「dramatic scene」を含む例文一覧(8)

  • any dramatic scene
    どんな劇的な場面でも - 日本語WordNet
  • Miarawashi (the dramatic technique of clearly revealing one's true identity by oneself after the origin and social status hiding it) in the scene of Hamamatsuya (line of Kikugoro ONOE the fifth in his first performance)
    浜松屋の場での弁天の見顕し（初演の尾上菊五郎_(5代目)の口跡） - Wikipedia日英京都関連文書対訳コーパス
  • At last, Tomokirimaru returns to Sukeroku, and then, the scene ends with a collective dramatic pose performed by pursuers who have just entered onto the stage, Sukeroku, and Agemaki.
    友切丸は助六の手に入り、捕り手がでてきて助六、揚巻による引っ張りの見得で幕となる。 - Wikipedia日英京都関連文書対訳コーパス
  • `Shosadate' (Tchimawari which is incorporated into Buyo works), the scene of Shunkan having a sword fight with Seno in time of Joruri (dramatic narrative chanted to a shamisen accompaniment) is one of highlights of the play.
    妹尾との斬り合いの場面では浄瑠璃に合わせて斬り合いが行われる「所作伊逹」が見どころ。 - Wikipedia日英京都関連文書対訳コーパス
  • In the creative works by novelist and dramatist, the authors and producers often described the scene in this edited manner; placing only Katsu and Saigo in attendance at the meeting, for dramatic necessity.
    小説やドラマなどの創作では演出上、勝と西郷の2人のみが面会したように描かれることが多い。 - Wikipedia日英京都関連文書対訳コーパス
  • Yet many Christians were to suffer a far more dramatic end, vanishing from the scene after being slaughtered during the Shimabara Rebellion, a large-scale uprising which occurred in the former territory of Harunobu ARIMA.
    また、劇的な例では旧有馬晴信領で起こった島原の乱という大規模な一揆の際に殺害され、表から消えていった。 - Wikipedia日英京都関連文書対訳コーパス
  • The Ningyo Joruri play 'Meiboku Sendai Hagi' performed in 1785 was a Ningyo Joruri adaptation of the Kabuki play 'Meiboku Sendai Hagi', and the passages of Joruri (dramatic narrative chanted to a shamisen accompaniment) chanted today for the scene 'Palace' are derived from this play.
    天明5年（1785年）の人形浄瑠璃「伽羅先代萩」は歌舞伎「伽羅先代萩」を改作・浄瑠璃化したもので、現行「御殿」に用いる浄瑠璃の詞章はこの作品から取られている。 - Wikipedia日英京都関連文書対訳コーパス
  • Shinshichi rewrote the script employing some unique techniques: the scene of Umewaka-killing was accompanied by gidayu (a style of reciting dramatic narratives; gidayu accompaniment is also called chobo) which goes well with Kamigata-born Kodanji's performing style, and lines of Umewaka and Sota became warizerifu (divided speech) in seven-and-five syllable meter for a good sound.
    新七は梅若殺しの場を、義太夫の伴奏（チョボ）を入れて上方生まれの小團次の芸風に合わせ、梅若と惣太の台詞を七五調で耳に響きのよいの割科白にするなどの工夫をこらして書き換えた。 - Wikipedia日英京都関連文書対訳コーパス

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