「orchestral」の共起表現一覧(2語右で並び替え)4ページ目
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on Center was founded, and Osesp launched an | orchestral subscription series, various educational pro |
sses, including TCProductions, TCManagement, | Orchestral Management Services UK, Manhattan Records an |
, Corale and Serenata, combined conventional | orchestral music set against the famous noise machines. |
In her roles as soloist and | orchestral principal, she has travelled throughout Euro |
As an | orchestral musician, she has performed with the Baltimo |
Notes to Deutsche Grammophon 5262148, Liszt: | Orchestral Works; Shura Cherkassky, piano; Berlin Philh |
Though Lucier had composed chamber and | orchestral works since 1952, the composer and his criti |
Fontmell Magna is the birthplace of the | orchestral conductor Sir John Eliot Gardiner CBE FKC. |
r Bassoon and Mr. Kovar's system of teaching | orchestral and solo repertoire, with focus on extreme c |
n's work consisted of a mixture of teaching, | orchestral and solo work. |
ress full dynamic and emotional range of any | orchestral or soloist work. |
e a wide variety of songs, chamber music and | orchestral works, some (such as his Symphonic Monument: |
He also composed a number of | orchestral works, songs, and jazz pieces. |
y sort of rock or pop group, they are mostly | orchestral with sound effects created in the recording |
Instead, the edit features the | orchestral type sound, which features after the trumpet |
nclude songs for the Super Smash Bros. Melee | orchestral arrangement soundtrack Smashing...Live!, Res |
Addinsell also wrote the short | orchestral piece Southern Rhapsody, which was played ev |
sic commented on the blend of electronic and | orchestral music, specifically noting that in one track |
s singing, choristers learn the piano and an | orchestral instrument, spending at least eighteen hours |
The | orchestral piece St Thomas Wake (1969) also shows this |
"Yume ga Chikara" is a pop song, with an | orchestral and standard band backing, with extended ins |
The song features an extended | orchestral playout starting from 4:16 to 5:29 transitin |
His | orchestral piece Strati won the Icelandic National Broa |
as previously a TV studio and before that an | orchestral recording studio. |
race a diverse range of gothic, darkwave and | orchestral musical styles. |
duced a great variety of music, ranging from | orchestral works such as his Violin Concerto, Op. 36, a |
bining vintage analog synths and organs with | orchestral instruments such as harp, celeste and string |
n, Roger Williams and Eric Robertson, and by | orchestral artists such as James Last and 101 Strings. |
It also forms part of the | orchestral concert suite made of the Arnold film score |
sages, and he revisited the work in his late | orchestral piece Suite on English Folk Tunes, A Time Th |
s the inspiration for Elliott Carter's large | orchestral work Symphonia: sum fluxae pretium spei. |
These included Rimsky-Korsakov's | orchestral virtuosity, Tchaikovsky's lyricism and Taney |
Orchestral Percussion Techniques (Oxford: University, 1 | |
al work including the Prize of Honor for his | orchestral composition, Tenebrae, presented by the Aust |
Orchestral works: Thalassa Symphony in D minor (Boosey) | |
at the composer wanted to create a "clearer" | orchestral sound than had been the case for the precedi |
The music is more in the traditional | orchestral tradition than much of Glass's work as a fam |
y by a "bump bump!" sound effect - a pair of | orchestral hits that are simultaneous to the flashing o |
ht-ahead” modern jazz as well as chamber and | orchestral works that utilize certain elements of the N |
in a rock direction, abandoning many of the | orchestral instruments that defined their originating s |
Critics saw the work as a clumsy attempt at | orchestral writing that departed too stridently from th |
The violin solo is prefaced by a brief | orchestral interlude that serves to propose the melodic |
the Galapagos, but with an entire minute of | orchestral introduction that was clipped for the Cusco |
n switched to intricately crafted 3D with an | orchestral soundtrack; the whole Octocat story (and as |
She performed with the National | Orchestral Association, the National Symphony Orchestra |
ed a competent performance of Rachmaninoff's | orchestral fantasy The Rock the previous year. |
In 1970 his | orchestral work The Sound of Milo won first prize in th |
playing a harmonised bass part in nearly all | orchestral music, the player often also directing the o |
ncy of the final cadence in a thick vertical | orchestral tutti, the melody ascends through chromatic |
Entrata della regina, | orchestral, for the coronation of Queen Beatrix (1980) |
Een Prince van Orangien, | orchestral, for the silver jubilee of Queen Juliana (19 |
In | orchestral use, the bars are mounted horizontally. |
sky-Korsakov's Third Symphony and Glazunov's | orchestral fantasy The Forest. |
Entrata Festiva, | orchestral, for the wedding of Princess Beatrix (1966) |
Unlike the rotary valves used on most other | orchestral horns, the Pumpenventil contributes to the l |
iddle section of the Jupiter movement of his | orchestral suite The Planets and named after the Englis |
he 1930s she was first flute of the National | Orchestral Association, the New Opera Company, and the |
In 1885 he wrote his only | orchestral work, the Piano Concerto in E-flat major. |
Instead of the traditional | orchestral introduction, the piece begins with one shor |
portunities in music - including exceptional | orchestral training, the pursuit of artistic excellence |
ize from the The Gentlewoman for an original | orchestral work The Winds of the World. |
In the | orchestral exposition, the theme is introduced by the s |
tor, as well as composing violin concertoes, | orchestral music, the musical comedy Von Hand zu Hand a |
m, including what is probably his best known | orchestral work, the Variations and Fugue on a Theme by |
e at the Auckland Philharmonia and her major | orchestral work, The Improbable Ordered Dance, written |
he Choir collaborates regularly with choral, | orchestral, opera, theatre and dance organizations, inc |
Pendereckian aesthetic to even post-rock and | orchestral minimalism, this score is contagious in its |
In 2004, another | orchestral tribute, this time to the Islay single malt |
ra), which feature a rock group playing with | orchestral accompaniment, this is orchestral music whic |
Indeed, it was regarded as too loud for | orchestral use, though it was suitable for outdoor use |
His works include six | orchestral pieces, three concertos and the chamber oper |
g Japanese audiences to much of the European | orchestral tradition through his conducting. |
The LSO presents a wide variety of | orchestral programming throughout its seasons. |
It was founded to offer high quality | orchestral playing to younger people who live in Somers |
ing of the first movement, with little of an | orchestral tutti to contrast with. |
he Orchestra was among the first established | orchestral ensembles to record for the gramophone; Colu |
Commissioned by the Minnesota | Orchestral Association to honor the memory of Ken and J |
ccasional use of 3/1, and is one of very few | orchestral works to use either of these time signatures |
tereo image of the full drum kit, as well as | orchestral recording to create a balanced stereo record |
It was written as an | orchestral counter-march to the "Colonel Bogey March" w |
st!, producers, Phil and Leonard Chess added | orchestral strings to the background music of James's v |
In addition, Melcher added an | orchestral overdub to the track in an attempt to emulat |
, released in 1976, is an album that uses an | orchestral arrangement to produce the Brazilian sound o |
repertoire spans the all-time favourites and | orchestral masterpieces to exciting cutting-edge premie |
(Rimsky-Korsakov's | orchestral introduction to the opera, however, draws on |
rom the creation; they are clearly having an | orchestral approach to composing. |
, masses, and cantatas, and adapted numerous | orchestral works to four to eight pianos for use in his |
ted The Love Unlimited Orchestra, a 40-piece | orchestral group to be used originally as a backing ban |
this collection arranger Ernie Freeman wrote | orchestral parts to overdub the original Co & Ce master |
d professionally recorded, culminating in an | orchestral piece to be written during the senior year. |
Pops had carved out a niche, bringing light | orchestral music to wide audiences. |
orchestral arrangements: Tony Cox | |
The premiere of the | orchestral suite took place in Vienna on 31 January 192 |
dion, mandolin, percussion, whistles, bells, | orchestral and track arrangements. |
Orchestral Score transcribed by Robert Wilding. | |
oscia (1954), the first Finnish dodecaphonic | orchestral work, Trittico sinfonico (1958), and Aurea d |
Ian Anderson plays the | Orchestral Jethro Tull - in Butzbach (Germany) 6 June 2 |
the band plays a version of the traditional | orchestral warmup tune before launching into the song w |
e four symphonies, four symphonic poems, two | orchestral pantomimes, two orchestral suites, two piano |
ment able to provide a real approximation of | orchestral music under the control of one performer wit |
e age of five, playing trumpet and having an | orchestral background until his teen years. |
t commonly refers to a 17th- or 18th-century | orchestral piece used as an introduction, interlude, or |
The principal | orchestral music venues are the Royal Festival Hall, an |
In addition to his | orchestral activities, VerMeulen has performed and taug |
Though the final | orchestral trumpet version appears on his 1996 album Pe |
The album consists of | orchestral cover versions of both older and contemporar |
e the previous album left off with more lush | orchestral jazz via the London Session Orchestra, this |
A CD of two | orchestral works, Vixen and In Transit, featuring the B |
solo such as Variations imaginaires (1967); | orchestral music; vocal work; and chamber music such as |
d Philharmonic and Choir provide traditional | orchestral and vocal backing throughout the album. |
al of seventeen operas and operetta, several | orchestral and vocal works, as well as songs and piano |
Hirschler composed | orchestral, piano, vocal and dramatic works, and showed |
nificant reduction and re-arrangement of the | orchestral and vocal forces, with the number of harps i |
sed a wide range of works including chamber, | orchestral and vocal music, music for solo instruments, |
Thanks to his mastery of both | orchestral and vocal music, Mondonville brought to the |
ainly to opera, it also includes concerts of | orchestral, chamber, vocal and solo instrumental music. |
living in The Netherlands, of mostly stage, | orchestral, chamber, vocal, piano, electroacoustic, and |
Although many of his works are | orchestral, Jack Wall has worked in a wide variety of s |
piano version was published in 1911, and an | orchestral version was published in 1912. |
The album, of avant-garde | orchestral music, was originally conceived by Richard R |
The | orchestral score was composed by Russell Shaw with Dann |
Orchestral Favorites was reissued in a digitally remast | |
The | orchestral beginning was actually the end of "Mr. |
Her first major | orchestral piece was titled Landscape (1988). |
But the first to truly perform and record | orchestral jazz was Fletcher Henderson, starting in abo |
The | orchestral arrangement was by Andrew Pryce Jackman, who |
were recorded, meaning the record (including | orchestral overdubs) was completed in 3 weeks. |
The | orchestral section was conducted by Scott Laird. |
score had been in print since 1936, the full | orchestral score was not published until 1973. |
Among the most significant composers of | Orchestral jazz was Duke Ellington, developing his mode |
The | orchestral music was recorded in Havana, Cuba, and Cole |
The | orchestral version was first heard in public on 11 Janu |
his output includes both light classical and | orchestral as well as jazz and pop arrangements for big |
Lack of interest was so great that the | orchestral parts were not published until 1874. |
a common generic name for French suites (his | orchestral suites were similarly named). |
nd produced by the rock band Queen (although | orchestral sections were by Howard Blake). |
e first edition, but it is not known why the | orchestral parts were changed to D major, and this orch |
The full score and | orchestral materials were believed to have been destroy |
Orchestral arrangements were by John Psathas. | |
A recent example of its use for | orchestral composition were in Jonathan Harvey's Speaki |
Orchestral elements were added to increase the drama an | |
The | orchestral sessions were conducted by Frank Barber. |
the tapes were sent to New York City, where | orchestral arrangements were written by Philip J. Lang |
However, the | orchestral parts were retrieved by Alexander Siloti and |
lished, and in 1964 the manuscript score and | orchestral parts were destroyed in a fire at Chappell's |
became one of the first female professional | orchestral musicians when she was selected by Sir Henry |
sic archive, he founded The Library of Light | Orchestral Music, which is housed in a barn at his farm |
responsible for helping develop the Canberra | Orchestral Society, which would later become the Canber |
edy, initiated them into music and formed an | orchestral group which was later known as Maihar Band. |
In the Act's finale, Newman likens the | orchestral turmoil which follows Tosca's stabbing of Sc |
Shaun Davey's first major | orchestral suite which was composed for uilleann pipes |
use a post-Wagnerian tonal idiom and for her | orchestral works which exhibit a wide range of influenc |
ward-winning solo vocal albums and conducted | orchestral albums which have gone Platinum in Germany a |
begins, the mellotron provides an ascending | orchestral sound, which ends abruptly when the verses b |
He wrote over 350 songs and wrote many | orchestral arrangements, which are now kept at the Will |
anus encouraged Sibelius to compose a purely | orchestral work, which turned out finally to be this wo |
ion, Delius used the song as the basis of an | orchestral work, which was first performed in 1908. |
on has advocated a limited use of vibrato in | orchestral performances, which has brought him both acc |
le larger one, and establishes the soloistic | orchestral writing which is sporadically found in works |
he group's goal is to reverse the mainstream | orchestral trend which features mostly older classical |
The members of the jury are prominent | orchestral players who continue to assist the orchestra |
usually features guest artistes between the | orchestral pieces, who sing with full orchestral accomp |
s compositions include choral, instrumental, | orchestral, and wind band works. |
"If You Were with Me Now" ( | Orchestral version with Keith Washington) - 3:12 |
he Horizon Series' Opus I and II provided an | orchestral library with solo instruments and ensembles. |
d Finnish orchestras, including several solo | orchestral appearances with the Finnish Radio Symphony |
D (with special guest Eric Sardinas), and in | orchestral form with the Netherlands Metropole Orchestr |
Switchblade Symphony's music combined | orchestral sounds with heavy synth sequences and ethere |
s re-recorded the track with elaborate, lush | orchestral instrumentation with a flamenco acoustic gui |
sawa utilizes a distinctive style of merging | orchestral music with techno, rock, heavy metal and got |
Orchestral concerts with the Slovak Radio Symphony Orch | |
s The Lion King (while Hans Zimmer wrote the | orchestral score with Lebo M for the African chants) in |
He has also made many solo | orchestral appearances with Finnish city orchestras, pe |
gh Flux Festival in 1998 and 1999 playing an | orchestral set with a full choir, which hinted at the d |
ree or four sessions prior to a concert, and | orchestral administrators won't accommodate that. |
His | orchestral concert work, Rainbow Body, has been one of |
one quartet, woodwind quintet), many shorter | orchestral works, works for wind ensemble and band, cha |
f the major nineteenth and twentieth century | orchestral choral works. |
ilm, but late in the game, it was decided an | orchestral score would be more appropriate for this his |
Most of his output was | orchestral, and would frequently spice his works with e |
imsky-Korsakov's Flight of the Bumblebee; an | orchestral interlude written for the opera The Tale of |
r published (by a composer unknown) with the | orchestral parts written out in D major. |
Op. 90, commonly known as the Italian, is an | orchestral symphony written by German composer Felix Me |
”Carillon” is a recitation with | orchestral accompaniment written by the English compose |
oved recording quality and allowed intricate | orchestral pieces, yielding a sound texture unlike prev |
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