「continuo」の共起表現一覧(1語右で並び替え)

continuo

1語右で並び替え

該当件数:63件

  • 614 and 1620, is unusual in including a basso continuo, a plainly Baroque feature which, though comm
  • r of oboes and oboe da caccia, strings, basso continuo, an obbligato violin and an obbligato bassoon
  • music, songs, trios for two violins and basso continuo, and several operas.
  • mein Herze haben - an aria accompanied by the continuo and featuring the solo organ.
  • ng of 6 sonatas for solo violin/cornetto with continuo and 12 sonatas for various instruments.
  • ces in Holan's collection also included basso continuo and even obbligato instruments such as violin
  • e and accompanying instruments, usually basso continuo, and was closely related to the contemporary
  • Zagreb where he teaches harpsichord and basso continuo as the assistant to prof.
  • As continuo bass lines were composed both faster in motio
  • The duet is also accompanied only by the continuo, but seems complete.
  • s a sacred oratorio for chorus, orchestra and continuo by Georg Philipp Telemann.
  • The basso continuo can be provided by a variety of instruments.
  • Komm in mein Herzens Haus: Soprano aria with continuo; chorale melody not present.
  • r da chiesa sonatas for two violins and basso continuo described by Colista as Symphonies.
  • Six sonatas for 2 violas and basso continuo for harp, op. 4 (London, 1760)
  • Six Trio sonatas for flute, viola with basso continuo for harp or cello (London, 1747)
  • x pieces for flute, oboe or viola, with basso continuo for harp or cello, op. 3 (London, 1750)
  • books under Harvard University press: Bach's Continuo Group (1986), Bach and the Patterns of Invent
  • Concerto for Trumpet, Strings, and Continuo in D Major
  • S 95: Trio for 2 violins & continuo in G major
  • rcell's Cibell for trumpet, strings and basso continuo in C major (Z 678).
  • "Overture: La Lyra, suite for strings & continuo in E flat major, TWV 55 (Telemann) - 1:43
  • about 1610 he adopted the technique of basso continuo in his sacred works - hardly a conservative t
  • oboe da caccia), two violins, viola and basso continuo including bassoon.
  • Also, once on the jube was a continuo instrument for the choir - the third organ in
  • harpsichords were more usually employed as a continuo instrument, playing a harmonised bass part in
  • ence of Viadana, the popularizer of the basso continuo, is evident, but he still remained true to th
  • begins as an arioso, only accompanied by the continuo, leading to prayer, recitativo accompanied by
  • ows varying degrees of Italian influence; the continuo madrigals and small concertato motets are ver
  • 6 Sonatas for Flute and Continuo Op. 2
  • 6 Sonatas for Recorder and Continuo Op. 1
  • Il primo libro de madrigaletti, 3 voices and continuo, Op. 4 (1624)
  • combine with instruments, whether just basso continuo or basso continuo and others.
  • The continuo part is open to interpretation in matters of
  • Gould himself played the continuo part on a "harpsipiano", a grand piano modifi
  • s and the increasing practise of doubling the continuo part with a bowed bass (cello or viol) made t
  • ds (the Vox Christi) that receive a sustained continuo part.
  • and like repertoire; Giulio Cesare (1724) has continuo parts labelled both arciliuto and tiorba.
  • omposed the chorale cantata in 1724, but only continuo parts of the first four movements survived of
  • oce is also credited with the first published continuo parts, many of his double-choir collections b
  • e, serving as a sort of encyclopedia of basso continuo patterns and realizations.
  • l Serenissimo Sig.r Duca di Mantoa, col basso continuo per il Clavicembano, Chittarone, od altro sim
  • He appears as continuo player on Britten's recordings of Bach and Pu
  • land etc.) mostly as a soloist, but also as a continuo player of chamber music.
  • abroad, and also works as an accompanist and continuo player, as well as teaching the organ.
  • teenth-century Italian and English solo song, continuo practices and lute technique.
  • e around 1600, including monody and the basso continuo, preferring instead to work in the polyphonic
  • sitions for string orchestra with an extended continuo section, a few vocal soloists, and the occasi
  • in Venice in 1616, is for 12 voices and basso continuo), settings of the Passion according to each o
  • He wrote numerous masses, many with basso continuo, showing his familiarity with contemporary pr
  • age and church music as well as concertos and continuo sonatas.
  • Camerata and new musical works based on basso continuo, such as Giulio Caccini's two collections, Le
  • d the instrumental; the two treble-plus-basso continuo texture of the Corellian trio sonata late in
  • assoon, two horns, two trumpets, strings, and continuo: this instrumentation is effective in outdoor
  • use of a small orchestra of strings and basso continuo to meet the limitations of public opera house
  • Dering wrote three books of motets with continuo, two of canzonets and one of continuo madriga
  • pet, flute, two oboes d'amore, strings, basso continuo, vocal soloists and choir.
  • After 1603, a basso continuo was added to the already considerable forces
  • rvative in using Latin and avoiding the basso continuo, which was eagerly adopted by many other cont
  • accompanied by the violins in unison and the continuo, which also takes part in their motifs.
  • and instruments; and he also includes a basso continuo, which evolves from a mere duplication of the
  • All of the motets are accompanied by basso continuo, with organ providing the sustaining line.
  • concertos for solo violin, strings and basso continuo, with a 'capriccio' for unaccompanied violin