「Supporting Actor」を含む例文一覧(81)

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  • This was because Watanabe Ken was nominated for best supporting actor in the movie "The Last Samurai."
    これは，渡辺謙(けん)さんが，映画｢ラスト・サムライ｣で最優秀助演男優賞にノミネートされたからである。 - 浜島書店 Catch a Wave
  • Morgan Freeman was named best supporting actor for his role as an ex-boxer who takes care of a boxing gym.
    モーガン・フリーマンさんは，ボクシングジムを管理する元ボクサーの役で，最優秀助演男優に選ばれた。 - 浜島書店 Catch a Wave
  • Christian Bale and Melissa Leo won the awards for best supporting actor and actress for "The Fighter."
    ｢ザ・ファイター｣のクリスチャン・ベールさんが助演男優賞を，メリッサ・レオさんが助演女優賞を受賞した。 - 浜島書店 Catch a Wave
  • Shigejuro FUKUO (October 18, 1943 -) is a Noh actor of the Fukuo school of waki-kata (supporting actors).
    福王茂十郎（ふくおうしげじゅうろう、1943年（昭和18年）10月18日-）とは、ワキ方福王流能楽師。 - Wikipedia日英京都関連文書対訳コーパス
  • In "Shichinin no Kai" (a Kabuki study group created by seven Kamigata [Kyoto and Osaka area] actors) and "Nizaemon Kabuki"(Kabuki launched by a Kabuki actor Nizaemon KATAOKA the 13th), he played important roles supporting leading players.
    七人の会や仁左衛門歌舞伎では脇をかためる重要な役割を担った。 - Wikipedia日英京都関連文書対訳コーパス
  • This is a relatively new style of Noh aimed at dramatic composition, with the active involvement of the waki (supporting actor).
    ワキの積極的な関与が見られるなど、劇的構成を目指した比較的新しいスタイルの能である。 - Wikipedia日英京都関連文書対訳コーパス
  • in Japanese entertainments, a supporting role or a clown who plays comically by making fun of or imitating the leading actor
    日本の諸芸能で,主役を揶揄したり模倣したりして滑稽に演じる脇役や道化役 - EDR日英対訳辞書
  • In this way, the system for supporting the performance of the actor by compensating the lack of experience of the staff 2 in charge of the actor can be inexpensively organized with the minimum cost of introducing the system.
    導入に際して最小限の負担で役者担当スタッフ２の経験不足を補ってその演技を支援するシステムを安価に構築することが出来る。 - 特許庁
  • The techniques of the members of the Nohgaku Performers' Association, i.e., expert Noh performers, and their amateur pupils are divided into the following four categories: 'Shitekata' (main role), 'Wakikata' (supporting actor), 'Hayashikata' (people who play hayashi, or the musical accompaniment), and 'Kyogenkata' (farce actor).
    能楽協会会員すなわち玄人の能楽師および彼らの素人弟子たちの技術は、「シテ方」「ワキ方」「囃子方」「狂言方」の4種類に分けられる。 - Wikipedia日英京都関連文書対訳コーパス
  • 1899: Born in Kaminobori-cho, Hiroshima City as the first son of Ichimatsu TESHIMA, waki-kata (a supporting actor) of Takayasu-ryu school, and grown up in the Miyajima-cho.
    1899年、ワキ方高安流豊嶋一松の長男として広島市上幟町に生れ宮島町に育つ。 - Wikipedia日英京都関連文書対訳コーパス
  • In this case, two actors perform together (Shimai also has another variation in which two actors, Shite and Waki (supporting actor), perform together like 'Daija' (big snake).
    このような場合には演者が二人となる（「大蛇(能)」のようにシテとワキの二人で舞う仕舞もある）。 - Wikipedia日英京都関連文書対訳コーパス
  • The role of Okaya is a rather difficult role since it can emphasize Kanpei's tragedy if performed by an experienced supporting actor.
    おかやは老巧な脇役が演じることで勘平の悲劇が強調されるのでかなりの難役である。 - Wikipedia日英京都関連文書対訳コーパス
  • His pilgrim with his retainers (Waki and Wakizure [companion appearing with the supporting actor]) through Nara, Settsu Province, Awaji Province and Naruto are recited, and they reach Shido no ura (Shido Bay).
    従者（ワキ、ワキヅレ）による奈良、摂津国、淡路国、鳴門の道行きが謡われ、志度の浦に到着。 - Wikipedia日英京都関連文書対訳コーパス
  • Yaichi HOSHO (July 2, 1908 - March 11, 1985) was a Nohgakushi (Noh actor) playing waki (supporting roles) of Shimogakari-Hosho-ryu school.
    宝生弥一（ほうしょうやいち、1908年（明治41年）7月2日-1985年（昭和60年）3月11日）は、ワキ方下掛宝生流の能楽師。 - Wikipedia日英京都関連文書対訳コーパス
  • Kenzo MATSUMOTO (March 21, 1899 - September 15, 1980) was a Noh actor of the Shimogakari Hosho school of waki-kata (supporting actors).
    松本謙三（まつもとけんぞう、1899年（明治32年）3月21日-1980年（昭和55年）9月15日）とは、ワキ方下掛宝生流能楽師。 - Wikipedia日英京都関連文書対訳コーパス
  • Mai-goto means abstract acts (mai) that, in Noh, the shite (an actor playing the leading part), tsure (a supporting actor) and waki (the partner of a shite) perform accompanied solely by the hayashi (music played in the background), mostly in the latter half of a Noh or a Kyogen (a farce played during a Noh cycle) play.
    舞事（まい-ごと）とは、能において、主として一曲の能や狂言の後半部分に能シテ、能シテ、能ワキが能囃子のみによって演じる抽象的な所作（舞）をいう。 - Wikipedia日英京都関連文書対訳コーパス
  • Arata/Shin HOSHO (November 16, 1870 - June 10, 1944) was a Noh actor of the Hosho school of waki-kata (supporting actors).
    宝生新（ほうしょうあらた／しん、明治3年10月23日(旧暦)（1870年11月16日）-昭和19年（1944年）6月10日）はワキ方宝生流能楽師。 - Wikipedia日英京都関連文書対訳コーパス
  • In 1955, he was again awarded the Blue Ribbon award for best supporting actor for his performance in the movies "Koko ni izumi ari" (Here Is a Fountain) directed by Tadashi IMAI and "Chiyari Fuji" (A Bloody Spear on Mount Fuji) directed by Tomu UHIDA.
    1955年には今井正監督の『ここに泉あり』、内田吐夢監督の『血槍富士』で2度目のブルーリボン助演賞を受賞した。 - Wikipedia日英京都関連文書対訳コーパス
  • Shimai is also performed by Waki-kata (supporting actors) like 'Choryo' and 'Rashomon Gate,' and a Noh farce actor also performs komai (short dances in Noh farce) that is similar to Shimai.
    また「張良(能)」「羅生門(能)」のようにワキ方の仕舞もあり、能狂言方においても小舞として仕舞に似た上演形態がある。 - Wikipedia日英京都関連文書対訳コーパス
  • The first generation head was Kyuemon Tadatsugu SHINDO (1552 - 1635), who had learned from Sokatsu HORIIKE (a follower of Motoyori KANZE), a great waki (supporting actor) performer of te-sarugaku (amateur Noh), before the establishment of this school.
    初世進藤久右衛門忠次（1552年～1635年）が、手猿楽のワキとして活躍していた堀池宗活（観世元頼の弟子）に学んで一流を興した。 - Wikipedia日英京都関連文書対訳コーパス
  • Performance content information especially on the arrangements and timing, in which the lack of experience is easily exposed, is transmitted to an actor terminal 6 owned by each staff 2 in charge of an actor for supporting the staff 2 in charge of the actor who demonstrates the attraction, and further, performance start command information is transmitted according to the progress of the attraction.
    アトラクションを実演する役者担当スタッフ２を支援するために、経験不足が特に露呈しやすい段取り合わせとタイミング合わせとに対し、それぞれの役者担当スタッフ２が所持する役者端末６にそれぞれ演技内容情報を送信し、さらにアトラクションの進行に合わせて演技開始指示情報を送信する。 - 特許庁
  • He also played the role of a witty director in the movies in Shacho (president) series, in which he acted together with Hisaya MORISHIGE and Keiju KOBAYASHI, and won a reputation as being an indispensible supporting actor in Japanese movies.
    また森繁久彌、小林桂樹と共演した社長シリーズでも軽妙な重役を演じるなど、日本映画にかかせない名脇役として人気を博した。 - Wikipedia日英京都関連文書対訳コーパス
  • There is an episode when Satsuma domain attacked the Aizu-jo Castle during the Boshin War, communication with a Shinto priest who was called as a guide impossible., after much consideration, yokyoku was thought of and conversation was carried out in the same way as the dialogue between shite (main actor) and waki (supporting actor) and finally done well.
    戊辰の役に、薩摩人が会津城を攻めた時、道案内にと呼び出した神官との間に、どうしても話が通じない。思案の末、謡曲のことを思い出し、シテとワキとの掛け合いよろしく問答を進め、やっとうまく行ったという逸話がある。 - Wikipedia日英京都関連文書対訳コーパス
  • This film won four Academy Awards this year: best picture, best director for Clint Eastwood, best actress for Hilary Swank, and best supporting actor for Morgan Freeman.
    この映画は，今年度アカデミー賞の４つの賞，最優秀作品，最優秀監督(クリント・イーストウッド)，最優秀主演女優(ヒラリー・スワンク)，最優秀助演男優(モーガン・フリーマン)を受賞した。 - 浜島書店 Catch a Wave
  • The style of "Han-Noh" shortens "Maeba" scenes after initial "shidai" (one of component parts of a Noh play) or "dan" (a section) including "nanori" (announcement of one's name) and "michiyuki" (going on a road) of "Waki" (supporting actor), and performs scenes after machi-utai (a song sung by a waki in the middle of a noh play).
    その形態は、冒頭の次第もしくはワキの名乗から道行などまでのワキを中心とする段を演じた後、前場の残りの部分を略し、待謡以降を演奏するといったものである。 - Wikipedia日英京都関連文書対訳コーパス
  • For instance, Kenji USHIO, a regular supporting actor in Imai's films, introduces in his memoir a story about the filming of the final scene in "Kome" which took one week to finish because Imai was so concerned about the shape of the sail and position of a ship and even the cloud position.
    例えば常連パイプレーヤーであった潮健児は自伝で、『米』のラストシーンの収録に、船の帆の貼り具合や船の位置、果ては雲の位置までを気にするあまり1週間かかったなどのエピソードを紹介している。 - Wikipedia日英京都関連文書対訳コーパス
  • In such "Shojo" (the nochi-ba of the original "Shojo"), usually the nochi-jite performs the mai alone, however, by kogaki (stage direction), sometimes a tsure (supporting actor) plays Shojo as well and two Shojo perform tsure-mai (dance by two performers); the kogaki referring to the tsuremai is different by schools, such as 'so-no-mai' (Kanze School and Konparu School), 'wago' (Hosho School), 'wago-no-mai' (Kongo School), and 'ninin-midare' (Kita School).
    後シテが一人で舞うのが常の型だが、「双之舞」（観世・金春）、「和合」（宝生）、「和合之舞」（金剛）、「二人乱」（喜多）などの小書がつくと、シテとツレの二人の猩々を出し、連舞になる。 - Wikipedia日英京都関連文書対訳コーパス
  • In 1952, he won the highest praise from critics for his brisk and cheerful performance in the movies "Ketto Kagiya no Tsuji" (The Duel at the Key-Maker's Corner) scripted by Kurosawa and "Okasan" (Mother) directed by Mikio NARUSE, and in 1952, he was awarded the best supporting actor prize of Mainichi Film Contest as well as that of Blue Ribbon Prize (movie).
    1952年に黒澤脚本の『決闘鍵屋の辻』、成瀬巳喜男監督の『おかあさん』での明朗できびきびとした演技が批評家から絶賛され、1952年度の毎日映画コンクール、ブルーリボン賞(映画)の男優助演賞を受賞する。 - Wikipedia日英京都関連文書対訳コーパス
  • The fall of 1923 saw the emergence of a new film star, Tsumasaburo BANDO, as well as young new directors Buntaro FUTAGAWA and Kintaro INOUE, both born in the twentieth century and thus still in their early twenties; consequently, Ichitaro was more and more often given roles as supporting actor, and his last leading role, acting alongside Utako TAMAKI, was in "Moyuru Uzumaki" (Burning Spiral), directed by Koroku NUMATA, which was made in 1924 when Ichitaro was forty-seven.
    同年秋には新スター阪東妻三郎が登場、二川文太郎、井上金太郎といった20世紀生まれの20代前半の監督が登場するにあたり、次第に脇にシフト、47歳を迎える1924年（大正13年）の沼田紅緑監督の『燃ゆる渦巻』での環歌子との共演あたりが最後の主役となる。 - Wikipedia日英京都関連文書対訳コーパス
  • From the end of the Sengoku period (period of warring states) (Japan) to the Azuchi-Momoyama period, waki (supporting actors), which had until then been played by the secondary actor in the troupe and had not been differentiated from shite-kata (main roles) (usually, this was called as 'waki no shite' or 'waki no toryo' to be distinguished from the later waki-kata), was gradually differentiated from shite-kata as own official duties.
    戦国時代(日本)末期から安土桃山時代にかけては、それまで座の第二位の役者が担当し、特にシテ方と区別されることのなかったワキの役（通常これを後世のワキ方と区別して「脇のシテ」「脇の棟梁」などと呼ぶ）が、徐々に独自の職掌としてシテ方から区分されるようになってきていた時期であった。 - Wikipedia日英京都関連文書対訳コーパス
  • According to Hyoe ENOKI, an excellent supporting actor who had often appeared in Nakahira's films because of his performance laying his life on the line and his unique appearance, for example, the part of a killer who did a desperate stunt to become a fireball with gasoline in "Wakakute Warukute Sugoi Koitsura" (Young, evil, and excellent gays), Nakahira, who had been a dandy as a stylist since he was an assistant director, had a long face and got really mad when he was called a 'horse face' by Yasushi SUZUKI and Hyoe ENOKI at the time of shooting of "Yaro ni Kokkyo wa nai."
    『若くて悪くて凄いこいつら』の殺し屋役で、ガソリンを浴びて火だるまになる決死のスタントを自ら行う等、その体を張った演技と特異な風貌で中平にも度々起用されていた名バイプレーヤー・榎木兵衛の話によると、助監督時代からスタイリストとしてダンディーな中平であったが、面長な顔だったため、『野郎に国境はない』の時に鈴木ヤスシと榎木兵衛から「馬ヅラ」と言われて本気で怒ったそうである。 - Wikipedia日英京都関連文書対訳コーパス
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