「orchestral」の共起表現一覧(2語左が「of」)
該当件数 : 66件
The film also made use of the | orchestral arrangements of Oldfield's first two albums, |
Several of his | orchestral and chamber works have been inspired by lyri |
"Nuages", one of the three sections of the | orchestral piece Nocturnes by Claude Debussy |
in fact, to publish the poem as part of the | orchestral score. |
Fontmell Magna is the birthplace of the | orchestral conductor Sir John Eliot Gardiner CBE FKC. |
Greer has had hundreds of choral, | orchestral and piano works published. |
h Symphony Orchestra recorded several of his | orchestral pieces on the Hyperion record label. |
owever, it is only recently that a CD of his | orchestral works has been produced. |
The album, of avant-garde | orchestral music, was originally conceived by Richard R |
ed copies of the initial versions of Liszt's | orchestral works, making suggestions on scoring. |
A characteristic feature of his | orchestral writing is the near-omnipresent piano; many |
e residents through the presentation of live | orchestral music." |
The premiere of the | orchestral suite took place in Vienna on 31 January 192 |
Gaute Storaas, composer of the | orchestral arrangements, released a statement on his ro |
sawa utilizes a distinctive style of merging | orchestral music with techno, rock, heavy metal and got |
or Chandos Records as well as discs of other | orchestral works. |
It has a program of leading-edge | orchestral, operatic, jazz, and electroacoustic perform |
n's work consisted of a mixture of teaching, | orchestral and solo work. |
ion, Delius used the song as the basis of an | orchestral work, which was first performed in 1908. |
vocal, in addition to the sounds of certain | orchestral instruments. |
by Tchaikovsky as the final movement of his | orchestral Suite No.4 "Mozartiana". |
d some of her scores, including three of her | orchestral works (Piano Concerto, Symphony, and Phantas |
hopefully, meet the quality standards of the | orchestral world.”. |
use of synthesizers in place of traditional | orchestral instruments. |
Mitja Nikisch was the son of celebrated | orchestral conductor Arthur Nikisch and, like his fathe |
ed a competent performance of Rachmaninoff's | orchestral fantasy The Rock the previous year. |
g is missing the fanfare intro, parts of the | orchestral bridge, and the 2nd to last chorus. |
in a rock direction, abandoning many of the | orchestral instruments that defined their originating s |
Ballard composed of numerous | orchestral, choral, and chamber works, many composed on |
A CD of two | orchestral works, Vixen and In Transit, featuring the B |
It also forms part of the | orchestral concert suite made of the Arnold film score |
mber 2003) was a Dutch composer of classical | orchestral, chamber and vocal music, often featuring vi |
d in 1881 which destroyed large parts of the | orchestral score. |
also occasionally appear as part of Western | orchestral or other musical performances. |
stival offers apprenticeships in each of the | orchestral instruments as well as collaborative piano, |
worked for several years as conductor of the | orchestral society of Turku. |
n releasing world premiere recordings of the | orchestral work of romantic composers. |
merica) which had indications of some of the | orchestral scoring. |
composer, now resident in Kuwait, of mostly | orchestral and chamber works that have been performed i |
attle conducted the first performance of the | orchestral song cycle Songs of Joy in Philadelphia. |
ing of the first movement, with little of an | orchestral tutti to contrast with. |
is also noted for his large oeuvre of light | orchestral and brass band compositions, as well as his |
1 and was able to perform small parts of the | orchestral version on the piano. |
second movement in the jocular nature of the | orchestral phrases, but contains some of the accented n |
sic archive, he founded The Library of Light | Orchestral Music, which is housed in a barn at his farm |
on is primarily known as a composer of light | orchestral pieces and has produced a considerable body |
s, each round is named after the title of an | Orchestral Manoeuvres in the Dark song, as well as all |
d for a Grammy Award in the category of Best | Orchestral Performance. |
on, on the track "Eclipse", a section of the | orchestral version of "Ticket to Ride" can very faintly |
nificant reduction and re-arrangement of the | orchestral and vocal forces, with the number of harps i |
material previously intended as part of the | orchestral fabric and at which the soloist merely embro |
l instruments with the exception of Martin's | orchestral arrangement. |
young composers to receive hearings of their | orchestral works. |
The loss of the | orchestral score has prevented the modern revival of th |
Thanks to his mastery of both | orchestral and vocal music, Mondonville brought to the |
g and crediting Patton for the "depth of his | orchestral arrangements" calling them "surprisingly mat |
iddle section of the Jupiter movement of his | orchestral suite The Planets and named after the Englis |
ress full dynamic and emotional range of any | orchestral or soloist work. |
the first time the composer heard one of his | orchestral works performed publicly. |
lection, and has now become part of standard | orchestral repertoire. |
en recorded as yet, though recordings of the | orchestral piece Lighthouses of England and Wales and a |
r Bassoon and Mr. Kovar's system of teaching | orchestral and solo repertoire, with focus on extreme c |
wareness of the infinite variety of American | orchestral music, reflecting geographic, stylistic, and |
programmed over 80 concerts of contemporary | orchestral music; commissioned more than 20 works and p |
e of the pre-eminent interpreters of English | orchestral music, British-born conductor James Judd has |
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