「motet」の共起表現一覧(1語右で並び替え)
該当件数 : 66件
There, his | motet, a setting of the Psalm Domine Deus, was perfo |
The grand | motet also had a set of stylistic conventions, even |
The grand | motet also had operatic contrast, so a grand motet w |
Structural plan of the | motet and its tenor. |
some serious sacred music: seventeen laude, a | motet and a setting of the Lamentations of Jeremiah. |
sical styles were being created, including the | motet and madrigal. |
orks are antecedents of the concertato chorale | motet and the chorale cantata; there are instrumenta |
e was to win two more, in 1576 and 1583, for a | motet and a chanson respectively. |
h: Jesus, Joy and Treasure (Jesu meine Freude) | motet, Bach Cantata Club conducted by Charles Kenned |
ee mass sections - two Glorias and a Credo - a | motet based on Nesciens Mater, and a substantial thr |
entifies it as "remarkable among Milanese solo | motet books…for its patent vocal viruosity, motivic |
s pleurs are, respectively, a reworking of the | Motet BWV 229 by J.S. Bach (in retrograde and with a |
The psalm was written as a | motet by composers such as Jean-Philippe Rameau and |
"merely count the music out as he counts out a | motet by Josquin". |
he Holy Mother Church of Constantinople') is a | motet by the Renaissance composer Guillaume Dufay. |
rative music composed after the victory is the | motet Canticum Moysis (Song of Moses Exodus 15) Pro |
One of his surviving works is the | motet Circumdederunt me. |
His | motet Clamabat autem mulier Cananea was particularly |
It is the only known | motet composed for performance on an elephant. |
/The Rose Blossoms Recently, is an isorhythmic | motet composed by Guillaume Dufay for the 25 March 1 |
(called a "Puy") at Evreux, for his five-voice | motet Ecce quam bonum et quam jucundum. |
mute cornetts are specified in choir I of the | motet, Erhalt uns Herr bei deinen Wort, however, Pra |
ts; all these works, with the exception of the | motet Et valde mane (1578), survive incomplete. |
Motet for piano duet (1997) | |
Vitrum Nostrum ( | motet for TTB) |
A | motet for women's voices to the text was among the l |
Krzysztof Penderecki wrote a | motet for mixed choir, and Paul Hindemith concludes |
This | motet for 8 voices shows evidence of influence by th |
The | motet foreshadows "aspects of the Requiem such as de |
Although nominally for liturgical use, the | motet has many features in common with Mozart's conc |
petition of the tenor at different speeds, the | motet has a structure of 4x2 parts, with length prop |
were written for the church; they include the | motet In exitu Israel. |
It follows the structure of a | motet insofar as it has a cantus firmus line based o |
Contains | motet intabulations and fantasias. |
In modern times, the | motet is usually sung by a soprano. |
In classical music, | motet is a word that is applied to a number of highl |
The | motet is striking for its synthesis of the older iso |
Chicago Chorale performed J.S. Bach's | Motet Komm, Jesu, Komm, Ralph Vaughan Williams' Mass |
sic performed at it, perhaps including Dufay's | motet Lamentatio sanctae matris ecclesiae Constantin |
The longest is the | motet Letetur plebs. |
Motet Maria Kron, die Engel schon - for five voices, | |
Avant ier me chevauchoi ( | motet no.402) |
urt chapel of Burgundy, and by the time of his | motet Nove cantum melodie (1431) he was evidently a |
The | motet O magnum mysterium comes from the first volume |
A five-part | motet of Johannes Eccard was printed in 1597, one of |
Memorare Mater Christi is a seven-part | motet on the sorrows of the Virgin Mary; each of the |
Peter Cornelius had composed a requiem | motet on these words for a six-part chorus in 1863 a |
ing, Leftover Salmon, MOFRO, Monte Montgomery, | Motet, Particle, Pomeroy, Robert Bradley's Blackwate |
o be the last in the development of the German | motet passion; those composed later were to be of th |
Balthasar Resinarius composed a chorale | motet, printed in 1544. |
The | motet probably belongs to a series of four Lamentati |
Motet Qui vult venire post me - for five voices | |
One | motet, Regnum mundi, is in the progressive concertat |
the song cycle The Pity of Love (1966) and the | motet Salvator Mundi (1976). |
Another composition, the 4 voices | motet Salve virgo virginum attributed to him seems t |
The | motet Sei Lob und Preis mit Ehren (BWV 231) is spuri |
r (1789) he directed the performance of Bach's | motet Singet dem Herrn ein neues Lied that reportedl |
The form used is that of the chorale | motet, the instrumental parts having little signific |
the set is not a madrigal, but rather a Latin | motet: Vide homo, quae pro te patior (Behold, man, h |
d ornamentation of works such as the five-part | motet Virgo salutiferi, which was probably written a |
The | motet was later published by Paraclete Press. |
This religious solo | motet was composed at the time Mozart was visiting M |
known publication is a chanson for 4 voices (a | motet), which dates from 1548. |
surmised that this was the moment when Dufay's | motet would have been performed; other authors have |
In style, much of his | motet writing is homophonic, incorporating some of t |
Vox Dicentis - | motet written in 1911. |
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