「Auden」の共起表現一覧(1語右で並び替え)
該当件数 : 50件
W. H. | Auden, an admirer of Tolkien, described his Sandfiel |
es and his wife Marny were lifelong friends of | Auden and Chester Kallman and visited them each summ |
His contemporaries at Oxford included W. H. | Auden and Cecil Day-Lewis. |
Auden and Kallman described this opera as their equi | |
his visit to Iceland with the Bryanston party, | Auden, and MacNeice, for W. H. Auden: A Tribute, edi |
ar his work was now no longer so influenced by | Auden and he was developing a more traditional style |
hich was set the opening and closing scenes of | Auden and Isherwood's play The Dog Beneath the Skin |
tterland" - a region which strongly influenced | Auden as a boy and which remained a recurrent source |
sio in The Taming of the Shrew, opposite W. H. | Auden as Katherina. |
Ashbery at a 2007 tribute to W.H. | Auden at Cooper Union in New York City. |
She also studied under W. H. | Auden at Young Men's Hebrew Association of New York |
d College and also studied under the poet W.H. | Auden at Bryn Mawr College. |
Among their friends were W. H. | Auden, Benjamin Britten, Gypsy Rose Lee, and Paul an |
ked to translate Mahagonny-Songspiel with W.H. | Auden, but declined. |
Poet W. H. | Auden called Rock Crystal "a quiet and beautiful par |
According to his brother John, | Auden came to love Alston Moor more than any other p |
o the 13th centuries, in translations by W. H. | Auden, Chester Kallman, Howard Mumford Jones, Kennet |
part of a literary circle which included W. H. | Auden, Christopher Isherwood, T. S. Eliot and Sir Is |
As early as 1967, W. H. | Auden conjectured that Sauron might have been a Vala |
lped establish this theme in the mainstream of | Auden criticism. |
For W. H. | Auden, February 21, 1972 (ed. |
of World, was selected by the senior poet W.H. | Auden for the Yale Series of Younger Poets Award; he |
Jones, and J. B. | Auden in pre-Independence times. |
Mitchell, Donald (1981), Britten and | Auden in the Thirties: the year 1936. |
Slater was involved, with Britten and W. H. | Auden, in many of the John Grierson documentaries, s |
W. H. | Auden, Julian Bell, C. Day Lewis, Richard Eberhart, |
At university he associated with W. H. | Auden, Louis MacNeice and Walter Allen. |
Auden, MacNeice, Spender: The Thirties Poetry, with | |
At this point, Britten had already worked with | Auden on a number of large-scale works, including th |
e was co-author, with Robert Forsythe of W. H. | Auden: Pennine Poet (North Pennines Heritage Trust, |
The song bears a resemblance to the W. H. | Auden poem As I Walked Out One Evening, including sh |
Britten asked that | Auden provide him a text for his ode to St Cecilia, |
In it, | Auden reflects on the nature of the relationship of |
nships of Boyce, Boyce, Shuel, Mulloy, Fintry, | Auden, Rogers, Fushimi, Bannerman, Ritchie, Mulvey, |
Schott Music Three | Auden Songs |
W. H. | Auden stayed at the Lord Crewe Arms with Gabriel Car |
odel for the title character of a lost play by | Auden, The Fronny (1930); for the central character |
r Bruce Kidd he persuaded the great poet W. H. | Auden to write and voice the narration. |
t acknowledge this agenda, but simply misreads | Auden's work as if Auden too had this agenda. |
W. H. | Auden used many phrases from Collett's Changing Face |
Auden, W. H. & Taylor, Paul B. (Trans.). | |
George Augustus | Auden was educated at Repton and at Christ's College |
ary in English, written and performed by W. H. | Auden, was used in some of their performances. |
His son W. H. | Auden was born at 54 Bootham, York, in 1907, and in |
The poet W. H. | Auden was to travel a great deal in Britain and abro |
of White Horse, where John Betjeman and W. H. | Auden went to see him celebrate Sung Mass. |
y Benjamin Britten and its commentary by W. H. | Auden, who also wrote the music and words respective |
inuing the tradition of Robert Frost and W. H. | Auden, Wilbur's poetry finds illumination in everyda |
tten (1913-1976), a setting of a poem by W. H. | Auden written between 1940 and 1942. |
espeare's The Tempest, is a long poem by W. H. | Auden, written 1942-44, and first published in 1944. |
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