「cinematography」の共起表現一覧(1語右で並び替え)
該当件数 : 351件
| In | cinematography, a focal length roughly equivalent to twic |
| In photography and | cinematography, a telephoto lens is a specific type of a |
| In photography and | cinematography a normal lens is a lens that reproduces pe |
| Cinematography: A.Venkatesh | |
| 1991, Richardson won the first of his Best | Cinematography Academy Awards for work on Stone's JFK; he |
| gering life and relevant provisions of the | Cinematography Act, 1952. |
| d various film schools to study direction, | cinematography, acting and editing. |
| or Best Director, Best Screenplay and Best | Cinematography, all for ENDGAME. |
| e Irish Film and Television Award for Best | Cinematography; Along Came Polly, starring Ben Stiller an |
| animators enjoyed actors' performance and | cinematography, also "the theme was merry, and the charac |
| Cinematography: Anandakuttan | |
| ated for two Silver Condor Awards for Best | Cinematography and Best Film Editing in 2001. |
| kets, and critics praised the film for its | cinematography and depiction of the historical time perio |
| he award for Best Overall Production, Best | Cinematography and the Local Jury Award at the Malta Inte |
| State Fund for Support and Development of | Cinematography and around six million korun from Eurimage |
| he film won the Caixa de Catalunya in Best | Cinematography and was nominated for the International Fa |
| Soft light use is popular in | cinematography and film. |
| advance from the French National Center of | Cinematography and 465,000 euro from the Belgian French C |
| For work in the technologies of | cinematography and film projection. |
| s nominated for the Academy Award for Best | Cinematography, and Robert D. Webb was nominated for the |
| DVD Exclusive Awards in 2003, one for Best | Cinematography and for Kiefer Sutherland for Best Actor. |
| ent and nude scenes, as well as its lavish | cinematography and formalism were noted at the time of it |
| th Face won the German Film Award for Best | Cinematography and Best Sound and the German Film Critics |
| s gave him invaluable experience of colour | cinematography, and his subsequent films made him one of |
| nt features strong performances, brilliant | cinematography, and a unique score. |
| e prizes - the Audience Choice Award, Best | Cinematography and Best Special Effects. |
| categories Best Film, Best Actor and Best | Cinematography and at the Edinburgh International Film Fe |
| ture, Heart of Africa, AMAA Achievement in | Cinematography and AMAA Achievement in Visual Effect. |
| and four Academy Award nominations for its | cinematography and audio. |
| While the music was termed as tasteless, | cinematography and editing were acceptable by the reviwer |
| ound underfoot - among them, Conrad Hall's | cinematography and . . . |
| hannel 4's review of this film praised the | cinematography and music score: "The movie is redolent wi |
| Academy Awards: Director, Original Score, | Cinematography and Adapted Screenplay. |
| While most of the critics enjoyed the | cinematography and the action scenes, they criticized the |
| ry comedy about modern urban life, and the | cinematography and production design help create a claust |
| languages, he arrived in New York to study | cinematography and photography. |
| ty gave a generally favorable praising the | cinematography and the acting of Zoe Felix saying "the ma |
| y Engineering (v) Printing Technology (vi) | Cinematography and Sound Engineering (vii) Fisheries Tech |
| He was a pioneer of colour | cinematography and won many awards. |
| He goes on to praise the | cinematography and the simultaneous themes that play out |
| Khan), Best Editing (P. S. Bharathi), Best | Cinematography and RD Burman Award for New Music (Naresh |
| add that the "poetic camerawork, luminous | cinematography and Surender Sodhi's tranquilising soundtr |
| for which he won an Academy Award for Best | Cinematography and the British Society of Cinematographer |
| the plot but also praised May's skill and | cinematography and editing. |
| nominated for seven VMAs, winning one for | cinematography, and also won Romanek his third Grammy. |
| some stupendous background music, animated | cinematography and simple effective storytelling. |
| Atmospheric | cinematography and an intriguing script turn this into a |
| these styles further by experimenting with | cinematography and casting real people. |
| deo Music Awards for Best Male Video, Best | Cinematography and Best Video from a Film. |
| The | Cinematography and Sound Engineering section was reorgani |
| e Screen, Best Music, Original Score, Best | Cinematography, and Best Costume Design. |
| Cinematography: Arkady Koltsaty | |
| early James Bond series right down to the | cinematography, art direction and costume of the 1960s. |
| The film won the Academy Awards for | Cinematography, Art Direction (Vincent Korda) and Special |
| ed archery equipment for such blockbusting | cinematography as Gladiator, Kingdom of Heaven, The 13th |
| He also does | cinematography as a hobby, and is the owner of a film com |
| s received two Emmy Awards for outstanding | Cinematography as well as five additional Emmy nomination |
| Cinematography: Ashok Kashyap | |
| French from an early age and later studied | cinematography at the Institut National Superior des Arts |
| Kino Klub Zagreb, before going on to study | cinematography at the Academy of Performing Arts in Pragu |
| a degree in liberal arts, and then studied | cinematography at The New York Film Academy. |
| He studied | cinematography at the University of Texas at Austin. |
| u (1931) - Crosby won an Academy Award for | cinematography at the fourth Academy Award celebration fo |
| Benestad studied | cinematography at Oslo Film and Television Academy. |
| He studied | cinematography at Maine Media Workshops formerly Rockport |
| It won the award for Best | Cinematography at Sundance. |
| t Original Contribution to the Progress of | Cinematography at the 1947 Venice Film Festival. |
| He studied | cinematography at the Academy of Arts in Cairo, Egypt. |
| ational Film Festival, and Winner for Best | Cinematography at the Aspen Shortsfest. |
| Wiegand taught | cinematography at The American Film Institute, UCLA, and |
| His son, Vidu Gunaratna, is studying | cinematography at the Prague Film Faculty. |
| est Screenplay and Best Special Effects or | Cinematography at Fantasporto Film Festival. |
| the Jury's Special Award for Excellence in | Cinematography at the Aarhus Film Festival, in Denmark in |
| 11 nominations and won the award for Best | Cinematography at the African Movie Academy Awards in 200 |
| include computer animation, computational | cinematography, autonomous interactive characters, roboti |
| e-time winner of the Golden Arena for Best | Cinematography award at the Pula Film Festival, the natio |
| king of Vogue, which won the Excellence in | Cinematography Award at the 2009 Sundance Film Festival a |
| e British Society of Cinematographers Best | Cinematography Award for 1979. |
| nematographer and producer, winner of Best | Cinematography Award at 2005 Valencia Festival of Mediter |
| 2007 Boot Polish won best | cinematography award for the short film category at the ( |
| s nominated for a Royal Television Society | Cinematography Award, and Atlantic, directed by Sam Taylo |
| an official nominee of the A.S.C. Heritage | Cinematography Award, and voted 'Best Student Film' of th |
| Excellence in | Cinematography Award: Documentary - Patti Smith: Dream of |
| Excellence in | Cinematography Award: Dramatic - Adriano Goldman for Sin |
| Excellence in | Cinematography Award: Documentary - Heloisa Passos for Ma |
| World Cinema | Cinematography Award: Dramatic - King of Ping Pong (Ping |
| World Cinema | Cinematography Award: Documentary - Recycle |
| Excellence in | Cinematography Award: Dramatic - Ballast |
| olor Film Produced in 1962 at the Canadian | Cinematography Awards. |
| Cinematography: B. N. Konda Reddy | |
| While R. D. Rajasekhar is in charge of | cinematography, Beena Paul edits the film and songs penne |
| emy Award nominations: Best Director, Best | Cinematography, Best Original Music Score and Best Adapte |
| emy Awards, and eventually won three: Best | Cinematography, Best Art Direction and Best Costume Desig |
| Best Supporting Actress, Best Music, Best | Cinematography, Best Lighting Direction, Best Art Directi |
| 1995 David di Donatello: Best | Cinematography, Best Score, Best Sound |
| ment in Art Direction, Best Achievement in | Cinematography, Best Achievement in Overall Sound, Best A |
| and Best Director, and won three, for Best | Cinematography, Best Visual Effects, and Best Art Directi |
| minated for three Academy Awards; for Best | Cinematography, Best Music and Best Art Direction (Hans D |
| any as 10 (Best Film) to as few as 2 (Best | Cinematography, Best Animated Film, Best Screenplay). |
| ions in categories for Best Achievement in | Cinematography, Best Achievement in Costume Design, Best |
| tegories, winning Best Art Direction, Best | Cinematography, Best Editing, Best Screenplay, Best Direc |
| 3 European Film Awards - Best Film, Best | Cinematography, Best discover of the year (Ennio Fantasti |
| a Negative Role (Indraneil Sengupta), Best | Cinematography, Best Editing, Best Screenplay and Dialogu |
| minated for three Academy Awards, for Best | Cinematography, Best Original Song and for Best Art Direc |
| hree UK Music Video Awards, including Best | Cinematography, Best Editing and Best Telecine. |
| Best | Cinematography, Black and White (Charles Lang) |
| Best | Cinematography, Black and White - George Barnes. |
| ting Role (Bel Geddes and Corby), and Best | Cinematography, Black-and-White (Nicholas Musuraca). |
| for an Academy Award in 1944 in the "Best | Cinematography: Black-and-White" category for his work on |
| ctor in a Supporting Role, Sam Jaffe; Best | Cinematography, Black-and-White, Harold Rosson; Best Dire |
| Academy Awards: Oscar, Best | Cinematography, Black-and-White, for Birdman of Alcatraz, |
| Academy Awards; Oscar, Best | Cinematography, Black-and-White, for King Rat; 1966. |
| Academy Awards: Oscar, Best | Cinematography, Black-and-White, for From Here to Eternit |
| Academy Awards: Oscar, Best | Cinematography, Black-and-White, for The Harder They Fall |
| Academy Awards: Oscar, Best | Cinematography, Black-and-White, John F. Seitz; 1955. |
| eived an Academy Award nomination for Best | Cinematography, Black-and-White:Lucien Ballard. |
| t in the background, John McGlashan's fine | cinematography brilliantly conveys the ageless, ritualist |
| he music score was by Conrad Salinger, the | cinematography by Milton R. Krasner and the art direction |
| Sukman with music by Franz Liszt, and the | cinematography by James Wong Howe and Charles Lang (uncre |
| f Tholl Paavai Theatres, the film features | cinematography by M. J. Radhakrishnan and editing by Sree |
| Cinematography by Academy Award winner Harry Stradling Sr | |
| f a Musical Picture, and the 65 mm Todd-AO | cinematography by Leon Shamroy was also nominated. |
| Original music by Mal Waldron and | cinematography by Baird Bryant |
| e music score was by Georges Auric and the | cinematography by Lee Garmes. |
| senman, Frank Perkins and Max Steiner, the | cinematography by Harold Lipstein, the colour coordinatio |
| Mexico, includes a score by Ken Thorne and | cinematography by Xavier Cruz. |
| sic score was by Nicholas Brodszky and the | cinematography by Christopher Challis. |
| usic score was by Bernard Herrmann and the | cinematography by George Barnes. |
| he movie was directed by Jabbar Patel with | cinematography by Binod Pradhan. |
| ted by Raja Gosnell and Nicholas C. Smith; | cinematography by Robert Saad; starring Tom Laughlin, Rod |
| Dialogues are by Ramesh and Gopi, | cinematography by J Siva Kumar. |
| The music score was by Max Steiner and the | cinematography by J. Peverell Marley. |
| won an Irish Film and Television Award for | cinematography by PJ Dillon. |
| tures original music by David Buttolph and | cinematography by Joseph LaShelle. |
| by Kunjumon himself, with music by Agosh, | cinematography by Jayanan Vincent, lyrics by Vairamuthu, |
| al music score was by Bronislau Kaper, the | cinematography by Joseph Ruttenberg and Robert Surtees, t |
| y Joe Klotz, with music by John Crooke and | cinematography by Norwood Cheek. |
| The music score was by Carl Davis and the | cinematography by Guy Dufaux. |
| he music score was by Franz Waxman and the | cinematography by Joseph Ruttenberg. |
| he music score was by Victor Young and the | cinematography by Daniel L. Fapp. |
| music score was by George Antheil and the | cinematography by Victor Milner. |
| The movie was produced by William Fox with | cinematography by Chester A. Lyons and William Cooper Smi |
| he music score was by Franz Waxman and the | cinematography by James Wong Howe. |
| ring music composed by Yuvan Shankar Raja, | cinematography by R. B. Gurudev and K. Devaraj and editin |
| The movie was also praised for its | Cinematography by Ramesh Krishna. |
| sic score was by Richard Addinsell and the | cinematography by Harry Waxman. |
| music score was by Dimitri Tiomkin and the | cinematography by Jack Hildyard. |
| cbeth was produced by D. W. Griffith, with | Cinematography by Victor Fleming. |
| original music was by Paul Glass, and the | cinematography by Terry Sanders. |
| music score was by Georges Delerue and the | cinematography by Peter Hannan. |
| usic score was by Bernard Herrmann and the | cinematography by Leon Shamroy. |
| s by Walter Goehr and Bronislau Kaper, the | cinematography by Freddie Young. |
| The music score was by Roman Vlad and the | cinematography by Louis Page. |
| music score was by Elmer Bernstein and the | cinematography by Charles Lang. |
| The music score was by Roy Webb, the | cinematography by Stanley Cortez and costume design by Ch |
| The music score was by Adolph Deutsch, the | cinematography by George J. Folsey and the choreography b |
| Cinematography by Robert Alazraki. | |
| d by eminent film-maker Arun Khopkar, with | cinematography by Madhu Ambat. |
| Cinematography by Vadim Yusov. | |
| and was directed by Roy William Neill with | cinematography by George Folsey. |
| the music score by Georges Delerue and the | cinematography by Bob Edwards. |
| by B.P. Schulberg and Hector Turnbull with | cinematography by Bert Glennon and edited by E. Lloyd She |
| riginal music was by Frank Skinner and the | cinematography by Winton C. Hoch and Lionel Lindon. |
| for its performances by its lead cast and | cinematography by Shahji N. Karun. |
| Zhang Junzhao, One and Eight also features | cinematography by the soon-to-be-acclaimed Zhang Yimou an |
| tan, has been directed by Saqib Malik with | cinematography by Sanjay Kapoor. |
| he music score was by Bronislau Kaper, the | cinematography by Joseph Ruttenberg, the art direction by |
| Cinematography: C. Ram Prasad | |
| Theodora moved to Los Angeles to pursue a | cinematography career. |
| In 1988-2002 Gusman was chairman of the | Cinematography Centre (Dom Kino) in Moscow. |
| Pinakapasadong Sinematograpiya (Best | Cinematography): Charlie Peralta - Win |
| Clarin Awards: Clarin Award, Best | Cinematography, Checco Varese; 2005. |
| inated for Academy Awards for Exodus (Best | Cinematography Color) (1960)and Anatomy of a Murder (1959 |
| Academy Awards: Oscar, Best | Cinematography, Color, for Spartacus (1961). |
| Academy Awards: Oscar, Best | Cinematography, Color, for Flower Drum Song; 1962. |
| Haldane Douglas, Bertram C. Granger), Best | Cinematography, Color, Best Film Editing, Best Music, Sco |
| rsh, rough and true-to-life quality of the | cinematography contributed immensely to the credibility i |
| Total savings on editing and | cinematography costs amounted to only about $30,000 for a |
| His film | cinematography credits from the era include the 1969 Char |
| Deschanel's | cinematography credits include A Woman Under the Influenc |
| His | cinematography credits include serving as director of pho |
| Cinematography: Dan Geller | |
| started to study visual arts: photography, | cinematography, digital media, editing. |
| r of Fine Arts program in six disciplines: | Cinematography, Directing, Editing, Producing, Production |
| Best Achievement in | Cinematography, Donald McAlpine |
| The film features nature | cinematography during a year at East Africa's Serengeti p |
| merican Beauty: Best Film, Actor, Actress, | Cinematography, Editing and Film Music |
| ), Best Director, Best Adapted Screenplay, | Cinematography, Editing, Overall Sound and Sound Editing. |
| the categories of Best Feature, Directing, | Cinematography, Editing, Special Effects and Musical Scor |
| Cinematography: Eiichi Osawa, Toshiya Onishi | |
| porting Actress: Angela Finocchiaro - Best | Cinematography: Fabio Cianchetti - Best Producer: Riccard |
| Production Design: Luigi Marchione - Best | Cinematography: Fabio Olmi - Best Costume Design: Frances |
| , 1926 - February 5, 2003) was an American | cinematography film teacher and author. |
| Cummings, Best Writing for Tom Barry Best | Cinematography for Arthur Edeson, and Best Picture. |
| 2010 Nominated for Best | Cinematography for the film Raavanan |
| nated and this time win the Oscar for Best | Cinematography, for his work on There Will Be Blood. |
| Nominated - Outstanding | Cinematography For A Miniseries Or Movie - Alan Caso |
| Nominated - Outstanding | Cinematography For A Miniseries Or Movie: Fred Murphy |
| for the Independent Spirit Award for Best | Cinematography for Tough Guys Don't Dance and the Camerim |
こんにちは ゲスト さん
ログイン |
Weblio会員(無料)になると
|
検索履歴を保存できる！
こんにちは ゲスト さん
|
ログイン |
Weblio会員(無料)になると
|
