had a
  • d numerical patterns in the Hebrew text of the Psalms, and soon afterwards in the Greek text of the
  • used to conclude the singing or recitation of psalms and canticles at the Daily Offices of Morning
  • Psalms and Hymns follow Epistles.
  • ck van psalmen en fantasyen (Tablature-book of psalms and fantasies), a collection of organ music, p
  • 2000 Rebelo: Vesper Psalms and Lamentations.
  • It consists mainly of psalms and is said around 3 p.m. Its name comes from
  • ntemporary European Classicism, ancient Hebrew psalms and modal scales.
  • This work was a metrical version of the Psalms, and largely ousted the old version of T. Ster
  • involves the weekly use of Anglican chant for psalms and canticles.
  • It consists mainly of psalms and is said at noon.
  • rote masses, litanies, offertories, antiphons, psalms and sacred cantatas.
  • translation of the New Testament (and Genesis, Psalms, and Proverbs), titled The Everlasting Gospel,
  • Psalms and Canticles: Jewish Choral Art in America
  • t from his Bible translations, he versified 27 Psalms and translated 800 Psalms and hymns, as well a
  • playing of the instruments, the singing of the Psalms, and the blare of the trumpets sounded as one
  • similar commentaries on Genesis (1561), the Psalms, and the Song of Solomon (1562);
  • he Islamic call to prayer, the Bible (e.g. the Psalms and Revelation), and the Mahabharata.
  • including the singing of hymns (especially the Psalms) and reading from the Scriptures (Old and New
  • Peter Lombard wrote commentaries on the Psalms and the Pauline epistles; however, his most fa
  • ese are commentaries on the Apocalypse, on the Psalms, and on the Song of Solomon; Lives of Saints P
  • they give evidence that helps in dating of the Psalms and identifying their original use.
  • and her complete works (144 hymns, 34 metrical psalms and 50 moral poems) appeared in one volume in
  • 2 he edited a Unitarian Collection of Prayers, Psalms, and Hymns.
  • ts, settings of the Lamentations, Magnificats, psalms, and 170 villancicos; he also wrote some secul
  • ich included many hymns and paraphrases of the psalms, and a book called Without Faith, without God,
  • d Leonard Bernstein to compose the 'Chichester Psalms' and also worked with John Piper, Geoffrey Cla
  • hymns that had fallen out of use, emphasising psalms, and adding of more modern musical settings an
  • A collection of psalms and hymns for the use of parish churches (1793
  • , by laity as well), principally at the end of psalms and canticles and in the responsories.
  • hors, Intended to Be an Appendix to Dr. Watts' Psalms and Hymns, commonly known as Rippon's Selectio
  • tial in subsequent settings of the Penitential Psalms, and was itself probably inspired by the recen
  • ip (1838), known as his Lutterworth Collection Psalms and Hymns for Public Worship, Selected for Som
  • Critical essay - "Marilynne Robinson's Psalms and Prophecy," from Open Letters Monthly
  • ollects and prayers, the suffrages, canticles, psalms, and miscellaneous tables, TLH became an extre
  • A Selection of Psalms and Hymns for Public and Private Use, with Jon
  • h influenced by wisdom literature, such as the Psalms and Proverbs of the Old Testament scriptures.
  • cient Jerusalem temple and was reused in later Psalms and prophetic texts, particularly the ambiguou
  • t chants, various mantras, and the chanting of psalms and prayers especially in Roman Catholic, East
  • imself in making a poetical translation of the Psalms and in writing a sacred tragedy.
  • A Collection of Psalms and Hymns for the Use of Universalist Societie
  • s - Pathodia sacra et profana, a collection of psalms and songs, published in Paris
  • There is provision for the chanting of psalms and canticles such as the Magnificat and the s
  • is principal writings were a commentary on the Psalms and a number of letters, histories, and homili
  • hey wish to divide by volumes, one to take the Psalms and another the Chronicles" (Yer.
  • in his output of Anglican chant (used for the psalms and canticles), hymns, and anthems.
  • um) are a selection of verses from the book of Psalms, appended subsequently to the original hymn.
  • The Psalms are shown to reflect the life of the entire He
  • Three fixed psalms are read at the Third Hour: Psalms 16, 24, and
  • Ali Ufki's versions of the psalms are relatively simple; with careful attention
  • Three fixed psalms are read at the Third Hour: Psalms 83, 84, and
  • The divisions of the Chumash and the Psalms are many centuries old, but the Tanya was divi
  • Therefore, psalms are sung in public worship solely and without
  • tion to ascribing authorship to David, several Psalms are identified with specific events in David's
  • The appointed psalms are then said or sung, one or two lessons are
  • English half-uncials, while the titles of the Psalms are written in rustic capitals.
  • dition contains 901 hymns, carols and metrical psalms arranged into 14 sections.
  • Black wrote consorts and "lessons" on psalms as part of his work as a teacher, some of whic
  • The recitation of these six psalms as an alternative to 113-118 is a compromise o
  • eek (the week following Easter Sunday) when no psalms at all are read.
  • It is a Latin psalter, of the Psalms, attributed to St Colm Cille (or Columcile).
  • I would suggest that the numbering of Psalms be reconsidered here, and for Wikipedia as a w
  • strong, Jenkins organised choral services with psalms being sung to Anglican chants and the canticle
  • merfelt in an evening of Bernstein (Chichester Psalms), Brahms (Alto Rhapsody), and Bruckner (Te Deu
  • he early Christian hermits not only prayed the Psalms, but also sang hymns and recited prayers (ofte
  • was mostly intended for the singing of vespers psalms, but falsobordone can also be found in Passion
  • ld Testament includes a new translation of the Psalms by Donald Sheehan of Dartmouth College.
  • nted in A Supplement to the New Version of the Psalms by Dr Brady and Mr Tate, published in 1700.:11
  • lost, is believed to have contained nine fresh psalms by Whittingham; these were reprinted in the ed
  • Sometimes at night, the singing of psalms by sowha can be heard in the mountain canyons
  • ngs of Italian sonnet-form translations of the Psalms by Francesco Bembo.
  • d, but included an oratorio, cantatas, masses, psalms, canons, organ pieces, and clavichord music.
  • Psalms, canticles, and other resources are also found
  • Main article: Chichester Psalms casts
  • n sing a number of appropriate verses from the Psalms, chanting the Megalynarion between each one.
  • Their recording of Symphony of Psalms, conducted by Stravinsky, was nominated in 196
  • tern Lauds-notably the canticles and the three psalms, cxlviii-cl, which in the Greek Liturgy bear t
  • A new translation of the psalms, daily recited by the religious and priests, i
  • chiefly of the psalter, an arrangement of the Psalms distributed over a period of a week or a month
  • ed into three sections (called stases) of five psalms each.
  • On the Book of Psalms: Exploring the Prayers of Ancient Israel, Scho
  • ur (Prime) begins with the recitation of three psalms followed by a doxology, two stichoi, a doxolog
  • recently composed Cantones de Nuestro Tiempos ( Psalms for our Times): The Cambridge Psalms, a commis
  • in the Reformed Presbyterian Church's Book of Psalms for Worship.
  • are for the church, including settings of the psalms for three, four, five and eight voices, and se
  • Its complete title is Crippled Lucifer (Seven Psalms for Our Lord of Light) but it is rarely referr
  • His first album, Psalms For I, featuring the Lord's Prayer and various
  • ‘A Selection of Psalms for Social Worship' and ‘An Alphabetical Expli
  • Psalmorum Davidicorum II consists of fifteen psalms for four to eight voices, a concerto for four
  • lating Johannes Bugenhagen's commentary on the Psalms, fraudulently replaced Bugenhagen's statements
  • de which use a metrical version of the Book of Psalms from the Bible as the only manual of songs tha
  • n the conjure tradition, and the recitation of Psalms from the Bible is also considered magically ef
  • At the age of 17 he began to learn to sing psalms from Samiylo Yashny.
  • Despite its riches, Hymns and Psalms has never quite been regarded with the same wa
  • his Pentateuch commentary, and the one on the Psalms has been preserved only in part.
  • Outside Dresden only a few of these Psalms have become popular.
  • Settings of individual penitential psalms have been written by many composers.
  • propers for the Royal Hours include particular psalms, hymns (stichera), paroemia, and Epistle and G
  • ith the title ‘'Songs of Syon: A Collection of Psalms, Hymns and Spiritual Songs for Public and Priv
  • ns of older Latin hymns, were published in his Psalms, Hymns and Spiritual Songs.
  • Psalms, Hymns, & Spiritual Songs; Kurt Kaiser
  • irst Part: In the Ancient Way of Offices, With Psalms, Hymns, and Prayers for every Day in the Week,
  • Royal Hours in the forenoon, includes many Psalms, hymns, Old Testament and New Testament readin
  • Psalms I 1-50, Mitchell Dahood, 1966
  • The Book of Psalms in Hebrew, with Selections from various Readin
  • Other works by him include the Psalms in an English Metrical Version (1842) and a Hi
  • Psalters (as distinct from copies of the Psalms in other formats) developed in the Latin West
  • , it was reprinted with the Confession and the Psalms in metre in 1564, and it remained the standard
  • Its meaning in these Psalms in uncertain.
  • James Merrick, "The Psalms in English Verse" (Reading, England, 1765);
  • It was considered legal to print the Psalms in America.
  • include, English Farming Past and Present, The Psalms in Human Life, Life and Correspondence of Arth
  • numbering) is one of the most frequently used psalms in the Eastern Orthodox Church and those Easte
  • n sings hymns while the Scottish one uses only psalms in public worship), and a different emphasis w
  • League and Covenant, and exclusive use of the Psalms in singing.
  • The book contains the Psalms in the arrangement of the Septuagint, and the
  • recht Psalter, although the Gallic form of the psalms in this work was substituted for the Roman for
  • known as a "Dutch door" psalter) is a book of Psalms in metrical form, in which each page is cut in
  • Besides these Whittingham translated four psalms in the Scottish psalter, which do not appear i
  • e devotionals and contains a calendar, the 150 Psalms in Latin plus other liturgical texts.
  • Psalmodic chants, which intone psalms, include both recitatives and free melodies.
  • e Rev. F.G. Holbrooke, Vicar of Portslade; the psalms included in the service being chanted by the b
  • h and composed or edited a number of hymns and psalms including: "A Collection of Psalm Tunes with a
  • However, their place in between the psalms indicates that they were intended to be part o
  • arola wrote two impassioned meditations on the psalms, Infelix ego and Tristitia obsedit me (on psal
  • the first translation of the New Testament and Psalms into Haitian Creole.
  • ble for the first translation of the Bible and Psalms into the Xhosa language, and composed a large
  • The number of psalms is not stated.
  • ch book of the Bible and the major sections of Psalms is introduced by a large historiated initial i
  • Chichester Psalms is a ballet made by New York City Ballet balle
  • A manuscript of his commentary on Psalms is at the Bodleian Library, Oxford.
  • Hymns and Psalms is the hymn book of the Methodist Church in th
  • The entire book of Psalms is read, with Kabbalistic prayers being recite
  • Joye's translations of Psalms, Isaiah, Proverbs, Ecclesiastes, Jeremiah and
  • As a general rule for refs to Psalms it might be worth considering the use of this
  • ng books of the Bible: Isaiah, Minor Prophets, Psalms, Job, Pentateuch, Daniel; the commentaries on
  • In this small collection of psalms, known as Mezmurlar and released in 1665, Ali
  • Thoughts on the Hebrew Titles of the Psalms, London, 1749; new edition, 1855.
  • People who cherish the Psalms may bemoan "is nothing sacred?"
  • laments, more present than communal laments in Psalms, may have been kept for home use rather than i
  • rate publications to his credit: they included psalms, motets, litanies, "Scherzi sacri," masses, po
  • Broughton, Len G. (1920), Heart Talks from the Psalms, New York: The Book Stall, pp.
  • She translated the Psalms of David into German verse and wrote a poetry
  • The Psalms of David;
  • h produced one famous work, New Version of the Psalms of David (1696).
  • Frontispiece for the Psalms of St. Augustine; Gaspar Boutats fec.
  • Psalms of communal laments were more commonly found i
  • His publications are: The Psalms of David in Meter (1599) and An Hour's Recreat
  • collaborator Nahum Tate, is New Version of the Psalms of David, a metrical version of the Psalms.
  • The Psalms of David Evangelized, wherein are seen the Uni
  • e was later released on the bands third album, Psalms of Conscious Martyrdom
  • He also wrote Psalms of David (in 1615) and Regia Pietas (in 1622).
  • ry and his Ph.D., on the interpretation of the Psalms of Martin Luther, at Princeton Theological Sem
  • The psalms of David truly opened and explained by Theodor
  • The psalms of communal lament are a group of Psalm Forms
  • h of England hymn-book, Select Portions of the Psalms of David etc. (1828).
  • The Psalms of Da­vid for the Use of Par­ish Churche­s, 17
  • areas such as the use of hymns instead of only Psalms, offering communion to non-Reformed people, ne
  • ns, all in Latin, comprise commentaries on the Psalms, on the Apocalypse, on the Gospels of Sundays
  • d Presbyterian denominations worship God using Psalms only, unaccompanied by music, which they argue
  • The Penitential Psalms or Psalms of Confession is a name designation
  • grin Cyrillic: Октоих), in English the Book of Psalms or Psalter, is an incunabula printed in Cetinj
  • hymns whose lyrics were not based on Biblical psalms, overlooked catechism preaching, and did not s
  • (Greek numbering: Psalm 88) is in the Book of Psalms, part of the Hebrew Bible.
  • The liturgies and psalms precede the hymns, with indexes in the back.
  • The targumim of Psalms, Proverbs, and Job are generally treated as a
  • hat it permits the use of songs other than the Psalms, provided that the lyrics are compatible with
  • ven of these were included among the fifty-one psalms published at Geneva in 1556 as part of the ser
  • And grateful psalms re-echo down the nave;
  • The notes on the Psalms, re-edited in Stephens's Liber Psalmorum David
  • Hallel of pesukei dezimra a selection of six psalms recited as part of pesukei dezimra - the intro
  • Perret's choice of texts also favors the psalms, reinforcing his identity as a Protestant.
  • in 1825-6 about the Apocrypha and the Metrical Psalms resulted in the secession of the Glasgow and E
  • For the Norwegian Psalms scholar, see Sigmund Mowinckel.
  • d international writers, as well as responses, psalms, scripture songs, canticles, prayers, communio
  • His other works, besides commentaries on the Psalms, Second Isaiah, Proverbs, Ephesians, Hebrews,
  • ranslations from German hymns, versions of six psalms, selections from an unpublished poem called ‘T
  • ended) the commentary of St. Athanasius on the Psalms, sermons of St. James of Nisibis, and under th
  • e edition with English text of The First Fifty Psalms Set to Music by Benedetto Marcello (1757-65).
  • Towards the Psalms, settings of texts from the novel Fugitive Pie
  • to the principal Greek authors; versified the Psalms, several editions of which were set to music.
  • gaged contemplatives drawn from his poetry and psalms; she also released a two-disc CD of selected r
  • tents of the New England Psalter included: the Psalms, some of the stories of the Old and New Testam
  • in his Psalter earlier Lutheran paraphrases of psalms, such as Aus tiefer Not schrei ich zu dir, Ach
  • afterlife," Philip Johnston argues that a few Psalms, such as Psalm 16, Psalm 49 and Psalm 73, "aff
  • ly music employed in public worship are metric Psalms sung congregationally, a capella; women are no
  • ials at the traditional major divisions of the Psalms take up most of the page, and as is usual, the
  • Below this figure Oresme quotes the Psalms that "The heavens declare the Glory of God and
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