「Rhythm」の共起表現一覧(1語右が「Kings'」)
該当件数 : 39件
| Performed by the Chicago | Rhythm Kings |
| The Washboard | Rhythm Kings 1931 to 1933 (aka. |
| Ammons also recorded as Albert Ammons's | Rhythm Kings for Decca Records in 1936. |
| The | Rhythm Kings' version of "Swanee River Boogie" sold a |
| o appears on Just For A Thrill by Bill Wyman's | Rhythm Kings! |
| t best known for his work with the New Orleans | Rhythm Kings |
| The | Rhythm Kings are known for their live performances as |
| Bill Wyman's | Rhythm Kings are a blues-rock band founded and led by |
| te the music for "The Chant" in 1926 after the | Rhythm Kings broke up in 1925. |
| composition first recorded by the New Orleans | Rhythm Kings in 1923. |
| played early in his career with the Washboard | Rhythm Kings before joining Chick Webb's orchestra fr |
| The band toured on the Downhome | Rhythm Kings package with Brinsley Schwarz & Ernie Gr |
| rty Dozen Brass Band, Roy Rogers and the Delta | Rhythm Kings, Roy Young, Taj Mahal Trio, Booker T. |
| y 1920s and then spent time in the New Orleans | Rhythm Kings before joining Art Kassel. |
| ians who played in this group were New Orleans | Rhythm Kings members Charlie Cordella, Mickey Marcour |
| arly in the 1920s, then joined the New Orleans | Rhythm Kings in the middle of the decade. |
| to New Orleans where they briefly reformed the | Rhythm Kings and made some more recordings. |
| ith a reconstituted version of the New Orleans | Rhythm Kings which also featured Manone. |
| in the original incarnation of the New Orleans | Rhythm Kings (or NORK) under the direction of Bee Pal |
| Hardy did not appear on any of the | Rhythm Kings recording sessions, never making any com |
| After the | Rhythm Kings broke up in Chicago in 1924, Brunies joi |
| azz musician Paul Mares, where the New Orleans | Rhythm Kings rehearsed while they were in town. |
| mpositions and arrangements by the New Orleans | Rhythm Kings continue to be played by "Traditional Ja |
| It was first recorded by the New Orleans | Rhythm Kings in 1922 as "Bugle Call Blues", although |
| t best known for his work with the New Orleans | Rhythm Kings, a leading jazz band of the early 1920s. |
| Inn, but changed their name to the New Orleans | Rhythm Kings after their residency ended. |
| Influenced by artists like the New Orleans | Rhythm Kings and Louis Armstrong from the South, they |
| elly Roll Morton, King Oliver, and New Orleans | Rhythm Kings sides originally made in the 1920s for G |
| nd strong willed musicians, as The New Orleans | Rhythm Kings (N.O.R.K.) became one of the best regard |
| er, Anderson worked with Albert Ammons and His | Rhythm Kings, recording with them the song "Doin' the |
| as those of similar bands like the New Orleans | Rhythm Kings or the Friar's Society Orchestra, but wi |
| eleased recordings as Bob Schulz & His Chicago | Rhythm Kings, Bob Hirsch & Bob Schulz and The Midcoas |
| elances with other groups including the Yankee | Rhythm Kings, the Magnolia Jazz Five, the Back Bay Ra |
| mber of jazz legends including the New Orleans | Rhythm Kings, Sharkey Bonano, Kid Ory, the Eureka Bra |
| t much of the 1920s, including The New Orleans | Rhythm Kings who began playing at Friar's Inn. |
| hearsing, although they toured on the Downhome | Rhythm Kings package with Help Yourself & Ernie Graha |
| s associated with Friar's Inn were New Orleans | Rhythm Kings (originally the "Friar's Society Orchest |
| at they heard on recordings by The New Orleans | Rhythm Kings and others, and would frequently visit w |
| hts, Overnight Sensations, Phantasia, Quinine, | Rhythm Kings, Save Sex, Science Lab, Shakti, Subtranc |
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