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「Bel」の共起表現一覧(1語右が「canto」)

該当件数 : 29



Bel canto", 1916, Studio Editoriale, Lombardo
He was also an accomplished exponent of the bel canto repertoire.
students include the American voice teacher and Bel canto scholar Cornelius L. Reid.
ionally sung in interpolations and ornaments in bel canto operas.
ow his example by training young singers in the bel canto vocal tradition.
himself did not claim to be an exponent of the bel canto style.
to contemporary works, with a specialty in the bel canto operas, notably of Rossini.
ularly associated with the 19th century Italian bel canto repertory.
yrical tenor voice makes him well-suited to the bel canto roles, such as those by Rossini.
This can be contrasted to bel canto, which intends to exploit human speech or
He wrote in the bel canto style of the 17th century, and his compos
research and reading up on Massenet and Italian bel canto composers, Richard Bonynge discovered Mas
th Opera Rara, appearing in many long forgotten bel canto works, both on stage and on recording.
Russ performed in a wide range of roles, from bel canto to verismo, her repertory included; Semir
In addition to the bel canto roles for which she is best known, Gencer
or her performances of the soprano roles in the bel canto repertory.
signature, with a versatility ranging from the Bel canto to the furore of Verismo, from the sacred
which was to be such a dominant factor in later bel canto works.
roles, she is best known as an exponent of the bel canto repertoire, notably the works of Rossini,
ly known for the artistry he brought to opera's bel canto roles.
Unlike most of the famous bel canto singers of the past who sacrificed dramat
She then specialized in 19th century Italian bel canto and French repertoire and began an associ
2012 season promises further exploration of the bel canto repertoire as Damrau assumes the title ro
Her best-known roles included the bel canto parts of Amina (in Bellini's La sonnambul
wned teacher of singing, and a proponent of the bel canto vocal method.
...) who are trying to make a cheap effect" and bel canto like elements and rhythms (on them Schiff
not correct to say that Schipa was a master of bel canto; indeed Scott and others regard Schipa's
aroque tenor) is best suited to the baroque and bel canto operas of the 18th and early 19th centuri
er, the grand operas of Guiseppe Verdi, and the bel canto operas of Bellini, Rossini, and Donizetti
                                                                                                   


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