「Karon」を含む例文一覧(9)

  • Usually, a discussion of the essence of waka is called a karon (treatise on waka poetry) and the study of various knowledge concerning waka other than karon is called kagaku.
    通常、和歌の本質論は歌論と称し、それ以外の和歌に関する諸知識を求める学問を歌学と称する。 - Wikipedia日英京都関連文書対訳コーパス
  • For tanka, Shiki's role played in karon (an essay on waka poems) was far greater than his composed works.
    短歌においては、子規の果たした役割は実作よりも歌論において大きい。 - Wikipedia日英京都関連文書対訳コーパス
  • In the mid-Meiji period, Shiki MATSUOKA's theory of Shaseishugi (realism) first came out, and it shook the world of karon to its foundations.
    明治時代中期になると、正岡子規の写生主義がでて歌論を風靡した。 - Wikipedia日英京都関連文書対訳コーパス
  • Beginning with the kanajo (a preface written in Japanese script) to the Kokin wakashu (Collection of Japanese Poetry from Ancient and Modern Times), which was written in the mid-Heian period, Japanese karon began to expand as a field, and kagaku began to flourish; in keeping with karon, research into the Manyoshu (an eighth-century anthology of Japanese poems) began.
    平安時代中期に成立した古今和歌集仮名序で日本的歌論が展開されるようになってから歌学は盛んとなり、歌論と並んで「万葉集」の研究も始まった。 - Wikipedia日英京都関連文書対訳コーパス
  • "Mumyosho" was a karon sho (a document of theory and criticism about classic Japanese poems) in the Kamakura period written by KAMO no Chomei.
    『無名抄』（むみょうしょう）は、鴨長明による鎌倉時代の歌論書（和歌に関する理論および評論の書）。 - Wikipedia日英京都関連文書対訳コーパス
  • The kagaku of the Meiji period and thereafter was focused on studying ancient waka and old waka anthologies rather than on karon itself; as a result, remarkable progress has been made in research on the Manyoshu and the Kokin wakashu, in study of the history of waka and of karon, and in the bibliographic study of old waka anthologies.
    明治以降の歌学は、歌論よりも古歌・古歌集の研究に重点がおかれ、万葉集・古今和歌集の研究や和歌史・歌論史及び古歌集の書誌学的研究などが目覚しい発展を遂げた。 - Wikipedia日英京都関連文書対訳コーパス
  • From the early to the mid-Kamakura period, many karon books discussing the true essence of waka were written, among which were FUJIWARA no Toshinari and FUJIWARA no Sadaie's "Yugen" and "Ushin," which later became the foundational texts for kagaku in later generations.
    鎌倉時代前期か中期にかけて和歌の本質を論じた歌論書が数多く作られたが、中でも藤原俊成・藤原定家の幽玄・有心の歌論は後世の歌学の基礎となった。 - Wikipedia日英京都関連文書対訳コーパス
  • The karon (an essay on waka poems) written in "Utayomi ni ataeru sho" (Letters to Tanka Poets) placed an emphasis on the close observation in life of realism by sketches and graphics and included praise for "Manyoshu" (Collection of Ten Thousand Leaves) while rejecting "Kokinshu" (praise of "Collection of Ancient and Modern Literatures).
    『歌よみに与ふる書』における歌論は俳句のそれと同様、写生・写実による現実密着型の生活詠の重視と『万葉集』の称揚・『古今集』の否定に重点が置かれている。 - Wikipedia日英京都関連文書対訳コーパス
  • Karon in this period had already moved beyond its original narrow focus on poetry and began to include essays on art in general or essays that outlined an entire ideological system, and thereby came to have a deep influence on other art forms; Zeami, who perfected the art of Noh, commented that "Kagaku is the only type of learning a Noh actor really needs."
    この時代の歌論はその枠を超えて一つの芸術論、思想体系とも言うべきものになっており能の大成者世阿弥も「能楽師に必要な学問は歌学のみである」と述べるなど他の芸能にも大きな影響を与えた。 - Wikipedia日英京都関連文書対訳コーパス

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