「troupes」を含む例文一覧(25)

  • On the other hand, however, Hideyoshi was not interested in sarugaku performed by troupes other than Yamato-shiza, and as a result many sarugaku troupes ceased to exist during that time.
    しかしその一方で、秀吉は大和四座以外の猿楽には興味を示さなかった為、この時期に多くの猿楽の座が消滅していった。 - Wikipedia日英京都関連文書対訳コーパス
  • In the latter stage of the Heian Period Dengaku troupes were formed under the protection of temples and shrines.
    平安後期には寺社の保護のもとに座を形成していった。 - Wikipedia日英京都関連文書対訳コーパス
  • "Yoza yakusha mokuroku" (Catalog of Actors of the Four Noh Troupes) specified the founder of Ochi-Kanze as Motomasa.
    『四座役者目録』などはこの越智観世の初代を元雅としている。 - Wikipedia日英京都関連文書対訳コーパス
  • Members belonging to the Okura school performed Kyogen in almost all troupes except those belonging to the Kanze school.
    観世流以外の諸座の狂言のほとんどは大蔵流が勤めていた。 - Wikipedia日英京都関連文書対訳コーパス
  • Shite-kata of Kanze-ryu is a school that originated in Yuzaki-troupe, which was one of Four Troupes of Yamato-Sarugaku.
    シテ方観世流は大和猿楽四座のひとつ結崎座に由来する能の流儀。 - Wikipedia日英京都関連文書対訳コーパス
  • Motoshige KANZE (1895 – 1939) was a leading traditional Japanese Noh drama performer (shite-kata) and member of the Kanze school (one of the 5 major Noh troupes).
    観世元滋（かんぜもとしげ、1895年（明治28年）-1939年（昭和14年））は、シテ方観世流能楽師。 - Wikipedia日英京都関連文書対訳コーパス
  • Kiyokazu KANZE (May 21, 1959 -) is a leading traditional Japanese Noh drama performer (shite-kata) and member of the Kanze school (one of the 5 major Noh troupes).
    観世清和（かんぜきよかず、1959年（昭和34年）5月21日-）は、シテ方観世流能楽師。 - Wikipedia日英京都関連文書対訳コーパス
  • Shoroku SEKINE (1930 -) is a leading traditional Japanese Noh drama performer (shite-kata) and member of the Kanze school (one of the 5 major Noh troupes).
    関根祥六（せきねしょうろく、1930年（昭和5年）-）とは、シテ方観世流能楽師。 - Wikipedia日英京都関連文書対訳コーパス
  • Akiyo TOMOEDA (March 24, 1940 -) is a traditional Japanese Noh drama performer and member of the Kita school (one of the 5 major Noh troupes).
    友枝昭世（ともえだあきよ、1940年（昭和15年）3月24日-）とは、喜多流能楽師。 - Wikipedia日英京都関連文書対訳コーパス
  • The theory asserting that each of the above troupes later became Hoshoza, Kanzeza, Kongoza, and Konparuza respectively is being widely accepted.
    それぞれ、後の宝生座・観世座・金剛座・金春座につながるとする説が有力である。 - Wikipedia日英京都関連文書対訳コーパス
  • After World War II in particular, the number of kabuki actors in Kansai gradually decreased, and it became impossible to organize multiple troupes in this region.
    ことに、戦後、関西における歌舞伎役者の数が漸減しはじめると、当地で複数の座を組むことが不可能になった。 - Wikipedia日英京都関連文書対訳コーパス
  • In section 21, the troupes of Yamato Sarugaku that were not allowed in the capital such as Konparuza, Kongoza and Juniza, are introduced.
    第21条では金春座、金剛座、十二座など、中央で認められていない大和猿楽の座が紹介されている。 - Wikipedia日英京都関連文書対訳コーパス
  • Including the story about Kanami's birth, the section is the basic historical material to seek the origin of the troupes, related to the Noh, needless to say about KANZE troupe.
    観阿弥の出生についても語られ、観世家は無論のこと、能楽に関わる諸家の起源を探る根本史料である。 - Wikipedia日英京都関連文書対訳コーパス
  • Okina was dedicated to Tonomine Sarugaku (Sarugaku performed at the Danzan-jinja Shrine of Tonomine-dera Temple) in the form of Yoza Tachiai (Noh performance competitions, in which Noh actors of yoza, or four Za (troupes), namely Kanze, Hosho, Kanparu, and Kongo, perform Noh on the same stage on the same day in competition with each other) already in the Muromachi Period.
    すでに室町時代の多武峰猿楽に四座立合の翁が奉納されていた。 - Wikipedia日英京都関連文書対訳コーパス
  • According to the "Yoza Yakusha Mokuroku" (Catalog of Actors of the Four Noh Troupes), Dozen was a tall handsome man who was a master nicknamed 'Ebisu TAKAYASU.'
    『四座役者目録』によれば道善は大柄な美男子で「高安エビス」のあだ名のある名人であったという。 - Wikipedia日英京都関連文書対訳コーパス
  • Even the Zenshinza, drama company associated with the Japanese Communist Party adheres to the practice of artists inheriting predecessor's acting names as do the avant garde troupes Shinpa-Geki (a New Faction Drama) and Shochiku Shin Kigeki (Shochiku New Comedy).
    （日本共産党と関係を持つ劇団前進座でも襲名はある。現代劇であるはずの新派劇・松竹新喜劇なども） - Wikipedia日英京都関連文書対訳コーパス
  • Whichever year was correct, leadership of the Kanze troupe (one of four sarugaku troupes in Yamato Province) had been transferred from Zeami and his son to the Onami family by the time Nobumitsu was born.
    いずれにせよ信光が生まれた頃には、観世座の主導権は世阿弥父子から音阿弥家へと移行していた。 - Wikipedia日英京都関連文書対訳コーパス
  • It was stated in "Yoza yakusha mokuroku" (Catalog of Actors of the Four Noh Troupes) that he became a believer of Sojun IKKYU and received a requiem from him, but this is doubtful.
    一休宗純に帰依してその引導を受けたと『四座役者目録』などに語られるが、疑わしい。 - Wikipedia日英京都関連文書対訳コーパス
  • In the meantime, four troupes of Yamato sarugaku which were organized in the Muromachi period, Tobiza, Yusakiza, Sakadoza and Enmaiza, are collectively called Yamato-shiza.
    なお、室町期に成立した大和猿楽の外山座（とびざ）・結崎座（ゆうさきざ）・坂戸座（さかどざ）・円満井座（えんまいざ）を大和四座（やまとしざ）と呼ぶ。 - Wikipedia日英京都関連文書対訳コーパス
  • At dawn of the next day, February 2, a ritual called Miya-nobori is held, when Ogi-sama goes back to the shrine, and in the evening another Noh play is performed at the hall of worship of the shrine in the presence of the both troupes.
    翌2日の暁には王祗様が社に帰る宮のぼりという神事があり、夕方から舞台造りの拝殿で両座立ち会いの能が行われる。 - Wikipedia日英京都関連文書対訳コーパス
  • This was a competition where sarugaku and dengaku troupes compete with each other over their skills and advances in 'Tachiai Noh' directly linked with the secular success of a troupe in question.
    これは猿楽や田楽の座がお互いに芸を競い、勝負を決するというもので、「立ち会い能」で勝ち上がることは座の世俗的な成功にを競いしていた。 - Wikipedia日英京都関連文書対訳コーパス
  • However, compared with the two other main schools, the Sagi school and the Okura school serving as official Kyogen schools in the Shogun's court by belonging to Yoza (four troupes of Kyogen), the Izumi school before the Meiji period was no more than a local school performing Kyogen in and around Nagoya (base for the head family and the Matasaburo NOMURA family), Kyoto, and Kanazawa (base for the Tokuro MIYAKE family).
    しかし、四座に属し幕府御用を勤めていた鷺・大蔵二流に比べれば、明治以前の和泉流は名古屋（宗家、野村又三郎家）・京都・金沢（三宅藤九郎家）を中心として活動する地方流儀に過ぎなかった。 - Wikipedia日英京都関連文書対訳コーパス
  • There were four Sarugaku troupes in Uji - Ko, Fujiwaka, Umematsu (梅松) and Shugiku (守菊) - but they were abolished between 1532 and 1554, and Masatada's son, Shirojiro Tadayoshi studied under Chikakata MIYAMASU, who was a master of kotsuzumi, learned Noh from Zenpo KONPARU, and then played an active part in the Konparu troupe.
    宇治の猿楽座はもと幸・藤若・梅松・守菊の四座であったが、早くも天文年間には廃絶し、正忠の子四郎次郎忠能は小鼓の名人宮増親賢に師事し、また金春禅鳳に能を学ぶなどして、金春座で活躍した。 - Wikipedia日英京都関連文書対訳コーパス
  • According to 'KANZE Kojiro Nobumitsu ga zo-san' (inscription to the portrait of Kojiro Nobumitsu KANZE) and "Yoza yakusha mokuroku" (Catalog of Actors of the Four Troupes) written by KEIJO Shurin (abbot of Nanzen-ji Temple in Kyoto), when the 15-year-old Nobumitsu took part in a Sarugaku performed before Emperor Gohanazono, the Emperor gave Nobumitsu a fan to honor his performance through Yoshimasa ASHIKAGA who watched Sarugaku with the Emperor.
    景徐周鱗の書いた「観世小次郎信光画像讃」や『四座役者目録』などよると、15歳の時後花園天皇の御前での猿楽に参加し,天皇の扇を同席した足利義政の手添えで授けられるという栄誉を受けたという。 - Wikipedia日英京都関連文書対訳コーパス
  • Handing down methods from father to son had increased since the late Muromachi period, when the members' roles inside the troupe became traditional, and two of the heads are known as striking masters: the third head Katsuuji (the son of Toyouji) about whom a lot of anecdotes are seen in "Yoza yakusha mokuroku (Catalog of Actors of the Four Noh Troupes)", and the fourth head Ujishige (the son of Katsuuji) who accompanied Zenpo and Ujiaki KONPARU on their stage and was appointed to Gon no kami.
    座内の分業が定着する室町時代後期ごろからは、親子間の世襲が多くなり、『四座役者目録』などに多くの逸話を残す三世勝氏（豊氏の子）、金春禅鳳・氏照らの舞台につきあい権守に任せられた四世氏重（勝氏の子）の二代は際だった名人として知られる。 - Wikipedia日英京都関連文書対訳コーパス

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