「recitative」の共起表現一覧(1語右で並び替え)
該当件数 : 43件
Was ist die Liebe Gottes - a | recitative accompanied by the continuo. |
7. | Recitative and Aria - Adelina |
The opera has set numbers with | recitative and spoken dialog. |
No. 3, | Recitative and Aria: "Oui mon repos l'exige" |
rs of Italian Opera contains Enrico's Act I: | Recitative and Cavatina, Elisa! |
Recitative and Dance Op.1 for orchestra (1934) - perfor | |
'Alfin son sola … Sola e mesta' (Eurilla's | recitative and rondo from Act II. |
scussion involving rapid alternation between | recitative and air styles. |
as Neuer Deutscher Sprechgesang (new German | recitative) and Neue Deutsche Reimkultur (new German po |
onically interesting structure for the secco | recitative, and more involved counterpoint; traits that |
The last words of the soloist in the | recitative are enriched by the strings, like the vox Ch |
fine orchestration, and the careful blend of | recitative, arioso and set piece. |
ns singing "Que tout gemisse," followed by a | recitative between Telaire and Phoebe in which the form |
Act I.1 begins in with a | recitative by the Argonaut Ercole (i.e. |
In movement 2 the poet comments the | recitative by stanza 6 of Paul Gerhardt's chorale O Hau |
This type of | recitative consists of lyrical utterances which change |
The first | recitative describes the desire for God as in Psalm 42: |
onal forms of opera buffa, with arias, secco | recitative, developed in lively acts - but, of course, |
ent drama with modern musical conceptions of | recitative, ensembles and occasional arias. |
Act III, scene 7 - Accompanied | recitative for Arbace, "S'io meritai" |
Act I, scene 10 - Accompanied | recitative for Calliroe and Tarsile, "Ah no, Tarsile" |
Act II, scene 12 - Accompanied | recitative for Beroe and Sammete, "Ma dove, oh Dio, mi |
bers (numeros) much like choruses, arias and | recitative in Italian then French baroque opera. |
e two movements contrasting the chorale with | recitative: in both, in lines 1 to 3 the strings open, |
ed to him are the further development of the | recitative, introduced by Monteverdi, and of infinite i |
The second | recitative is accompanied by the strings and continuo. |
In movement 2, the | recitative is contrasted with chorale phrases, which ar |
ck duel scene via instrumentally accompanied | recitative, its cantabile lines gradually developing in |
part played by violin I. Then a final secco | recitative leads to a repeat of lines 4 and 5, this tim |
Neuer Deutscher Sprechgesang (new German | recitative) meant 1) hip hop has become solely a style |
One exception is the continued use for | recitative music in opera well into the 19th century, t |
The dramatic motive and moving | recitative of the solo in the upper voices on the chord |
l choruses and solos, lies a chilling choral | recitative rehearsing the theme of oppression that was |
, an interpretation which applies a style of | recitative singing. |
Recitative So Recht! | |
Recitative So Lange Mir Der Augen Licht Erlaubt | |
Recitative: So stimmt mit ein und lasst des Tages Lust | |
The opening | recitative, speaking of longing waiting, expands expres |
despite revival efforts, its use even in the | recitative style began to disappear. |
"The Deck of Cards" is a | recitative that was popularized in both the country and |
Recitative Welch Angenehmer Aufenthalt | |
After a | recitative which leads to a choral Amen, the alto soloi |
in a relatively simple way, primarily using | recitative, while aria and arioso movements set newly w |
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