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| Engineered By Pete Moshay & Duane Seykora; Assistant En | |
| Engineered by Robert Collins and Jeff Hooper | |
| Various tracks | engineered by John Agnello, Larry Elyea, Mark Trombino |
| iCool Records) Produced by Jim Dickinson and | engineered by Don Smith |
| The process was primarily developed and | engineered by Karen Taminger, Material Research Enginee |
| Engineered by Mags, Produced and Mixed by Mags and Heca | |
| Produced and | engineered by Don Smith |
| Engineered by Mario Caldato & Allen Abrahamson. | |
| Recorded and | engineered by Scott Burns |
| It was | engineered by Steve Albini, who worked on most of the b |
| Recorded & | Engineered By William Arit |
| Engineered by Patrick Fillett and Paul Foley | |
| produced & | engineered by Kawabata Makoto |
| The mix produced by Hibbert and | engineered by Easter of the "Hib-Tone" version of "Radi |
| Engineered by Scott Burns and Tom Morris | |
| Produced and | engineered by Andy Sneap |
| It's genetically | engineered by the U.S. Government. |
| The album was | engineered by Joel Hamilton |
| was produced by Gasolin' and Tommy Bogs, and | engineered by Freedy Hansson and Flemming Rasmussen. |
| house (1840), designed by Decimus Burton and | engineered by Henry Mangles Denham |
| s album was produced by Robin Williamson and | engineered by Dirk Dalton at Dirk Dalton Recording, San |
| Engineered By Anssi Kippo & Teemu Auvinen | |
| Engineered by Bill Gill, Jamie Lane, Martin Harriso, & | |
| The protocol was reverse | engineered by the internet community, leading to a wide |
| Recorded & | Engineered By "The Wizard" |
| Recorded & | Engineered By Chuck Garric, Sascha Paeth, Olaf Reitmeie |
| town of Birmingham, Alabama and produced and | engineered by house music pioneer Alan Steward. |
| Recorded & | Engineered by Kris Fredriksson |
| n itself was designed by V.A. Spivachuk, and | engineered by P.D Pashkov and Y.V. Lysenko. |
| , and past instrumentals were professionally | engineered by Forrest Mankins. |
| Produced and | engineered by Max Wilcox |
| The single was produced by Guy Stevens and | engineered by Bill Price. |
| l appear in the line-up, and the material is | engineered by George Shilling. |
| Engineered By Andy Johns & Rik Pekkonen | |
| oses his legs and his company in an accident | engineered by his crooked secretary/treasurer, Jim Marl |
| Engineered by Colin Owen and Chris Taylor | |
| Engineered By Ralph Downs & Kingsley Ward | |
| um, Laughing All The While , which was again | engineered by Brian McTear and partly co-engineered by |
| and the band at Protocol Studios London, and | engineered by Giles Hall. |
| The album was produced by Erna and | engineered by the well known producer and engineer Andy |
| Produced, Recorded & | Engineered By Scott Burns |
| Engineered by German engineer Walther Bauersfeld. | |
| Engineered by Ian Boxill, L. Stu Young | |
| Produced and | engineered by Chris Tsangarides |
| It was designed by V.A Spivachyk; | engineered by P.A. Bochikashvili and N.D. Ivanova; and |
| first two albums were produced by Person and | engineered by Rudy Van Gelder. |
| Produced and | engineered by Paul Miner |
| Samples and synthetics | engineered by Kris Wawrzak |
| It was | engineered by The Apples in Stereo and Jim McIntyre, wi |
| Track 1 was produced by Robert Schneider and | engineered by The Apples in Stereo with Ron Marshall, R |
| Engineered by Donivan Cowart and Martin Cowart | |
| 2 was produced by Robert Peter Schneider and | engineered by The Apples in Stereo with Robert Christia |
| Engineered by Zeuss and Dean Baltulonis | |
| Engineered by Geoff Emerick and Ken Scott. | |
| duced by Coryell himself and Danny Weiss and | engineered by Randy Rand, with assistance of Peter Atch |
| Produced and arranged by Patrick Adams and | engineered by Bob Blank and Joe Arlotta, the album was |
| Recorded & | engineered by Jay Healy |
| Second | engineered by Chris "Holmes" Puram |
| of a controversial mid-decade redistricting | engineered by then-House Majority Leader Tom DeLay. |
| Engineered by Mark Heard at Fingerprint Recorders | |
| The majority of the park was designed and | engineered by Eckhoff, Watson and Preator Engineering a |
| Engineered by Adam Dutkiewicz and Wayne Krupa | |
| It was recorded, mixed and | engineered by Kris Belaen at CCR Studios Belgium from A |
| from the band Royal Trux; Wonder Wonder was | engineered by Steve Albini. |
| 6 - produced and mixed by Peter Solley, and | engineered by Casey McMackin |
| roduct was a gasoline-powered delivery truck | engineered by Ford and completed in January 1900. |
| The album was | engineered by Geoff Emerick. |
| Engineered By Rafe McKenna & Andrew Scarth | |
| The album was | engineered by David Ferguson, produced by BYO and SNFU |
| Engineered by Gary Paxton and Pete Romano | |
| Studio in Oxon, England and was produced and | engineered by Chris Hufford and mixed by Timm Baldwin. |
| dge, designed by architect A. Ilyashenko and | engineered by V. Koval, was built in 1966. |
| Engineered by Dennis Thompson and Errol Brown | |
| The album was | engineered by The Apples in Stereo with Ron Marschall, |
| uoted as saying that the Kodori conflict was | engineered by Russia. |
| Engineered By Humberto Gatica & Terry Christian | |
| ecorded at Sarm East Studios in Whitechapel, | engineered by Mickey Foote and produced by Lee "Scratch |
| e at the Kokszoman Studio in Warsaw and were | engineered by Marecki and the keyboards were recorded a |
| Produced & | Engineered by Mathias Schneeberger |
| Engineered by Neal Vanderhoof and Merlin staff | |
| his prosecution was intentionally wrongful, | engineered by presidential advisor Karl Rove and offici |
| Engineered by Daniel Castleman, Kelly Cairns | |
| Co-produced and | engineered by Jamie Hoover |
| ed by Anthony Phillips and Harry Williamson, | engineered by Anthony Phillips, Harry Williamson and Da |
| Produced & | Engineered By Waldemar Sorychta |
| Engineered by Guy Fixsen and Rogin Guthrie | |
| Produced and | engineered by Robin Guthrie |
| Produced and | engineered by Kit Woolven |
| rded in Vancouver, Canada, and was mixed and | engineered by Mike Fraser and produced by Bruce Fairbai |
| Recorded & | Engineered By Scott Henderson |
| Recorded & | Engineered By Rudy Van Gelder |
| Tico studios in March and July 1995, and was | engineered by Ahti Kortelainen. |
| corded in a series of college dorm rooms and | engineered by former band member, Jahn Sood and Dave Ka |
| Engineered by Joseph Arthur and Mike Napolitano | |
| was produced by The Gathering, recorded and | engineered by Jan Schuurman at 'The Van' Mobile Studio. |
| Engineered by Tommy Hansen and Tommy Newton | |
| Engineered By Ray Bardani, Martin Brumbach, Mark Harder | |
| Produced, Mixed and | Engineered by Liam Watson |
| Engineered by Tony Clark and Kete Go at EMI Studios, Ab | |
| However, the recordings from that session, | engineered by Hite Morgan, would ultimately remain unre |
| Many of Thee Sham's recordings were | engineered by John Curley (of Afghan Whigs fame) at Ult |
| Engineered by Dave Charles and Anton Matthews. | |
| gets of a highly controversial redistricting | engineered by Tom DeLay. |
| "Harder To Believe" | engineered by Michael Ross. |
| dent after the Celtic loss in Game 6, a loss | engineered by the Jazz's selfish, one-man-show shooting |
| Shit Brown Eyes was | engineered by Todd Dunnigan, the rest were engineered b |
| Engineered by For the Fallen Dreams and Tom Denney | |
| Engineered by Jeff Roberts, Tom Mudge and Scott Rivard | |
| It was | engineered by Holman Fred Stephens and opened in 1901 a |
| She was built and | engineered by Messrs Napier of Glasgow. |
| Jonathan Cummins (ex doughboys, Bionic) and | engineered by Jace Lasek (The Besnard Lakes). |
| 6 (no description remains), but replacements | engineered by his grandson remained under the bridge un |
| The building is | engineered by DeSimone Consulting Engineers. |
| It was designed and | engineered by Robert Stephenson. |
| cture was built completely in timber and was | engineered by Brunel and K. E. Fletcher. |
| The album was produced and | engineered by Jobson himself. |
| Recorded & | Engineered By David Castillo & Johan Ornborg |
| The power island of this project is being | engineered by Bharat Heavy Electricals Limited, largest |
| Engineered by Bradley Joseph at More Core Studios, Minn | |
| uced by Saussy, Gant, and Bob McCluskey, and | engineered by Ronald Gant, Don's brother. |
| Engineered by Doug Beiden, J.R. McNeely, John & Dino El | |
| Engineered by Scott Krall, Johnny "Six Pack" Gasparic. | |
| The original Poe Lock was | engineered by Orlando Poe and, at 800 feet long and 100 |
| This version was | engineered by British record producer Joe Meek. |
| These dub versions were | engineered by Jim Fox (Lion & Fox) and redubbed by keyb |
| Produced and | engineered by Mark Waterman and Charlie McLean |
| hmed Kloub, and digitized by Waseem EsSayed; | engineered by Jens Bogran |
| Engineered by Grover Helsley, Jimmy Bowen, Ron Treat | |
| The sessions were produced and | engineered by John Leckie. |
| k 9 produced by Leroy Wolfgramm & Gene Hunt; | engineered by David Pinsky; mixed by Leroy Wolfgramm & |
| All tracks written, produced and | engineered by Richard D. James. |
| station it was designed by J.H. Sanders and | engineered by Messrs Allport Jnr and Wilson. |
| Recorded & | Engineered By Steve Vaughn & Terry Brown |
| Mixed and | Engineered by Goold and Andy Baldwin |
| e Toads" and "Tough Situation") produced and | engineered by a young Daniel Lanois in his mother's bas |
| Produced and | Engineered by Tobias Miller & Bill Appleberry |
| Engineered by Francesco Alberti at Casablanca Recording | |
| was recorded at Beech Park Studio, Ireland, | engineered by Philip Begley and produced by Muranaka. |
| deinside was produced by Abe "Voco" Kesh and | engineered by Eddie Kramer, who had worked with The Jim |
| It was produced and | engineered by Buck Herring. |
| The software is | engineered by leveraging the institutional research act |
| Engineered by Keith Rust at Crystal Clear Sound, Dallas | |
| in 1956 in the UK with "Lay Down Your Arms", | engineered by Joe Meek. |
| Engineered by Michael Sauvage, Assisted by Carlos Sauet | |
| Mixed and | Engineered by Joshua "The J" Key |
| Still was produced and mixed by Ethan Johns, | engineered by Dom Monks, and managed by Embargo Managem |
| Produced by Johnny Franz and | engineered by Peter J. Olliff. |
| Co-produced, mixed, and | engineered by Jens Bogren |
| Assistant | engineered by Chris Marshall and Sarah Bedingham |
| Assistant | engineered by Donnell Cameron and Joe Peccerillo |
| Produced and | engineered by Midlake in Denton, TX |
| recorded at Studio Ander Debeers, mixed and | engineered by Adam Merker and mastered at Crystal Maste |
| All songs were produced, mixed and | engineered by Kato Khandwala. |
| Engineered by Kenui Yoshino and Manabu Matsumura (Unive | |
| Recorded & | Engineered By Gilbert Kong & Barry Mraz |
| EP was produced by Ian Mackaye of Fugazi and | engineered by Don Zientara at Inner Ear Studios. |
| Engineered by Hardy Bank, Frank Fiedler and Robert Wede | |
| Engineered by D.D. Verni, Dave Linsk, and Dave Manheime | |
| ust 1979 at Richmond Recorders in Melbourne, | engineered by Tony Cohen. |
| The tower was actually fabricated and | engineered by LeBlanc of Canada but was erected By Towe |
| Mobile sound | engineered by Will Shappland of Manor Mobile |
| Tracks 1 to 5, | engineered by Dan Nebenzal |
| Oakland, California in January 1997 and was | engineered by Billie Joe Armstrong, with cover art by J |
| Engineered by Andy Ernst, except track 10 by Craig Knep | |
| Ballydowse released two albums both | engineered by Steve Albini. |
| g party bosses in a "smoke-filled room," was | engineered by Harry M. Daugherty, Harding's political m |
| produced by Crass drummer Penny Rimbaud and | engineered by John Loder at Southern Studios in north L |
| Engineered by Norio Yoshizawa, Peter Chaikin and Richar | |
| Engineered by Bill Barnett, Don Latarski and Glen Bonne | |
| Engineered by Sam Ginsberg, Lee DeCarlo, Nigel Walker | |
| d and mixed by Mark Kramer (Shimmy Disc) and | engineered by Steve Watson at Noise New Jersey Studio i |
| Y2Kow (1999) Produced and | engineered by Jeffrey Reed |
| advances the theory that AIDS and Ebola were | engineered by the U.S. government with biological warfa |
| Studios, Capri, Italy in June, and was also | engineered by Adam Kasper, but the second engineer on t |
| Recorded & | Engineered By Kjartan Hesthagen & Dr. Davidsen |
| Compagnie d'Opera Invisible de Thibet", and | engineered by Simon Heyworth. |
| tation, New York City in April 1994, and was | engineered by Adam Kasper with second engineering by Ch |
| Engineered by Bruno Kramm, Eva Istok, Ingo Beitz. | |
| The album was produced, mixed, and | engineered by Brian Paulson. |
| It was produced and | engineered by Scott Burns. |
| ) at Coney Island Studios in Madison, WI and | engineered by Wendy Schneider (The Firebird Band, Paris |
| "Move" was | engineered by all-star producer Curt Frasca. |
| n and produced by John Carter and Ken Lewis, | engineered by John Mackswith and released in 1967 on 7" |
| The CD was recorded and | engineered by Joe Fingerote. |
| Produced and | Engineered by Anthony Phillips, assisted by Richard Sco |
| Recordd & | Engineered by Mike Couzzi & John Hagg |
| Engineered by Larry Carlton; Second Engineer: Steve Car | |
| ect, in collaboration with Frank M. Masters, | engineered by Ralph Modjeski and Clement E. Chase. |
| Engineered by A. La Rocque at "Los Angered." | |
| Engineered by James Brindley, this is the first British | |
| Engineered By Chris Wood, Dave Fredric, Mary-Ann Souza, | |
| A comeback tour | engineered by music writer Thomas K. Arnold brought him |
| It was | engineered by Pat Grogan and produced by Hammy. |
| lbums were produced primarily by Beattie and | engineered by various contributors, including Mike Stew |
| d by the architect Norman Foster, structural | engineered by WSP Cantor Seinuk, and constructed by Tur |
| Additionally | engineered by Tom Soares and Noah Evans |
| Assistant | engineered by Tony Gonzalez and Fred Bortolotti |
| s “Holy Smoke” produced by Mike Elizondo and | engineered by Joe Chiccarelli. |
| Produced and | engineered by Phil Burnett and A.J. Novello |
| Mixed by Sean Slade, | engineered by Tim O'Heir. |
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