邦楽、J-POP、J-ROCK Traditional Japanese music, J-POP, and J-ROCK
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邦楽において,同じ調子 synchronism
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邦楽で,楽器の演奏 a performance of Japanese music
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邦楽器とも呼ぶ。 Such instruments are also referred to as Hogakki.
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段切りという,邦楽に伴う囃子 a Japanese musical accompaniment called 'dangiri'
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邦楽で,手事という間奏部分 in Japanese music, an interlude called a 'tegoto'
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邦楽において,基本的なリズム a basic rhythm of Japanese music
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邦楽で,音の調子を下げること in Japanese music, the condition of toning down
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邦楽における呂という調子 in traditional Japanese music, the rhythm called 'ryo'
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邦楽において,低音と高音 in Japanese music, pitch
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邦楽における音の抑場 the modulation of sounds in Japanese music
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邦楽のジャンル一覧 List of categories of traditional Japanese music
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異分野の邦楽との共演 Joint performance with Japanese music players of different fields
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その中でも、私は一番邦楽が好きです。 Even amongst those, I like Japanese music the best.
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邦楽において,即興的に入れる伴奏 in traditional Japanese music, a performance begun in an impromptu manner
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邦楽において,手事の後に歌われる歌 a part of a song called latter song
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邦楽合奏において,主旋律を変化させた旋律 in performing traditional Japanese music, a melody that is composed by rearranging the usual arrangement
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邦楽で,調子を高く上げること the action in Japanese music, of rising the tone to a high level
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邦楽で,音や声の調子が高いこと a state of a tone in Japanese music being high
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邦楽で,基本音より1オクターブ高い音 the tone one octave higher than the standard tone in Japanese music
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邦楽において,外曲という分類 a category of Japanese classical music named 'gaikyoku'
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(邦楽で)急という拍子が細かく早い部分 the part of a piece of Japanese music having a rapid rhythm
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(邦楽で)琴と三味線と尺八の総称 in traditional Japanese music, the trio of musical instruments; koto harp, samisen guitar and 'shakuhachi' flute
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(邦楽で)琴と三味線と尺八による合奏 in traditional Japanese music, an ensemble of the koto harp, the samisen guitar and the 'shakuhachi' flute
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邦楽において,特に重要な三つの曲 of traditional Japanese music, the three main musical compositions
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(邦楽で)三弦協奏曲という楽曲 in traditional Japanese music, a piece of music called a three-stringed instrument concerto
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邦楽の詞章の節回しを書き入れた本 a book of Japanese musical lyrics and scores
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邦楽において,明治以降に作られた曲 of traditional Japanese music, music composed beginning with the Meiji era to the present
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邦楽曲において,最後の段切りという部分 the last movement of 'Dangiri', a type of Japanese traditional music
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邦楽で,拍子が移り変わる休止のところ of Japanese music, a pause that signals a change in musical tone
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邦楽において,音声を弱めること in Japanese music, the action of singing or playing more quietly
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邦楽において,タテを助ける演奏者 in Japanese music, a musician who supports the leading musician
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邦楽で,唄の終了後に弾く三味線の伴奏 of Japanese music, an accompaniment of a shamisen after singing
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箏と室内楽(邦楽器および洋楽器)のための作品 Pieces for Soh and chamber music (traditional Japanese instruments and Western instruments)
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戦後になると、邦楽系の作曲家に加え、これまで邦楽には疎かったクラシック系の作曲家も創作に参入するようになってきた。 After the war, not only composers of traditional Japanese music but also composers of classical music who were unfamiliar with traditional Japanese music started to collaborate in the creation of music.
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邦楽において,歌と歌との間に入れる楽器だけの短い演奏 (in Japanese songs) short play by 'shamisen' strings only between songs
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邦楽において,裏組という,教習のため分類した曲群 in the teaching traditional Japanese music, a classification of music, called 'uragumi'
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邦楽で,琴や三味線などを複数の人で弾き合わせること an act of playing the koto and samisen with other instruments in concert
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ただし、近親調への転調は近世邦楽では非常に多い。 However, modulation to related keys was very popular in early modern Japanese music.
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現代邦楽では、地歌系以外の三味線にも使うことが多い。 In today's Japanese music, the term "sangen" is used also on the occasion that the instrument is played for music other than Jiuta.
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この4種を「お囃子」(邦楽囃子、長唄囃子)と呼ぶ。 These four instruments are called 'ohayashi' (Japanese orchestra) (hogaku-bayashi (orchestra of Japanese traditional music), nagauta (long epic song with shamisen accompaniment) bayashi).
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中近世以降の邦楽に大きな影響を与えている。 It greatly influenced the traditional Japanese music after the Medieval and modern period.
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東京芸術大学音楽学部邦楽科別科を卒業。 Graduated from the Special Course of the Department of Traditional Japanese Music in the Music Faculty of Tokyo University of the Arts.
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東京芸術大学邦楽科能楽専攻卒業 He graduated from the Department of Traditional Japanese Music of the Faculty of Music, Tokyo National University of Fine Arts and Music, majoring in noh plays.
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それに先立って1957年に結成された邦楽四人の会、邦楽器ブーム初期の1964年より活動を続けている日本音楽集団の活動も、洋楽系現代音楽における重要な邦楽活動として挙げられる。 Activities of Hogaku Yonin no kai (the four players group), which was organized in 1957, and Nihon Ongaku shudan (the group of Japanese musicians), which started activities in 1964 prior to the boom of Japanese traditional instruments, were also significant as the activities of Japanese traditional music conducted by the western contemporary musicians.
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これらには上記の作風を真似て日本で制作された曲(本邦楽)も含む。 These include the numbers created in Japan (Japanese music) imitating the above tunes.
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箜篌、五弦琵琶、阮咸、排簫、尺八(近世邦楽の尺八と異なる)、竽、方響など The Kugo instrument, Gogenbiwa instrument, Genkan instrument, Haisho flute, Shakuhachi flute (different from Shakuhachi in modern time Japanese music), Sho flute, Hokyo percussion, etc.
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器楽合奏的側面が近世邦楽の中でもっとも強く、多くは合奏で演じられる。 Among the modern traditional forms of Japanese music they have the strongest instrumental ensemble aspect, and many are played in the ensemble fashion.
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江戸時代後半の邦楽は、上方でも江戸においても、三味線がその主導権を握っていた。 Shamisen had the initiative of the traditional Japanese music in both Kamigata (Kyoto and Osaka area) and Edo.
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